Language(s): English

Vol. 1, No. 2. 1972

• Wiggen, Knut (1972). The Electronic Music Studio at Stockholm, its Development and Construction.

  Interface-Journal of New Music Research: Vol. 1, No. 2. Lisse: Swets & Zeitlinger: 127-165.

• Tempelaars, Stan, Koenig, G.M. (1972). The Computer at the Institute of Sonology, Utrecht.

  Interface-Journal of New Music Research: Vol. 1, No. 2. Lisse: Swets & Zeitlinger: 167-174.

Vol. 2, No. 1. 1973

• Sabbe, Hermann (1973). Das Musikdenken von Karel Goeyvaerts in Bezug auf das Schaffen von Karlheinz Stockhausen.

  Interface - Journal of New Music Research Vol. 2, No. 1. Lisse: Swets and Zeitlinger: 101-113.

Vol. 2, No. 2. 1973

• Smoliar, Stephen W. (1973). Basic Research in Computer-Music Studies.

  Interface-Journal of New Music Research: Vol. 2, No. 2. Lisse: Swets & Zeitlinger: 121-125.

Vol. 3, No. 2. 1974

• Radovanovic, Vladan (1974). The Radio Belgrade Electronic Studio.

  Interface-Journal of New Music Research: Vol. 3, No. 2. Lisse: Swets & Zeitlinger: 169-176.

Vol. 6, No. 1. 1977

• Truax, Barry (1977). The Soundscape and Technology.

  Interface-Journal of New Music Research: Vol. 6, No. 1. Lisse: Swets & Zeitlinger: 169-176.

Vol. 7, No. 4. 1988

• Landy, Leigh (1988). How Often Have you Seen Your Compositions Performed? A Plea for More Audio-visual Collaborations in Experimental Music.

  Interface: Vol. 7 no. 4. Lisse: Swets & Zeitlinger: 241-249.

Vol. 8, No. 1. 1979

• Keane, David (1979). Some Aspects of Teaching Electronic Music Composition.

  Interface-Journal of New Music Research: Vol. 8, No. 1. Lisse: Swets & Zeitlinger: 1-9.

Vol. 8, No. 3. 1979

• Shinohara, Makoto (1979). New Music in Japan.

  Interface - Journal of New Music Research Vol. 8, No. 3. Lisse: Swets and Zeitlinger: 169-185.

Vol. 9, No. 1. 1980

• Truax, Barry (1980a). The Inverse Relation Between Generality and Strength in Computer Music Programs.

  Interface - Journal of New Music Research Vol. 9, No. 1. Lisse: Swets and Zeitlinger: 49-57.

Vol. 9, No. 2. 1980

• Heifetz, Robin Julian (1980). Japanese Analog Electroacoustic Music.

  Interface - Journal of New Music Research Vol. 9, No. 2. Lisse: Swets and Zeitlinger: 71-82.

• Haus, Goffredo (1980). Summing Up the Situation of Computer Music in Italy at the Conference of Milan.

  Interface - Journal of New Music Research Vol. 9, No. 2. Lisse: Swets and Zeitlinger: 115-121.

Vol. 9, Nos. 3-4. 1980

• Radovanovic, Vladan (1980). The Composer Between Man and Music.

  Interface-Journal of New Music Research: Vol. 9, No. 3-4. Lisse: Swets & Zeitlinger: 207-209.

Vol. 10, Nos. 3-4. 1981

• Toop, Richard (1981). Stockhausen’s Electronic Works: Sketches and Work-Sheets from 1952-1967.

  Interface - Journal of New Music Research Vol. 10, No. 3-4. Lisse: Swets and Zeitlinger: 149-197.

Vol. 13, No. 4. 1985

• Welsh, John (1985). Music in the Air. A Radio Landscape - Here and There.

  Interface-Journal of New Music Research: Vol. 13, No. 4. Lisse: Swets & Zeitlinger: 199-223.

Vol. 14, Nos. 3-4. 1985

• Thies, Wolfgang (1985). Notationsmöglichkeiten für elektronische Musik (Possibilities of Electronic Music Notation).

  Interface - Journal of New Music Research Vol. 14, No. 3-4. Lisse: Swets and Zeitlinger: 185-235.

Vol. 16, No. 2. 1977

• Buxton, William A. S. (1977b). A Composer’s Introduction to Computer Music.

  Interface - Journal of New Music Research Vol. 16, No. 2. Lisse: Swets and Zeitlinger: 57-72.

Vol. 16, No. 3. 1987

• Koenig, Gottfried Michael (1987). Genesis of Form in Technically Conditioned Environments.

  Interface-Journal of New Music Research: Vol. 16, No. 3. Lisse: Swets & Zeitlinger: 165-175.

