Language(s):

Vol. 7, No. 1. 1963.

• Schaeffer, Myron (1963). The Electronic Music Studio of the University of Toronto.

  Journal of Music Theory: Vol. 7, No. 1. New Haven, Connecticut: Yale University: 73-81.

Vol. 8, No. 1. 1964.

• Divilbiss, J. L. (1964). The Real-Time Generation of Music with a Digital Computer.

  Journal of Music Theory: Vol. 8, No. 1. New Haven, Connecticut: Yale University: 99-111.

• Luening, Otto (1964). Some Random Remarks about Electronic Music.

  Journal of Music Theory: Vol. 8, No. 1. New Haven, Connecticut: Yale University: 89-98.

Vol. 8, No. 2. 1964.

• Babbitt, Milton (1964). An Introduction to the R.C.A Synthesizer.

  Journal of Music Theory: Vol. 8, No. 2. New Haven, Connecticut: Yale University: 251-265.

Vol. 13, No. 2. 1969.

• Weinland, John David (1969). Electronic Music Primer.

  Journal of Music Theory: Vol. 13, No. 2. New Haven, Connecticut: Yale University: 250-275.

Vol. 20, No. 2. 1976.

• Truax, Barry (1976). A Communicational Approach to Computer Sound Programs.

  Journal of Music Theory: Vol. 20, No. 2. New Haven, Connecticut: Yale University: 227-300.

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