Language(s): English

No. 15. 1981

• Zapf, Donna (1981a). The World Soundscape Project Revisited.

  Musicworks: No. 15. Toronto: Musicworks Society of Ontario: p4.

• Zapf, Donna (1981b). Inside the Soundscape: The Compositions of Hildegard Westerkamp.

  Musicworks : No. 15. Toronto : Musicworks Society of Ontario : 5-8.

• Longton, Michael (1981). Composition After Technology: The Real Time Digital Music System at U. Vic.

  Musicworks : No. 15. Toronto : Musicworks Society of Ontario : p17.

• Piché, Jean (1981). Thoughts, Contentions, and Composition: Electronic Music 1981.

  Musicworks : No. 15. Toronto : Musicworks Society of Ontario : 18-19.

No. 17. 1981

• Young, Gayle (1981). Hugh Le Caine: Pioneer of Electronic Music - part 2.

  Musicworks : No. 17. Toronto : Musicworks Society of Ontario : 20-22.

No. 63. 1995.

• Monahan, Gordon (1995). Kinetic Sound Environments as a Mutation of the Audio System.

  Musicworks: No. 63. Toronto: Musicworks Society of Ontario: 6-9.

No. 65. 1996

• Schell, Michael (1996). Unlikely Persona: Jerry Hunt (1943-1993).

  Musicworks: No. 65. Toronto: Musicworks Society of Ontario: 18-23.

• Peebles, Sarah (1996). High-tech Versus My-tech.

  Musicworks: No. 65. Toronto: Musicworks Society of Ontario: 4-13.

No. 75. 1999

• Oliveros, Pauline (1999). Quantum Improvisation: The Cybernetic Presence.

  Musicworks: No. 75. Toronto: Musicworks Society of Ontario: 14-20.

No. 76. 2000

• Kennedy, Kathy (2000). A Few Facets of Pamela Z.

  Musicworks: No. 76. Toronto: Musicworks Society of Ontario: 5-10.

• Lowenstein, Oliver (2000). Return to the Body: Techno-Motion Musician Rolf Gehlharr’s Sound=Space.

  Musicworks: No. 76. Toronto: Musicworks Society of Ontario: 19-24.

No. 78. 2000

• Cronkite, David (2000). Mediating Gesture: An Interactive Approach to Computer-Assisted Music.

  Musicworks: No. 78. Toronto: Musicworks Society of Ontario: 20-25.

No. 83. 2002

• Lewin-Richter, Andrés, Lanza, Alcides (2002). On Hugh Le Caine.

  Musicworks: No. 83. Toronto: Musicworks Society of Ontario: 42-51.

No. 90. 2004

• Gasior, Lisa, McCartney, Andra (2004). From Mixing Board to Museums: Diane Leboeuf, Sound Designer.

  Musicworks: No. 90. Toronto: Musicworks Society of Ontario: 44-51.

No. 31. 1985.

• Westerkamp, Hildegard (1985). Acoustic Ecology and the Zone of Silence.

  Musicworks : No. 31. Toronto : Musicworks Society of Ontario : 8-9.

No. 61. 1995

• Copeland, Darren (1995). Cruising For A Fixing in this “Art of Fixed Sounds”.

  Musicworks, No 61. Toronto: Music Gallery: 51-53.

No. 72. 1998

• McCartney, Andra (1998a). Soundwalk in the Park with Hildegard Westerkamp.

  Musicworks, No 72. Toronto: Music Gallery: 6-15.

No. 74. 1999

• MacCormac, Sylvi (1999). Reflections on Hildegard Westerkamp’s Talking Rain.

  Musicworks, No 74. Toronto: Music Gallery: 9-13.

No. 85. 2003

• Chadabe, Joel (2003). Where We’re Going.

  Musicworks: No. 85. Toronto: Musicworks Society of Ontario: 8-9.

• Monahan, Gordon (2003). The Amplified Touring Sound Installation.

  Musicworks: No. 85. Toronto: Musicworks Society of Ontario: 14-19.

No. 86. 2003

• Mountain, Rosemary (2003). Creating and Contributing. The Expensive Spirit of Marcelle Deschênes.

  Musicworks, No 86. Toronto: Music Gallery: 14-21.

• Corringham, Viv (2003). Vocal Strolls: Voicing the Soundscape.

  Musicworks: No. 86. Toronto: Musicworks Society of Ontario: 22-27.

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