Vol. 16, No. 4. 1987

• Thies, Wolfgang (1987). Vorschläge für eine physikalisch-akustische Notation elektronischer Musik.

  Interface - Journal of New Music Research Vol. 16, No. 4. Lisse: Swets and Zeitlinger: 247-264.

Vol. 20, No. 2. 1991

• Doati, Roberto (1991). György Ligeti’s Glissandi: An Analysis.

  Interface-Journal of New Music Research: Vol. 20, No. 2. Lisse: Swets & Zeitlinger: 79-87.

Vol. 20, Nos. 3-4. 1991

• Truax, Barry (1991). Capturing Musical Knowledge in Software Systems.

  Interface-Journal of New Music Research: Vol. 20, No. 3-4. Lisse: Swets & Zeitlinger: 217-233.

Vol. 21, No. 1. 1992

• Risset, Jean-Claude (1992b). The Computer as an Interface: Interlacing Instruments and Computer Sounds; Real-time and Delayed Synthesis; Digital Synthesis and Processing, Composition and Performance.

  Journal of New Music Research Vol. 21, No. 1. Lisse: Swets and Zeitlinger: 9-19.

• Truax, Barry (1992b). Musical Creativity and Complexity at the Threshold of the 21st Century.

  Journal of New Music Research Vol. 21, No. 1. Lisse: Swets and Zeitlinger: 29-42.

Vol. 21, No. 2. 1992

• Vandenheede, Jan (1992). Jonathan Harvey’s Ritual Melodies.

  Journal of New Music Research Vol. 21, No. 2. Lisse: Swets and Zeitlinger: 149-183.
  Also published in: Journal of Electroacoustic Music: Vol. 5. London: Sonic Arts Network: 9-25.

Vol. 22, No. 1. 1993

• Little, David (1993). Composing with Chaos; Applications of a New Science for Music.

  Journal of New Music Research Vol. 22, No. 1. Lisse: Swets and Zeitlinger: 23-51.

• Borio, Gianmario (1993). New Technology, New Techniques: The Aesthetics of Electronic Music in the 1950’s.

  Journal of New Music Research Vol. 22, No. 1. Lisse: Swets and Zeitlinger: 77-87.

Vol. 22, No. 3. 1993

• Schloss, W. Andrew, Jaffe, David A. (1993). Intelligent Musical Instruments: The Future of Musical Performance or the Demise of the Performer?.

  Journal of New Music Research Vol. 22, No. 3. Lisse: Swets and Zeitlinger: 183-193.

• Pope, Stephen Travis (1993). Real-Time Performance via User Interface to Musical Structures.

  Journal of New Music Research Vol. 22, No. 3. Lisse: Swets and Zeitlinger: 195-212.

Vol. 22, No. 4. 1993

• Smalley, Denis (1993). Defining Transformations.

  Journal of New Music Research Vol. 22, No. 4. Lisse: Swets and Zeitlinger: 279-300.

• Wishart, Trevor (1993). From Architecture to Chemistry.

  Journal of New Music Research Vol. 22, No. 4. Lisse: Swets and Zeitlinger: 301-315.

Vol. 23, No. 3. 1994

• Fischman, Rajmil (1994b). Music for the Masses.

  Journal of New Music Research Vol. 23, No. 3. Lisse: Swets and Zeitlinger: 245-264.

Vol. 24, No. 1. 1995

• Di Scipio, Agostino (1995a). Inseparable Models of Materials and of Musical Design in Electroacoustic Music.

  Journal of New Music Research Vol. 24, No. 1. Lisse: Swets and Zeitlinger: 34-50.

Vol. 24, No. 2. 1995

• Povall, Richard (1995). Compositional Methods in Interactive Performance Environments.

  Journal of New Music Research Vol. 24, No. 2. Lisse: Swets and Zeitlinger: 109-120.

Vol. 24, No. 4. 1995

• Di Scipio, Agostino (1995b). Centrality of Techné for an Aesthetic Approach on Electroacoustic Music.

  Journal of New Music Research Vol. 24, No. 4. Lisse: Swets and Zeitlinger: 369-383.

• Rocha Iturbide, Manuel (1995). Unfolding the Natural Sound Object through Electroacoustic Composition.

  Journal of New Music Research Vol. 24, No. 4. Lisse: Swets and Zeitlinger: 384-391.

Vol. 25, No. 1. 1996

• Helmuth, Mara (1996). Multidimensional Representation of Electroacoustic Music.

  Journal of New Music Research Vol. 25, No. 1. Lisse: Swets and Zeitlinger: 77-103.

Vol. 25, No. 3. 1996

• Iazzeta, Fernando (1996). Formalization of Computer Music Interaction through a Semiotic Approach.

