RISSET, Jean-Claude

1986b

Arte e scienza: musica elettroacustica numerica

In Doati, Roberto & Vidolin, Alvise (eds.) Nuova Atlantide. Il continente della musica elettronica 1900-1986. Venezia: La Biennale: 103-120.

Language(s): Italian

Keyword(s):

Acustica

Dispositivi elettroacustici

Tecniche di sintesi/risintesi

Psicoacustica

Abstract:

L'articolo analizza la cosiddetta ‘rivoluzione elettrica'. Presenta una panoramica storica delle prime sperimentazioni (John Cage, ENIAC, Max Mathews, IRCAM, 4X e DX7), i vari approcci (musica acusmatica, sintesi, tempo reale, opere miste) e la ricerca psicoacustica. L'articolo termina con alcune citazioni tratte da Francis Bacon, Honoré de Balzac, Lady Ada Lovelace, Edgar Varèse, Iannis Xenakis.

Abstract translation(s): (English)

RISSET, Jean-Claude (1986b). Arte e scienza: musica elettroacustica numerica (Arts and Science: Digital electroacoustic music)

All references of the same author:

(English)

Risset, Jean-Claude (1969). L'ordinateur, instrument de musique
Risset, Jean-Claude (1971). Synthesis of Sound by Computer and Problems concerning Timbre
Risset, Jean-Claude (1975). Musique et informatique
Risset, Jean-Claude (1978). Concerning the Synthesis of Musical Sounds by Computer
RISSET, Jean-Claude (1982). Tecniche digitali del suono: influenza attuale e prospettive future in campo musicale (Digital sound techniques: current influences and future perspectives in music)
Risset, Jean-Claude (1985a). Computer Music Experiments 1964-
Risset, Jean-Claude (1985b). Digital Techniques and Sound Structure in Music
Risset, Jean-Claude (1985c). Le compositeur et ses machines. De la recherche musicale
Risset, Jean-Claude (1985d). Musique et perception
Risset, Jean-Claude (1986a). Timbre et synthèse des sons
Risset, Jean-Claude (1990). Composer le son: expérience avec l'ordinateur, 1964-1989
Risset, Jean-Claude (1991a). Some Comments About Future Music Machines
Risset, Jean-Claude (1991b). Timbre, Analysis by Synthesis: Representations, Imitations, and Variants for Musical Composition
Risset, Jean-Claude (1992a). Composing Sounds with Computers
Risset, Jean-Claude (1992b). The Computer as an Interface: Interlacing Instruments and Computer Sounds; Real-time and Delayed Synthesis; Digital Synthesis and Processing, Composition and Performance
Risset, Jean-Claude (1993). Synthèse et matériau musical
Risset, Jean-Claude (1994). Sculpting Sounds with Computers: Music, Science, Technology
Risset, Jean-Claude (1995). A few Remarks on Electroacoustic Music
Risset, Jean-Claude (1996a). Problems of Analysis and Computer Music
Risset, Jean-Claude (1996b). Real-World Sounds and Simulacra in my Computer Music
Risset, Jean-Claude (1998). Quelques observations sur l'espace et la musique aujourd'hui
Risset, Jean-Claude (1999a). Composing in Real-time?
Risset, Jean-Claude (1999b). Pierre Schaeffer : recherche et création musicales et radiophoniques
Risset, Jean-Claude (1999c). Évolution des outils de création sonore
Risset, Jean-Claude (1999d). Nouveaux gestes musicaux : quelques points de repère historique
Risset, Jean-Claude (2000). Temps et musique numérique
Risset, Jean-Claude (2001a). Synthèse et traitements des sons: sur la composition de Sud
Risset, Jean-Claude (2001b). Problèmes posés par l'analyse d'œuvres musicales dont la réalisation fait appel à l'informatique
Risset, Jean-Claude (2002). Examples of the Musical Use of Digital Audio Effects
Risset, Jean-Claude (2003). Computer Music: Why?
Risset, Jean-Claude (2004). The liberation of sound, art-science and the digital domain: contacts with Edgard Varèse
Risset, Jean-Claude (2005). Quelques points de vue sur l'invisible
Risset, Jean-Claude (2005a). Sur l'impact de l'œuvre scientifique, technique et musicale de John Chowning
Risset, Jean-Claude (2005b). Horacio Vaggione: Towards a Syntax of Sound

(Français)

Risset, Jean-Claude (1969). L'ordinateur, instrument de musique
Risset, Jean-Claude (1975). Musique et informatique
Risset, Jean-Claude (1985c). Le compositeur et ses machines. De la recherche musicale
Risset, Jean-Claude (1985d). Musique et perception
Risset, Jean-Claude (1986). Timbre et synthèse des sons
Risset, Jean-Claude (1990). Composer le son : expérience avec l'ordinateur, 1964-1989
Risset, Jean-Claude (1993). Synthèse et matériau musical
Risset, Jean-Claude (1998). Quelques observations sur l'espace et la musique aujourd'hui
Risset, Jean-Claude (1999b). Pierre Schaeffer : recherche et création musicales et radiophoniques
Risset, Jean-Claude (1999c). Évolution des outils de création sonore
Risset, Jean-Claude (1999d). Nouveaux gestes musicaux : quelques points de repère historique
Risset, Jean-Claude (2001a). Synthèse et traitements des sons : sur la composition de Sud
Risset, Jean-Claude (2001b). Problèmes posés par l'analyse d'œuvres musicales dont la réalisation fait appel à l'informatique
Risset, Jean-Claude (2005). Quelques points de vue sur l'invisible
Risset, Jean-Claude (2005a). Sur l'impact de l'œuvre scientifique, technique et musicale de John Chowning

(Italiano)

RISSET, Jean-Claude (1982). Tecniche digitali del suono: influenza attuale e prospettive future in campo musicale

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