Elektroakustische Musik

Genres und Kategorien [G&K]

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- Music using technology ( English , French )

 

Bibliography:

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Aharonian, Coriún (1975). Processus de création musicale en Amérique latine
Alain, Olivier, Bayle, François, Cadieu, Martine, Fleuret, Maurice, Lonchampt, Jacques (1969). Pierre Henry
Alvarez, Javier (1989). Rhythm as Motion Discovered
Alvarez, Javier (1993). Compositional Strategies and Contexts
Anderson, Barry (1979). Electro-Acoustic Music: Open or Closed Circuit
Appleton, Jon (1984). Live and In Concert: Composer/Performer Views of Real-Time Performance Systems
Appleton, Jon (1990). Composer pour des nouveaux instruments
Appleton, Jon (1996). Musical Storytelling
Appleton, Jon (1999). Reflexions of a Former Performer of Electroacoustic Music
Appleton, Jon H. (1989b). Aesthetic Direction in Electronic Music
Appleton, Jon H. (1989c). {‘Otahiti}: The Evolution of a Personal Style
Arnell, Richard (1984). Sixteen Years in the Electronic Maze
Arriagada, Jorge, Vuarnet, Jean-Noël (1972). Euterpe 72 de l’instrumentale à l’électro-acoustique instrumentale
Ascione, Patrick (1998). Pour une écriture de l’espace
Ashline, William H. (2003). The Pariahs of Sound: On the Post-Duchampian Aesthetics of Electro-acoustic Improv
Baboni Schilingi, Jacopo (2001). French Electro-acoustic Music: Musicians and Researchers
Barlow, Clarence (1995). On the Aesthetic of all Historical Development of Electroacoustic Music
Barrachina, Solange (2003). {Camera oscura}, regard sur l’œuvre et sa chorégraphie
Barrett, Natasha (2000a). Musical Structure, Shifting Perspectives and Composition
Barrière, Françoise (1993). De Bourges: un paysage complexe et nuancé
Barrière, Françoise (2003). Où en est la musique électroacoustique aujourd’hui ?
Basque, Nicolas (2000). Évolution de la musique électroacoustique à Montréal
Battier, Marc (1992). Sculpter la transparence. L’écriture, le geste, l’environnement
Battier, Marc (2002b). L’opéra et les technologies du son artificiel
Battier, Marc (2003c). Science et technologie comme sources d’inspiration
Battistelli, Giorgio (1995). Tecnologia e drammaturgia (Technology and dramaturgy)
Bayle, François (1990a). Pierre Schaeffer L’œuvre musicale
Bayle, François (1993). Musique acousmatique. Proposition... ...positions
Bayle, François, Chion, Michel (1975). La musique électroacoustique est une écriture
Bayle, François, Gayou, Evelyne (2003a). Hasard et nécessité
Bayle, François, Gayou, Evelyne (2003b). Mes images
Beaucage, Réjean (2002). Mutek - flou artistique ?
Beaucage, Réjean (2004). Le courant électrique dans Montréal/Nouvelles Musiques
Bennett, Gerald (1990). Repères électro-acoustiques
Bennett, Gerald (1995). Thoughts on the Oral Culture of Electroacoustic Music
Berenguer, Jose Manuel (1995). On the Necessity of Defining Electroacoustic Music
Berenguer, José Manuel (1997). Analytical Reveries I
Berio, Luciano, Chion, Michel (1975). Luciano Berio et l’avenir de la musique électroacoustique
Bernardini, Nicola, Rudi, Jøran (2002). Compositional Use of Digital Audio Effects
Bernardini, Nicola, Vidolin, Alvise (1995). Piccola economia della musica elettronica (The micro-economics of electronic music)
Besson, Dominique (1991). La transcription des musiques électroacoustiques : que noter, comment et pourquoi ?
Blanchard, Philippe (1999). De Luigi Russolo al músico simbiótico (From Luigi Russolo to the symbiotic musician)
Boehmer, Konrad (1990). Aspects socio-esthétiques de la musique électronique
Boehmer, Konrad (2002). Koenig - Sound Composition - {Essay}
Boehmer, Konrad, Zanési Christian, (1995). Histoire du studio de la WDR de Cologne
Boesch, Rainer (1996). Analysis in Electroacoustic Music (Music is not invented, it is composed)
Boeswillwald, Pierre (1996). Analysis in the Electroacoustic World
Boeswillwald, Pierre (2000). “Autres temps; autre temps” ou le temps et les arts sonores électroacoustiques
Bosma, Hannah (1998a). Gender and Electroacoustics
Bosma, Hannah (1998b). The Death of the Singer Authorship and Female Voice in Electroacoustic Music
Bossis, Bruno (2003). Practical seminar : Creating a simple electroacoustic piece in easy stages
Bowers, John (2003). Improvising Machines: Ethnographically Informed Design for Improvised Electro-acoustic Music
Brattico, Elvira, Sassanelli, Fiorella (2000). Perception and Musical Preferences in Wishart’s Work
Bridger, Michael (1989). An Approach to the Analysis of Electroacoustic Music Derived from Empirical Investigation and Critical Methodologies of Other Disciplines
Bridger, Michael (2002). Narrativisation in Electroacoustic and Computer Music - Reflections on Empirical Research into Listeners’ Response
Bridoux-Michel, Séverine (2004). Musique, architecture, un projet multimédia: le Pavillon Philips de l’Exposion internationale de 1958
Brown, Andrew (2003). Electroacoustic music in Asia and the Pacific
Bruckert, Jacqueline (2001). Le message schaefferien and les CFMI
Budon, Osvaldo (2000). Composing with Objects, Networks, and Time Scales: An Interview with Horacio Vaggione
Burns, Christopher (2002a). Realizing Lucier and Stockhausen: Case Studies in the Performance Practice of Electroacoustic Music

 

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