A   B   C   D   E   F   G   H   I   J   K   L   M   N   O   P   Q   R   S   T   U   V   W   X   Y   Z

  • Ulyate, Ryan, Bianciardi, David (2002). The Interactive Dance Club: Avoiding Chaos in a Multi-Participant Environment.

    Computer Music Journal: Vol. 26, no. 3. Cambridge, MA: MIT Press: 40-49.
    Also published in: Proceedings of the 2001 Conference on New Interfaces for Musical Expression (NIME-01). Seattle, WA.

  • Umezaki, Kojiro (1992). The Future Role of Japanese Musicians and Composers in Music Technology.

    In Proceedings of the 1992 International Computer Music Conference - San Jose. San Francisco, CA: ICMA: 486-488.

  • Ungeheuer, Elena (1994). From the Elements to the Continuum: Timbre Composition in Early Electronic Music.

    Contemporary Music Review. Vol. 10, No. 2: London: Harwood: 25-33.

  • Ungeheuer, Elena, Decroupet, Pascal (1998). Through the Sensory Looking-glass: the Aesthetic and Serial Foundations of Gesang des Jünglinge.

    Perspectives of New Music, Vol. 36, No 1. Princeton: Princeton University Press: 97-142.

  • UNGEHEUER, G. (1960). Ähnlichkeitsklassen bei Schallsignalen (Similarity Classes of Sound Signals).

    Gravesaner Blätter. No. 19/20: Mainz: Ars Viva Verlag: 151-157/158-162.