A   B   C   D   E   F   G   H   I   J   K   L   M   N   O   P   Q   R   S   T   U   V   W   X   Y   Z

Previous 50 << | 1-50 | 51-100 | 101-115

  • Cox, Cindy (2003). Wounds like Flowers Opening: a Discussion of Hysteria for Trombone and Four-Channel Tape.

    Organised Sound: Vol. 8 no. 1. Cambridge: Cambridge University Press: 85-87.

  • Cremaschi, Andrea, Giomi, Francesco (2004). Parrole: Berio’s Words on Music Technology.

    Computer Music Journal: Vol. 28, no. 1. Cambridge, MA: MIT Press: 26-36.

  • Criton, Pascale (2005). Mutation and Processuality in the Musical Thought of Horacio Vaggione.

    Contemporary Music Review: Vol. 24, No. 4/5. London: Routledge: 371-381.

  • Croft, John (2007). Theses on liveness.

    Organised Sound: Vol. 12, No. 1. Cambridge: Cambridge University Press: 59-66.

  • Cronkite, David (2000). Mediating Gesture: An Interactive Approach to Computer-Assisted Music.

    Musicworks: No. 78. Toronto: Musicworks Society of Ontario: 20-25.

  • Cross, Lowell (1968). Electronic Music, 1948-1953.

    Perspectives of New Music: Vol. 7, No. 1. Princeton: Princeton University Press: 32-65.

  • Cross, Lowell (1999). Reunion: John Cage, Marcel Duchamp, Electronic Music and Chess.

    Leonardo Music Journal: Vol. 9. Cambridge, MA: MIT Press: 35-42.

  • Cross, Lowell M. (1967). A bibliography of electronic music.

    Toronto: University of Toronto Press.

  • Cubitt, Sean (1997). Online Sound and Virtual Architecture (Contribution to the Geography of Cultural Translation).

    Leonardo Music Journal: Vol. 7. Cambridge, MA: MIT Press: 43-49.

  • Curran, Alvin (1994). Music from the Centre of the Earth: Three Large-Scale Sound Installations.

    Leonardo Music Journal: Vol. 4. Cambridge, MA: MIT Press: 1-8.

  • Cutler, Chris (2000). Plunderphonics.

    In Emmerson, S. (ed.) Music, Electronic Media and Culture. Aldershot: Ashgate: 87-114.
    Also published in: Cox, Christoph, Warner, Daniel (eds.) Audio Culture: Readings in Modern Music: NY: Continuum: 138-156.

  • Cutler, Chris (2004). Pluderphonia.

    In Cox, Christoph, Warner, Daniel (eds.) Audio Culture: Readings in Modern Music: NY: Continuum: 138-156.
    Also published in: Emmerson, S. (ed.). Music, Electronic Media and Culture. Aldershot: Ashgate: 87-114.

  • Cuzzucoli, Giuseppe, Lombardo, Vincenzo (1999). A Physical Model of the Classical Guitar, Including the Player’s Touch.

    Computer Music Journal: Vol. 23, no.2. Cambridge, MA: MIT Press: 52-69.

  • Cvejic, Bojana (2001). Near and Far. A Nocturne of Belgrade Spring 1999 for Chamber Ensemble, Live Electronics and Audio Tape, by Srdjan Hofman.

    New Sound: No. 17. Belgrade: Union of Yugoslav Composer’ Organizations: 57-63.

    Previous 50 << | 1-50 | 51-100 | 101-115


  • more info caverta in uk flagyl canada vasotec buy azithromycin without prescription fast shipping canada lipitor cheap bupropion hcl xl 150 mg cost of tretinoin generic for bupropion buy bimatoprost paypal more prices on zocor more info best price provigil modalert purchase amisulpride buy diclofenac sodium in france enalapril over the counter azithromycin 250 ciprofloxacin scl enalapril otc in california purchase norvasc prilosec 20 mg buy nexium without rx information lipitor prices online info about buy generic filagra online canada nexium doxycycline caps 100mg modafinil purchase bupropion tablets drug bactrim naltrexone 2 mg in france cheap bupropion from united states naltrexone 1 mg medicine ciprofloxacin hcl fluconazole tab 100 mg in new york more generic version of diflucan ranitidine tablets 75mg baclofen 10 mg desipramine piracetam omeprazole otc information about buy quetiapine cheap cost of lipitor 10mg buy caverta by ranbaxy online cost of imatinib gleevec generic form of nexium dapoxetine uk bupropion hcl 75 mg buy ciprofloxacin hcl 500mg where can you buy stendra diflucan tablets ciprofloxacin 500mg more info generic tretinoin