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    Organised Sound: Vol. 2, no. 1. Cambridge: Cambridge University Press: 35-42.

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    Leonardo Music Journal: Vol. 6. Cambridge, MA: MIT Press: 57-60.

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    Organised Sound: Vol. 3, no. 1. Cambridge: Cambridge University Press: 3-16.

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    Composer: No. 26 (Winter). London: British Music Information Centre: 11-14.

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    Journal of New Music Research: Vol. 32, No. 4. Lisse: Swets & Zeitlinger: 383-393.
    Also published in: Proceedings of the 2003 Conference on New Interfaces for Musical Expression (NIME-03). Montréal, Canada: 170-177.

  • Niblock, Phill (1981). Composer’s View - Phill Niblock.

    EMAS (Electro-Acoustic Music Association of Great Britain): Vol. 3, No. 2b. London: EMAS: 8-10.

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    Organised Sound: Vol. 7, no. 2. Cambridge: Cambridge University Press: 215-220.

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    Organised Sound: Vol. 6, no. 3. Cambridge: Cambridge University Press: 201-213.

  • Nishimura, Atsushi (2005). A Tiny Field for Soundscape Design: A Case Study of the Soundscape Museum in Osaka, Japan.

    Soundscape: Journal of Acoustic Ecology. Vol. 6, No. 2. Burbury, B. C.: Simon Fraser University: 21-24.

  • Norman, Katharine (1994). Telling Tales.

    Contemporary Music Review: Vol. 10, No. 2. Chur: Harwood: 103-109.

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    Contemporary Music Review: A Poetry of Reality, Vol. 15, No. 1-2. London: Harwood Academic Publishers: 1-27.

  • Norman, Katharine (2000). Stepping Outside for a Moment: Narrative Space in Two Works for Sound Alone.

    In Emmerson, S. (ed.) Music, Electronic Media and Culture. Aldershot: Ashgate: 217-244.

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    London: Ashgate

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    eContact!, vol. 4, no. 2. Montréal: CEC.

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    In Proceedings of the 1999 Australasian Computer Music Conference. Victoria: University of Wellington: 63-66.

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    Organised Sound: Vol. 6, no. 1. Cambridge: Cambridge University Press: 21-28.

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    Organised Sound: Vol. 11, No. 2. Cambridge: Cambridge University Press: 173-178.

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    Journal of New Music Research Vol. 30, No. 4. Lisse: Swets and Zeitlinger: 395-402.

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    CD ROM Proceedings of the 5th Conference ’Understanding and Creating Music’: Caserta, November 2005: 27-30.

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