  Journal of New Music Research Vol. 25, No. 3. Lisse: Swets and Zeitlinger: 212-230.

Vol. 26, No. 1. 1997

• Voorvelt, Martijn (1997). The Environmental Element in Barry Truax’s Composition.

  Journal of New Music Research Vol. 26, No. 1. Lisse: Swets and Zeitlinger: 48-69.

• Pennycook, Bruce (1997). Live Electroacoustic Music: Old Problems, New Solution.

  Journal of New Music Research Vol. 26, No. 1. Lisse : Swets and Zeitlinger.

Vol. 27, Nos. 1-2. 1998

• Delalande, François (1998). Music Analysis and Reception Behaviours: Sommeil by Pierre Henry.

  Journal of New Music Research Vol. 27, No. 1-2. Lisse: Swets and Zeitlinger: 13-66.

• Lewis, Andrew (1998). Francis Dhomont’s Novars.

  Journal of New Music Research Vol. 27, No. 1-2. Lisse: Swets and Zeitlinger: 67-83.

• Dack, John (1998a). Strategies in the Analysis of Karlheinz Stockhausen’s Kontakte für elektronische Klänge, Klavier, und Schlagzeug.

  Journal of New Music Research Vol. 27, No. 1-2. Lisse: Swets and Zeitlinger: 84-119.

• Giomi, Francesco, Ligabue, Marco (1998). Evangelisti’s Composition Incontri di Fasce Sonore at WDR: Aesthesic-Cognitive Analysis in Theory and Practice.

  Journal of New Music Research Vol. 27, No. 1-2. Lisse: Swets and Zeitlinger: 120-145.

• Emmerson, Simon (1998a). Acoustic/Electroacoustic: The Relationship with Instruments.

  Journal of New Music Research Vol. 27, No. 1-2. Lisse: Swets and Zeitlinger: 146-164.

• Roy, Stéphane (1998). Functional and Implicative Analysis of Ombres Blanches.

  Journal of New Music Research Vol. 27, No. 1-2. Lisse: Swets and Zeitlinger pages 165-184.

Vol. 29, No. 1. 2000

• Di Scipio, Agostino (2000). An Analysis of Jean-Claude Risset’s Contours.

  Journal of New Music Research Vol. 29, No. 1. Lisse: Swets and Zeitlinger: 1-21.

Vol. 29, No. 2. 2000

• Brattico, Elvira, Sassanelli, Fiorella (2000). Perception and Musical Preferences in Wishart’s Work.

  Journal of New Music Research Vol. 29, No. 2. Lisse: Swets and Zeitlinger: 107-119.

Vol. 30, No. 4. 2001

• Davies, Hugh (2001). The Preservation of Electronic Musical Instruments.

  Journal of New Music Research Vol. 30, No. 4. Lisse: Swets and Zeitlinger: 295-302.

• Orcalli, Angelo (2001). On the Methodologies of Audio Restoration.

  Journal of New Music Research Vol. 30, No. 4. Lisse: Swets and Zeitlinger: 307-322.

• Goebel, Johannes (2001). IDEAMA - The International Digital Electroacoustic Music Archive.

  Journal of New Music Research Vol. 30, No. 4. Lisse: Swets and Zeitlinger: 375-380.

• Leman, Marc, Dierickx, Jelle, Martens, Gaëtan (2001). The IPEM - archive Conservation and Digitalization Project.

  Journal of New Music Research Vol. 30, No. 4. Lisse: Swets and Zeitlinger: 389-393.

• Novati, Maddalena (2001). The Archive of the “Studio di Fonologia di Milano della Rai”.

  Journal of New Music Research Vol. 30, No. 4. Lisse: Swets and Zeitlinger: 395-402.

• Teruggi, Daniel (2001a). Preserving and Diffusing.

  Journal of New Music Research Vol. 30, No. 4. Lisse: Swets and Zeitlinger: 403-405.

• Zattra, Laura, De Poli, Giovanni, Vidolin, Alvise (2001). Yesterday Sounds Tomorrow. Preservation at CSC.

  Journal of New Music Research Vol. 30, No. 4. Lisse: Swets and Zeitlinger: 407-412.

• Canazza, S., Vidolin, A. (2001). Introduction: Preserving Electroacoustic Music.

  Interface-Journal of New Music Research: Vol. 30, No. 4. Lisse: Swets & Zeitlinger: 289-293.

• Chadabe, Joel (2001). Preserving Performances of Electronic Music.

  Interface-Journal of New Music Research: Vol. 30, No. 4. Lisse: Swets & Zeitlinger: 303-305.

Vol. 31, No. 1. 2002

• Jordà, Sergi (2002b). Improvising With Computers: A Personal Survey (1989-2001).

