Composer

Language(s): English

No. 26. 1967.
  • Cohen, David (1967/68). Computer-generated music.

    Composer: No. 26 (Winter). London: British Music Information Centre: 29-30.

  • Newson, George (1967/68). Electronic Odyssey.

    Composer: No. 26 (Winter). London: British Music Information Centre: 11-14.

No. 32. 1969.
  • Orga, Ates (1969). Electronic Music in Poland.

    Composer: No. 32 (Summer). London: British Music Information Centre: 22-27.

No. 35. 1970.
  • Patrick, Howard P. (1970). Composer, Computer, and Audience.

    Composer: No. 35 (Spring). London: British Music Information Centre: 1-3.

No. 39. 1971.
  • Jacobs, Arthur (1971). The Multiplying Moog.

    Composer: No. 39 (Spring). London: British Music Information Centre: 1-4.

No. 58. 1976.
  • Emmerson, Simon (1976). Electronic Music in Education.

    Composer: No. 58 (Summer). London: British Music Information Centre: 33-34.

No. 61. 1977.
  • Kerridge, Adrian (1977). Recording and its Modern Application.

    Composer: No. 61 (Summer). London: British Music Information Centre: 17-19.

No. 66. 1979.
  • Anderson, Barry (1979). Electro-Acoustic Music: Open or Closed Circuit.

    Composer: No. 66 (Spring). London: British Music Information Centre: 9-12.

  • Potter, John (1979). Electronics and the Live Performer.

    Composer: No. 66 (Spring). London: British Music Information Centre: 19-21.

No. 76/77. 1982.
  • Zinovieff, Peter (1982). Compositional Attitudes to Electronic Music.

    Composer: No. 76/77 (Summer/Winter). London: British Music Information Centre: 6-11.

No. 81. 1984.
  • Dedman, Malcolm (1984). Electronic Instruments.

    Composer: No. 81 (Spring). London: British Music Information Centre: 1-4.

No. 83. 1984.
  • Arnell, Richard (1984). Sixteen Years in the Electronic Maze.

    Composer: No. 83 (Winter). London: British Music Information Centre: 8-9.

No. 85. 1985.
  • Harvey, Jonathan (1985). Electronics in Music: A New Aesthetic.

    Composer: No. 85 (Summer). London: British Music Information Centre: 8-15.

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