Online publications

The EARS site welcomes important texts and translations related to the subject of Electroacoustic Music Studies.

- Michel Chion. Guide To Sound Objects. Pierre Schaeffer and Musical Research , English translation by John Dack (Senior Research Fellow, Lansdown Centre for Electronic Art, Middlesex University) and Christine North (former Senior Lecturer in French Language and Literature, Middlesex University).

Download the Preface as a PDF
Download the Thanks as a PDF
Download the Section I as a PDF
Download the Section II as a PDF
Download the Section III as a PDF
Download the Section IV as a PDF
Download the Section V as a PDF
Download the Epilogue as a PDF

- Pierre Schaeffer, Guy Reibel and Beatriz Ferreyra. Solfejo do objecto sonoro , Portuguese translation by Antonio De Sousa Dias from Solfège de l’objet sonore

Download the publication as a PDF

Télécharger l’introduction française en PDF - Download the French introduction as a PDF

- Simon Atkinson and Leigh Landy. “The ElectroAcoustic Resource Site (EARS): philosophy, foundation and aspirations”. Organised Sound 9(1), 2004: 79-85.
Cambridge University Press
http://journals.cambridge.org/action/displayIssue?jid=OSO&volumeId=9&issueId=01

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- Leigh Landy. “The ElectroAcoustic Resource Site (EARS)”. Journal of Music, Technology and Education Volume 1, Number 1 (2007: 69-81)
Reprinted with the permission of the publisher, Intellect
http://www.intellectbooks.co.uk/journalissues.php?issn=17527066&v=1&i=1

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- Leigh Landy. “The ElectroAcoustic Resource Site (EARS) Approaches Its Next Phase: Going global and addressing the young”. International Computer Music Conference 2007 Proceedings. Copenhagen, I: 141–144.

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- Rob Weale. “Discovering How Accessible Electroacoustic Music Can Be: the Intention/Reception project”. Organised Sound 11(2), 2006: 189-200.
Cambridge University Press
http://journals.cambridge.org/action/displayIssue?jid=OSO&volumeId=11&issueId=02

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AHRC ICT Methods Network Workshop – De Montfort Univ./Leicester 12 June 2007

New Protocols in Electroacoustic Music Analysis

- Leigh Landy. "The Intention/Reception Project at De Montfort University"

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- Catherine Stevens with Shirley McKechnie, Renee Glass, Emery Schubert, Johnson Chen, Heather Winskel, Sue Healey and Mark Gordon. "Three Techniques for Measuring Audience Reactions"

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- Barry Truax. "Documentation Analysis of Electroacoustic Music Works"

Enter

- Eduardo R. Miranda. "A Neurotechnology Approach to the Analysis of Electroacoustic Music: A Proposition "

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(Four other presentations to be added in the late summer)

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