Bibliography

 

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  • Yavelow, Christopher (1986). The Impact of MIDI upon Compositional Methodology.

    In Proceedings of the 1986 International Computer Music Conference - The Hague. San Francisco, CA: ICMA: 21-27.

  • Ying, Yu (1999). Sound of China: Computer Music.

    In Proceedings of the 1999 International Computer Music Conference - Beijing: San Francisco, CA: ICMA: 70-73.

  • Yong, Kerry (2006). Electroacoustic adaptation as a mode of survival: arranging Giacinto Scelsi’s Aitsi pour piano amplifée (1974) for piano and computer.

    Organised Sound: Vol. 11, No. 3. Cambridge: Cambridge University Press: 243-254.

  • Young, Diana, Essl, Georg (2003). HyperPuja: A Tibetan Singing Bowl Controller.

    In Proceedings of the 2003 International Conference on New Interfaces for Musical Expression (NIME-03). Montreal, Canada: 9-14.

  • Young, Diana, Fujinaga, Ichiro (2004). AoBachi: A New Interface for Japanese Drumming.

    In Proceedings of the 2004 International Conference on New Interfaces for Musical Expression (NIME-04). Hamamatsu, Japan: 23-26.

  • Young, Gayle (1981). Hugh Le Caine: Pioneer of Electronic Music - part 2.

    Musicworks : No. 17. Toronto : Musicworks Society of Ontario : 20-22.

  • Young, Gayle (1989). The Sackbut Blues: Hugh Le Caine Pioneer in Electronic Music.

    Ontario: National Museum of Science and Technology.

  • Young, John (1994). The Extended Environment.

    In Proceedings of the 1994 International Computer Music Conference - Aarhus. San Francisco, CA: ICMA: 23-26.

  • Young, John (1996). Imagining the Source: The Interplay of Realism and Abstraction in Electroacoustic Music.

    Contemporary Music Review: A Poetry of Reality, Vol. 15, No. 1-2. London: Harwood Academic Publishers: 73-93.

  • Young, John (2000). Letting the Ordinary Shine Through: British Acousmatic Music.

    Journal of Electroacoustic Music. Vol. 13. London: Sonic Arts Network: 2-6.

  • Young, John (2002a). The Interaction of Sound Identities in Electroacoustic Music.

    In Proceedings of the 2002 International Computer Music Conference - Gotëborg: San Francisco, CA: ICMA: 342-348.

  • Young, John (2002b). Sju ... Who?.

    Journal of Electroacoustic Music. Vol. 14. London: Sonic Arts Network: 36-42.

  • Young, John (2004). Sound Morphology and the Articulation of Structure in Electroacoustic Music.

    Organised Sound: Vol. 9 no. 1. Cambridge: Cambridge University Press: 7-14.

  • YOUNG, John (2007). Reflections on sound image design in electroacoustic music.

    Organised Sound: Vol. 12, No. 1. Cambridge: Cambridge University Press: 25-33.

  • Young, John P. (2001). Networked Music: Bridging real and virtual space.

    Organised Sound: Vol. 6, no. 2. Cambridge: Cambridge University Press: 107-110.

  • Young, Miriama (2006). Latent body-plastic, malleable, inscribed: The human voice, the body and the sound of its transformation through technology.

    Contemporary Music Review: Vol. 25, Issue 1/2. London: Routledge: 81-92.

  • Young, Rob (2000a). Roll Tape: Pioneer Spirits in Musique Concrète.

    In Shapiro, P. (Ed.) Modulations: A History of Electronic Music. NY: Caipirinha: 9-19.

  • Young, Rob (2000b). Interview: Pierre Henry.

    In Shapiro, P. (Ed.) Modulations: A History of Electronic Music. NY: Caipirinha: 22-23.

  • Yuasa, Joji (1987). The Shadow of Tape Music on Instrumental Music.

    Contemporary Music Review Vol. 1, No. 2. London: Harwood Academic Publishers: 203-230.

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