eContact!

Language(s): English ,  French

Vol. 1. 1998
  • Bosma, Hannah (1998a). Gender and Electroacoustics.

    eContact!, vol. 1, no. 1. Montréal: CEC.

  • McCartney, Andra (1998b). Where water meets.

    eContact!, vol. 1, no. 1. Montréal: CEC.

  • Wyatt, Scott A. (1998). Gestural Composition.

    eContact!, vol. 1, no. 2. Montréal: CEC.

  • Bosma, Hannah (1998b). The Death of the Singer Authorship and Female Voice in Electroacoustic Music.

    eContact!, vol. 1, no. 3. Montréal: CEC.

  • Lanza Alcides, (1998). Music for Voice [Personal Recollection].

    eContact!, vol. 1, no. 3. Montréal: CEC.

  • Schryer, Claude (1998). Electroacoustic Soundscape Composition.

    eContact!, vol. 1, no. 4. Montréal: CEC.

  • Lopez, Francisco (1998). Schizophonia vs. l’object sonore: soundscapes and artistic freedom.

    eContact!, vol. 1, no. 4. Montréal: CEC.

  • Copeland, Darren (1998). Vers une conscience d’associations/For An Awareness Of Associations.

    eContact: Vol. 1, No. 4. Montréal: CEC.

Vol. 2. 1999 Vol. 3. 2000
  • McCartney, Andra (2000c). Soundscape Composition and the Subversion of Electroacoustic Norms.

    eContact!, vol. 3, no. 4. Montréal: CEC.

  • Harrison, Jonty (2000). Imaginary Space - Spaces in the Imagination Australasian Computer Music Conference 1999 Keynote Address.

    eContact!, vol. 3, no. 2. Montréal: CEC.

  • Whistlecroft, Lisa (2000). Women in Music Technology in Higher Education in the UK.

    eContact!, vol. 3, no. 3. Montréal: CEC.

  • Barrett, Natasha (2000a). Musical Structure, Shifting Perspectives and Composition.

    eContact!, vol. 3, no. 3. Montréal: CEC.

  • Keane, David (2000). Electroacoustic Music in Canada: 1950-1984.

    eContact!, vol. 3, no. 4. Montréal: CEC.

  • Iges, José (2000). Soundscapes: A Historical Approach.

    eContact!, vol. 3, no. 4. Montréal: CEC.

  • Denis, Jean-François (2000). L’électroacoustique au Canada.

    eContact!, vol. 3, no. 4. Montréal: CEC.

  • Basque, Nicolas (2000). Évolution de la musique électroacoustique à Montréal.

    eContact!, vol. 3, no. 4. Montréal: CEC.

Vol. 4. 2001
  • Normandeau, Robert (2001). The Electroacoustic Situation in Canada.

    eContact!, vol. 4, no. 2. Montréal: CEC.

  • Mountain, Rosemary (2001b). “Sculpting” Sound: The Story of the CEC.

    eContact!, vol. 4, no. 2. Montréal: CEC.

  • Wrightson, Kendall (2002). An Introduction to Acoustic Ecology.

    eContact!, vol. 5, no. 3. Montréal: CEC
    Also published in: Journal of Electroacoustic Music: Vol. 12. London: Sonic Arts Network: 11-15.

Vol. 5. 2002
  • Godman, Rob (2002). Ambient Sound and Resonating Spaces.

    eContact!, vol. 5, no. 3. Montréal: CEC.

Vol. 6. 2003
  • Harchanko, Joseph (2003). Spectro-morphology and Structure. An Analysis of Gilles Gobeil’s Le Vertige Inconnu.

    eContact!, vol. 6, no. 4. Montréal: CEC.

  • McFarlane, Matthew (2003). The Development of Acousmatics in Montréal.

    eContact!, vol. 6, no. 2. Montréal: CEC.

Vol. 7. 2004
  • Gauthier, Philippe-Aubert (2004). Sound Reproduction Using Multi Loudspeakers Systems.

    eContact!, vol. 7, no. 2. Montréal: CEC.

  • Godman, Rob (2004a). Recreating the Real, Realizing the Imaginary - A Composers Preoccupation with Acoustic Space.

    eContact!, vol. 7, no. 2. Montréal: CEC.

  • Godman, Rob (2004b). The Enigma of Vitruvian Resonating Vases and the Relevancs of the Concept for Today.

    eContact!, vol. 7, no. 2. Montréal: CEC.

  • Mountain, Rosemary (2004b). Marcelle Deschênes.

    eContact!, vol. 7, no. 3. Montréal: CEC.

  • Lanza, Alcides (2004). The Le Caine Instruments: A Disappearing Technology.

    eContact!, vol. 7, no. 3. Montréal: CEC.

  • Zvonar, Richard (2004). A History of Spatial Music.

    eContact!, vol. 7, no. 4. Montréal: CEC.

  • Moore, Adrian, Moore, Dave, Mooney, James (2004). M2 Diffusion - The Live Diffusion of Sound in Space.

    eContact!, vol. 7, no. 4. Montréal: CEC.
    Also published in: Proceedings of the 2004 International Computer Music Conference - Miami: San Francisco, CA: ICMA: 316-320.

Vol. 8, No. 2. 2005
  • Hinkle-Turner, Elizabeth (2005). Hear Me Now: the implication and significance of the female composer’s voice as sound source in her electroacoustic music.

    eContact!, Vol. 8, No. 2. Montréal: CEC.

  • Simoni, Mary (2005). Stop, Look, and Listen.

    eContact!, Vol. 8, No. 2. Montréal: CEC.

Vol. 8, No. 3. 2005
  • Burns, Christopher (2005). Compositional Strategies for Point-Source Spatialization.

    eContact!, Vol. 8, No. 3. Montréal: CEC.

  • Bernardini, Nicola, Vidolin, Alvise (2005). Sustainable Live Electroacoustic Music.

    eContact!, Vol. 8, No. 3. Montréal: CEC.

  • Austin, Kevin (2005). Why do you want so many Loudspeakers?.

    eContact!, Vol. 8, No. 3. Montréal: CEC.

  • Otondo, Felipe (2005). Some Considerations for Spatial Design and Concert Projection with Surround 5.1.

    eContact!, Vol. 8, No. 3. Montréal: CEC.

  • Gates, Philippa, Rudy, Paul (2005). Spectromorphology Hits Hollywood: Morphology, Objectification and Moral Messages in the Sound Design of ‘Black Hawk Down’.

    eContact!, Vol. 8, No. 3. Montréal: CEC.

  • Thomson, Phil (2005). Soundscape Composition, Globality, and Implicated Critique.

    eContact!, Vol. 8, No. 3. Montréal: CEC.

Vol. 8, No. 4. 2005 Vol. 9, No. 2. 2006

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