A   B   C   D   E   F   G   H   I   J   K   L   M   N   O   P   Q   R   S   T   U   V   W   X   Y   Z

  • Iazzeta, Fernando (1996). Formalization of Computer Music Interaction through a Semiotic Approach.

    Journal of New Music Research Vol. 25, No. 3. Lisse: Swets and Zeitlinger: 212-230.

  • Iazzetta, Fernando (2000). Meaning in Musical Gesture.

    In Wanderley, M. M. and Battier, M. (eds.) Trends in Gestural Control of Music. Paris: Ircam: 259-268.

  • Iddon, Martin (2006). On the entropy circuit: Brian Ferneyhough’s Time and Motion Study II.

    Contemporary Music Review: Vol. 25, Issue 1/2. London: Routledge: 93-105.

  • Iges, José (2000). Soundscapes: A Historical Approach.

    eContact!, vol. 3, no. 4. Montréal: CEC.

  • Igoudin, Alex Lane (1997). Impact of MIDI on Electroacoustic Art Music.

    In Proceedings of the 1997 International Computer Music Conference - Thessaloniki. San Francisco, CA: ICMA: 66-69.

  • Impett, Jonathan (1996). Projection and Interactivity of Musical Structures in Mirror-Rite.

    Organised Sound: Vol. 1, no. 3. Cambridge: Cambridge University Press: 203-211.

  • Impett, Jonathan (2000). Situating the Invention in Interactive Music.

    Organised Sound: Vol. 5, no. 1. Cambridge: Cambridge University Press: 27-34.

  • Iwatake, Toru (1994). An Interview with Barry Truax.

    Computer Music Journal: Vol. 18, No. 3. Cambridge, MA: MIT Press: 17-24.