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  • Naumann, Joel, Wagoner, James D. (1985). Analog Electronic Music Techniques: In Tape, Electronic, and Voltage-Controlled Synthesizer Studios.

    London: Collier Macmillan.

  • Neill, Ben (2002). Pleasure Beats: Rhythm and the Aesthetics of Current Electronic Music.

    Leonardo Music Journal: Vol. 12. Cambridge, MA: MIT Press: 3-6.

  • Nelson, Peter (1997). The UPIC System as an Instrument of Learning.

    Organised Sound: Vol. 2, no. 1. Cambridge: Cambridge University Press: 35-42.

  • Nesturkh, Natalia (1996). The Theremin and Its Inventor in Twentieth-Century Russia.

    Leonardo Music Journal: Vol. 6. Cambridge, MA: MIT Press: 57-60.

  • Neves, Jose Maria (1978). Education by and for Electroacoustic Music - Topics for reflection.

    Faire: No. 4-5. Bourges: GMEB: 37.

  • Newcomb, Robert Spalding (1998). Music in the Air: A theoretical model and software system for music analysis and composition.

    Organised Sound: Vol. 3, no. 1. Cambridge: Cambridge University Press: 3-16.

  • Newson, George (1967/68). Electronic Odyssey.

    Composer: No. 26 (Winter). London: British Music Information Centre: 11-14.

  • Newton-Dunn, Henry, Nakano, Hiroaki, Gibson, James (2003). Block Jam: A Tangible Interface for Interactive Music.

    Journal of New Music Research: Vol. 32, No. 4. Lisse: Swets & Zeitlinger: 383-393.
    Also published in: Proceedings of the 2003 Conference on New Interfaces for Musical Expression (NIME-03). Montréal, Canada: 170-177.

  • Niblock, Phill (1981). Composer’s View - Phill Niblock.

    EMAS (Electro-Acoustic Music Association of Great Britain): Vol. 3, No. 2b. London: EMAS: 8-10.

  • Nichols, Charles (2002). The vBow: A virtual violin bow controller for mapping gesture to synthesis with haptic feedback.

    Organised Sound: Vol. 7, no. 2. Cambridge: Cambridge University Press: 215-220.

  • Nicolai, Carsten (2001). Milch, 2000.

    Organised Sound: Vol. 6, no. 3. Cambridge: Cambridge University Press: 201-213.

  • Nishimura, Atsushi (2005). A Tiny Field for Soundscape Design: A Case Study of the Soundscape Museum in Osaka, Japan.

    Soundscape: Journal of Acoustic Ecology. Vol. 6, No. 2. Burbury, B. C.: Simon Fraser University: 21-24.

  • Norman, Katharine (1994). Telling Tales.

    Contemporary Music Review: Vol. 10, No. 2. Chur: Harwood: 103-109.

  • Norman, Katharine (1996). Real-World Music as Composed Listening.

    Contemporary Music Review: A Poetry of Reality, Vol. 15, No. 1-2. London: Harwood Academic Publishers: 1-27.

  • Norman, Katharine (2000). Stepping Outside for a Moment: Narrative Space in Two Works for Sound Alone.

    In Emmerson, S. (ed.) Music, Electronic Media and Culture. Aldershot: Ashgate: 217-244.

  • Norman, Katharine (2004). Sounding Art: Eight Literary Excursions through Electronic Music.

    London: Ashgate

  • Normandeau, Robert (2001). The Electroacoustic Situation in Canada.

    eContact!, vol. 4, no. 2. Montréal: CEC.

  • Normandeau, Robert, Bouhalassa, Ned (1999). Robert Normandeau Interviewed by Ned Bouhalassa.

    eContact!, vol. 2, no. 4. Montréal: CEC.

  • Norris, Michael (1999). Reinstating Interpretation: The status of Analysis in an Electroacoustic Context.

    In Proceedings of the 1999 Australasian Computer Music Conference. Victoria: University of Wellington: 63-66.

  • Norris, Michael, Young, John (2001). Half-heard Sounds in the Summer Air: Electroacoustic Music in Wellington and the South Island of New Zealand.

    Organised Sound: Vol. 6, no. 1. Cambridge: Cambridge University Press: 21-28.

  • Nort, Doug Van (2006). Noise/music and representation systems.

    Organised Sound: Vol. 11, No. 2. Cambridge: Cambridge University Press: 173-178.

  • Novati, Maddalena (2001). The Archive of the “Studio di Fonologia di Milano della Rai”.

    Journal of New Music Research Vol. 30, No. 4. Lisse: Swets and Zeitlinger: 395-402.

  • Nucibella, Francesca, Zattra, Laura (2005). Audio content tools for the musicological analysis of electroacoustic music.

    CD ROM Proceedings of the 5th Conference ’Understanding and Creating Music’: Caserta, November 2005: 27-30.

  • Nuhn, Ralf, Eaglestone, Barry, Ford, Nigel, Moore, Adrian, Brown, Guy (2002). A Qualitative Analysis of Composers at Work.

    In Proceedings of the 2002 International Computer Music Conference - Gotëborg: San Francisco, CA: ICMA: 572-580.