Zadel, Mark, Scavone, Gary (2006). Different Strokes: A Prototype Software System for Laptop Performance and Improvisation. In Proceedings of the 2006 Conference on New Interfaces for Musical Expression (NIME-06). Paris, France: 168-171.
Zagaykevych, Alla, Zavada, Ivan (2007). Development of electronic music in Ukraine: emergence of a research methodology. Organised Sound: Vol. 12, No. 2. Cambridge: Cambridge University Press: 153-165.
Zajicek, Libor (1995). The History of Electroacoustic Music in the Czech and Slovak Republics. Leonardo Music Journal: Vol. 5. Cambridge, MA: MIT Press: 39-48.
Zanèsi, Christian, Gayou, Évelyne (2007). A house of composers. Organised Sound: Vol. 12, No. 3. Cambridge: Cambridge University Press: 277-278.
Zapf, Donna (1981a). The World Soundscape Project Revisited. Musicworks: No. 15. Toronto: Musicworks Society of Ontario: p4.
Zattra, Laura (2004). Searching for Lost Data: Outlines of aesthesic-poietic analysis. Organised Sound: Vol. 9 no. 1. Cambridge: Cambridge University Press: 35-46.
Zattra, Laura (2006a). The Identity of the Work: agents and processes of electroacoustic music. Organised Sound: Vol. 11, No. 2. Cambridge: Cambridge University Press: 113-118.
Zattra, Laura (2007). The Assembling of Stria by John Chowning: A Philological Investigation. Computer Music Journal: Vol. 31, No. 3. Cambridge, MA: MIT Press: 38-64.
Zattra, Laura, De Poli, Giovanni, Vidolin, Alvise (2001). Yesterday Sounds Tomorrow. Preservation at CSC. Journal of New Music Research Vol. 30, No. 4. Lisse: Swets and Zeitlinger: 407-412.
Zicarelli, David (1992). Music Technology as a Form of Parasite. In Proceedings of the 1992 International Computer Music Conference - San Jose. San Francisco, CA: ICMA: 69-72.
Zicarelli, David (2002). How I Learned to Love a Program That Does Nothing. Computer Music Journal: Vol. 26, no. 4. Cambridge, MA: MIT Press: 44-51.
Zimmermann, Basile (2005). Technology Is Culture: Two Paradigms. Leonardo Music Journal: Vol. 15. Cambridge, MA: MIT Press: 53-57.
Zinovieff, Peter (1982). Compositional Attitudes to Electronic Music. Composer: No. 76/77 (Summer/Winter). London: British Music Information Centre: 6-11.
Zurbrugg, Nicolas (2000). Marinetti, Boccioni and Electroacoustic Poetry: Futurism and After. In Zurbrugg, N. Critical Vices: The Myths of Postmodern Theory. Amsterdam: OPA: 1-16.
Zvonar, Richard (2004). A History of Spatial Music. eContact!, vol. 7, no. 4. Montréal: CEC.
