Bibliography - List of journals: eContact!

Language(s): English , French

Vol. 1. 1998

Bosma, Hannah (1998a). Gender and Electroacoustics.
eContact!, vol. 1, no. 1. Montréal: CEC.
McCartney, Andra (1998b). Where water meets.
eContact!, vol. 1, no. 1. Montréal: CEC.
Wyatt, Scott A. (1998). Gestural Composition.
eContact!, vol. 1, no. 2. Montréal: CEC.
Bosma, Hannah (1998b). The Death of the Singer Authorship and Female Voice in Electroacoustic Music.
eContact!, vol. 1, no. 3. Montréal: CEC.
Lanza Alcides, (1998). Music for Voice [Personal Recollection].
eContact!, vol. 1, no. 3. Montréal: CEC.
Schryer, Claude (1998). Electroacoustic Soundscape Composition.
eContact!, vol. 1, no. 4. Montréal: CEC.
Lopez, Francisco (1998). Schizophonia vs. l’object sonore: soundscapes and artistic freedom.
eContact!, vol. 1, no. 4. Montréal: CEC.
Copeland, Darren (1998). Vers une conscience d’associations/For An Awareness Of Associations.
eContact: Vol. 1, No. 4. Montréal: CEC.

Vol. 2. 1999

Fischman, Rajmil (1999). Score of Point-virgule (Electro-clip by Jean-François Denis).
eContact!, vol. 2, no. 2. Montréal: CEC.
Dack, John (1999a). Karlheinz Stockhausen’s Kontakte and Narrativity.
eContact!, vol. 2, no. 2. Montréal: CEC.
Meloche, Chris (1999). Reflections on Long-Duration Soundworks and Radio.
eContact!, vol. 2, no. 3. Montréal: CEC.
Harvey, Jonathan, Palmer, John (1999). Jonathan Harvey.
eContact!, vol. 2, no. 2. Montréal: CEC.
Schryer, Claude (1999). Entre ici et là. A Radio Piece in Eight Movements.
eContact!, vol. 2, no. 3. Montréal: CEC
Lander, Dan (1999). Radiocasting: Musings on Radio and Art.
eContact!, vol. 2, no. 3. Montréal: CEC.
Lloyd Anderson, Joseph (1999). What is Ambisonics and How can I get Some??.
eContact!, vol. 2, no. 4. Montréal: CEC.
Rolfe, Chris (1999). A Practical Guide to Diffusion.
eContact!, vol. 2, no. 4. Montréal: CEC.
Harrison, Jonty (1999). Diffusion: Theories and Practices, with Particular Reference to the BEAST System.
eContact!, vol. 2, no. 4. Montréal: CEC.
Wyatt, Scott A. (1999). Investigative Studies on Sound Diffusion/Projection.
eContact!, vol. 2, no. 4. Montréal: CEC.
Normandeau, Robert, Bouhalassa, Ned (1999). Robert Normandeau Interviewed by Ned Bouhalassa.
eContact!, vol. 2, no. 4. Montréal: CEC.

Vol. 3. 2000

McCartney, Andra (2000c). Soundscape Composition and the Subversion of Electroacoustic Norms.
eContact!, vol. 3, no. 4. Montréal: CEC.
Harrison, Jonty (2000). Imaginary Space - Spaces in the Imagination Australasian Computer Music Conference 1999 Keynote Address.
eContact!, vol. 3, no. 2. Montréal: CEC.
Whistlecroft, Lisa (2000). Women in Music Technology in Higher Education in the UK.
eContact!, vol. 3, no. 3. Montréal: CEC.
Barrett, Natasha (2000a). Musical Structure, Shifting Perspectives and Composition.
eContact!, vol. 3, no. 3. Montréal: CEC.
Keane, David (2000). Electroacoustic Music in Canada: 1950-1984.
eContact!, vol. 3, no. 4. Montréal: CEC.
Iges, José (2000). Soundscapes: A Historical Approach.
eContact!, vol. 3, no. 4. Montréal: CEC.
Denis, Jean-François (2000). L’électroacoustique au Canada.
eContact!, vol. 3, no. 4. Montréal: CEC.
Basque, Nicolas (2000). Évolution de la musique électroacoustique à Montréal.
eContact!, vol. 3, no. 4. Montréal: CEC.