  Journal of New Music Research: Vol. 31, No. 1. Lisse: Swets & Zeitlinger: 1-10.

• Burns, Christopher (2002a). Realizing Lucier and Stockhausen: Case Studies in the Performance Practice of Electroacoustic Music.

  Journal of New Music Research: Vol. 31, No. 1. Lisse: Swets & Zeitlinger: 59-68.

Vol. 31, No. 2. 2002

• Bernardini, Nicola, Rudi, Jøran (2002). Compositional Use of Digital Audio Effects.

  Journal of New Music Research: Vol. 31, No. 2. Lisse: Swets & Zeitlinger: 87-91.

• Risset, Jean-Claude (2002). Examples of the Musical Use of Digital Audio Effects.

  Journal of New Music Research: Vol. 31, No. 2. Lisse: Swets & Zeitlinger: 93-97.

• Geslin, Yann (2002). Digital Sound and Music Transformation Environments: A Twenty-year Experiment at the “Groupe de Recherches Musicales”.

  Journal of New Music Research: Vol. 31, No. 2. Lisse: Swets & Zeitlinger: 99-107.

• Sapir, Sylviane (2002). Gestural Control of Digital Audio Environments.

  Journal of New Music Research: Vol. 31, No. 2. Lisse: Swets & Zeitlinger: 119-129.

Vol. 31, No. 4. 2002

• Hansen, Kjetil Falkenberg (2002). The Basics of Scratching.

  Journal of New Music Research: Vol. 31, No. 4. Lisse: Swets & Zeitlinger: 357-365.

Vol. 32, No. 3. 2003

• Schloss, W.Andrew (2003). Using Contemporary Technology in Live Performance: The Dilemma of the Performer.

  Journal of New Music Research Vol. 32, No. 3. Lisse: Swets and Zeitlinger: 239-242.

Vol. 32, No. 4. 2003

• Kapur, Ajay, Essl, Georg, Davidson, Philip, Cook, Perry R. (2003). The Electronic Tabla Controller.

  Journal of New Music Research: Vol. 32, No. 4. Lisse: Swets & Zeitlinger: 351-359.
  Also published in: Proceedings of the 2002 Conference on New Interfaces for Musical Expression (NIME-02). Dublin, Ireland.

• Gunther, Eric, O’Modhrain, Sile (2003). Cutaneous Grooves: Composing for the Sense of Touch.

  Journal of New Music Research: Vol. 32, No. 4. Lisse: Swets & Zeitlinger: 369-381.
  Also published in: Proceedings of the 2002 Conference on New Interfaces for Musical Expression (NIME-02). Dublin, Ireland.

• Newton-Dunn, Henry, Nakano, Hiroaki, Gibson, James (2003). Block Jam: A Tangible Interface for Interactive Music.

  Journal of New Music Research: Vol. 32, No. 4. Lisse: Swets & Zeitlinger: 383-393.
  Also published in: Proceedings of the 2003 Conference on New Interfaces for Musical Expression (NIME-03). Montréal, Canada: 170-177.

• Blaine, Tina, Fels, Sidney (2003a). Collaborative Musical Experiences for Novices.

  Journal of New Music Research: Vol. 32, No. 4. Lisse: Swets & Zeitlinger: 411-428.

Vol. 33, No. 2. 2004

• Solomos, Makis (2004). Xenakis’ Thought Through his Writings.

  Journal of New Music Research: Vol. 33, No. 2. Lisse: Swets & Zeitlinger: 125-136.

• Hamman, Michael (2004). On Technology and Art: Xenakis at Work.

  Journal of New Music Research: Vol. 33, No. 2. Lisse: Swets & Zeitlinger: 115-123.

• Hoffmann, Peter (2004). Something Rich and Strange: Exploring the Pitch Structure of GENDY3.

  Journal of New Music Research: Vol. 33, No. 2. Lisse: Swets & Zeitlinger: 137-144.

• Keller, Damián, Ferneyhough, Brian (2004). Analysis by Modeling: Xenakis’s ST/10-1 080262.

  Journal of New Music Research: Vol. 33, No. 2. Lisse: Swets & Zeitlinger: 161-171.

• Di Scipio, Agostino (2004). The Orchestra as a Resource for Electroacoustic Music: On some works by Iannis Xenakis and Paul Dolden.

  Journal of New Music Research: Vol. 33, No. 2. Lisse: Swets & Zeitlinger: 161-171.

Vol. 33, No. 3. 2004

• Cook, Perry (2004). Remutualizing the Musical Instrument: Co-Design of Synthesis Algorithms and Controllers.

  Interface-Journal of New Music Research: Vol. 33, No. 3. Lisse: Swets & Zeitlinger: 315-320.

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