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Cox, Cindy (2003). Wounds like Flowers Opening: a Discussion of Hysteria for Trombone and Four-Channel Tape.

Organised Sound: Vol. 8 no. 1. Cambridge: Cambridge University Press: 85-87.

Cremaschi, Andrea, Giomi, Francesco (2004). Parrole: Berio’s Words on Music Technology.

Computer Music Journal: Vol. 28, no. 1. Cambridge, MA: MIT Press: 26-36.

Criton, Pascale (2005). Mutation and Processuality in the Musical Thought of Horacio Vaggione.

Contemporary Music Review: Vol. 24, No. 4/5. London: Routledge: 371-381.

Croft, John (2007). Theses on liveness.

Organised Sound: Vol. 12, No. 1. Cambridge: Cambridge University Press: 59-66.

Cronkite, David (2000). Mediating Gesture: An Interactive Approach to Computer-Assisted Music.

Musicworks: No. 78. Toronto: Musicworks Society of Ontario: 20-25.

Cross, Lowell (1968). Electronic Music, 1948-1953.

Perspectives of New Music: Vol. 7, No. 1. Princeton: Princeton University Press: 32-65.

Cross, Lowell (1999). Reunion: John Cage, Marcel Duchamp, Electronic Music and Chess.

Leonardo Music Journal: Vol. 9. Cambridge, MA: MIT Press: 35-42.

Cross, Lowell M. (1967). A bibliography of electronic music.

Toronto: University of Toronto Press.

Cubitt, Sean (1997). Online Sound and Virtual Architecture (Contribution to the Geography of Cultural Translation).

Leonardo Music Journal: Vol. 7. Cambridge, MA: MIT Press: 43-49.

Curran, Alvin (1994). Music from the Centre of the Earth: Three Large-Scale Sound Installations.

Leonardo Music Journal: Vol. 4. Cambridge, MA: MIT Press: 1-8.

Cutler, Chris (2000). Plunderphonics.

In Emmerson, S. (ed.) Music, Electronic Media and Culture. Aldershot: Ashgate: 87-114.
Also published in: Cox, Christoph, Warner, Daniel (eds.) Audio Culture: Readings in Modern Music: NY: Continuum: 138-156.

Cutler, Chris (2004). Pluderphonia.

In Cox, Christoph, Warner, Daniel (eds.) Audio Culture: Readings in Modern Music: NY: Continuum: 138-156.
Also published in: Emmerson, S. (ed.). Music, Electronic Media and Culture. Aldershot: Ashgate: 87-114.

Cuzzucoli, Giuseppe, Lombardo, Vincenzo (1999). A Physical Model of the Classical Guitar, Including the Player’s Touch.

Computer Music Journal: Vol. 23, no.2. Cambridge, MA: MIT Press: 52-69.

Cvejic, Bojana (2001). Near and Far. A Nocturne of Belgrade Spring 1999 for Chamber Ensemble, Live Electronics and Audio Tape, by Srdjan Hofman.

New Sound: No. 17. Belgrade: Union of Yugoslav Composer’ Organizations: 57-63.

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