Vol. 4. 2001

Normandeau, Robert (2001). The Electroacoustic Situation in Canada.
eContact!, vol. 4, no. 2. Montréal: CEC.
Mountain, Rosemary (2001b). “Sculpting” Sound: The Story of the CEC.
eContact!, vol. 4, no. 2. Montréal: CEC.
Wrightson, Kendall (2002). An Introduction to Acoustic Ecology.
eContact!, vol. 5, no. 3. Montréal: CEC
Also published in: Journal of Electroacoustic Music: Vol. 12. London: Sonic Arts Network: 11-15.

Vol. 5. 2002

Godman, Rob (2002). Ambient Sound and Resonating Spaces.
eContact!, vol. 5, no. 3. Montréal: CEC.

Vol. 6. 2003

Harchanko, Joseph (2003). Spectro-morphology and Structure. An Analysis of Gilles Gobeil’s Le Vertige Inconnu.
eContact!, vol. 6, no. 4. Montréal: CEC.
McFarlane, Matthew (2003). The Development of Acousmatics in Montréal.
eContact!, vol. 6, no. 2. Montréal: CEC.

Vol. 7. 2004

Gauthier, Philippe-Aubert (2004). Sound Reproduction Using Multi Loudspeakers Systems.
eContact!, vol. 7, no. 2. Montréal: CEC.
Godman, Rob (2004a). Recreating the Real, Realizing the Imaginary - A Composers Preoccupation with Acoustic Space.
eContact!, vol. 7, no. 2. Montréal: CEC.
Godman, Rob (2004b). The Enigma of Vitruvian Resonating Vases and the Relevancs of the Concept for Today.
eContact!, vol. 7, no. 2. Montréal: CEC.
Mountain, Rosemary (2004b). Marcelle Deschênes.
eContact!, vol. 7, no. 3. Montréal: CEC.
Lanza, Alcides (2004). The Le Caine Instruments: A Disappearing Technology.
eContact!, vol. 7, no. 3. Montréal: CEC.
Zvonar, Richard (2004). A History of Spatial Music.
eContact!, vol. 7, no. 4. Montréal: CEC.
Moore, Adrian, Moore, Dave, Mooney, James (2004). M2 Diffusion - The Live Diffusion of Sound in Space.
eContact!, vol. 7, no. 4. Montréal: CEC.
Also published in: Proceedings of the 2004 International Computer Music Conference - Miami: San Francisco, CA: ICMA: 316-320.

Vol. 8, No. 2. 2005

Hinkle-Turner, Elizabeth (2005). Hear Me Now: the implication and significance of the female composer’s voice as sound source in her electroacoustic music.
eContact!, Vol. 8, No. 2. Montréal: CEC.
Simoni, Mary (2005). Stop, Look, and Listen.
eContact!, Vol. 8, No. 2. Montréal: CEC.

Vol. 8, No. 3. 2005

Burns, Christopher (2005). Compositional Strategies for Point-Source Spatialization.
eContact!, Vol. 8, No. 3. Montréal: CEC.
Bernardini, Nicola, Vidolin, Alvise (2005). Sustainable Live Electroacoustic Music.
eContact!, Vol. 8, No. 3. Montréal: CEC.
Austin, Kevin (2005). Why do you want so many Loudspeakers?.
eContact!, Vol. 8, No. 3. Montréal: CEC.
Otondo, Felipe (2005). Some Considerations for Spatial Design and Concert Projection with Surround 5.1.
eContact!, Vol. 8, No. 3. Montréal: CEC.
Gates, Philippa, Rudy, Paul (2005). Spectromorphology Hits Hollywood: Morphology, Objectification and Moral Messages in the Sound Design of ‘Black Hawk Down’.
eContact!, Vol. 8, No. 3. Montréal: CEC.
Thomson, Phil (2005). Soundscape Composition, Globality, and Implicated Critique.
eContact!, Vol. 8, No. 3. Montréal: CEC.

Vol. 8, No. 4. 2005

Dobson, Richard (2005). Beckmesser revisited?.
eContact!, Vol. 8, No. 4. Montréal: CEC.

Vol. 9, No. 2. 2006

Mäkelä, Tapio (2006). As We May Network: Shifting sound and media art practices.
eContact!, Vol. 9, No. 2. Montréal: CEC.
Bonin, Vincent, Heimbecker, Steve (2006). Interview with Steve Heimbecker.
eContact!, Vol. 9, No. 2. Montréal: CEC.
Dirks, Patricia Lynn (2006). An Analysis of Jonathan Harvey’s “Mortuos Plango, Vivos Voco”.
eContact!, Vol. 9, No. 2. Montréal: CEC.