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  • Dubnov, Shlomo (1999). Stylistic Randomness: About Composing NTrope Suite.

    Organised Sound: Vol. 4, no. 2. Cambridge: Cambridge University Press: 87-92.

  • Duckworth, William (1999). Making Music on the Web.

    Leonardo Music Journal: Vol. 9. Cambridge, MA: MIT Press: 13-17.

  • Dumour, Earl (1993). Interview with Arthur Roberts.

    Computer Music Journal: Vol. 17, No. 2. Cambridge, MA: MIT Press: 17-22.

  • Dunn, David (2001). Nature, Sound Art, and the Sacred.

    In Rothenberg, D. & Ulvaeus, M. (eds.) The Book of Music & Nature. Middletown, CT: Wesleyan University Press: 95-107.

  • Dunn, David, Peer, René van (1999). Music, Language and Environment.

    Leonardo Music Journal: Vol. 9. Cambridge, MA: MIT Press: 63-67.

  • Durant, Alan (1990). A New Day for Music? Digital Technologies in Contemporary Music Making.

    In Hayward, P. (Ed.) Culture, Technology & Creativity in the Late Twentieth Century. London: John Libbey & Co.: 175-196.

  • Dwyer, Terence (1975). Making Electronic Music: A Course for Schools.

    London: Oxford University Press.

  • Dyson, Frances (1994). Radio Art in Waves.

    Leonardo Music Journal: Vol. 4. Cambridge, MA: MIT Press: 9-11.

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