Studiendisziplinen [SD]
>Psychoakustik
]
See also
Abstrakter Klang
,Akusmatik
,Gestik
,Mimesis
,Referential-Klang
,Source-Bonding
,Spektromorphologie
,Surrogacy
,Klangfarbe
Bibliography: English - Español - Français - Deutch - Italiano
Copeland, Darren (1998). Vers une conscience d’associations/For An Awareness Of Associations
Couprie, Pierre (2001b). Transcription globale : introduction à la représentation
Field, Ambrose (1996). An Introduction to Discovery Strategy
Hanson, Sten (1996). Autoanalysis?
Hoopen, Christiane ten (1994a). Issues in Timbre and Perception
Hoopen, Christiane ten (1997). Perceptions of Sound: Source, cause and human presence in electroacoustic music
IRCAM-Hyptique, (1999). Dix jeux d’écoute
Landy, Leigh (2001b). Measuring Intention against Reception in Electroacoustic Music: a new opportunity for analysis
McCartney, Andra (2000d). Sounding Places with Hildegard Westerkamp
Palombini, Carlos (1993a). Pierre Schaeffer: from Research into Noises to Experimental Music
Palombini, Carlos (1993b). Pierre Schaeffer’s Typo-Morphology of Sonic Objects
Palombini, Carlos (2002). Musique Concrète Revisited
Rudy, Paul (2007). Timbral praxis: when a tree falls in the forest is it music?
Smalley, Denis (1993). Defining Transformations
Weale, Rob (2005a). The Intention/Reception Project: Investigating Composer Intention and Listener Response in Electroacoustic Compositions
Weale, Rob (2005b). The Intention/Reception Project: Investigating the Relationship Between Composer Intention and Listener Response in Electroacoustic Compositions
Weale, Rob (2006). Discovering How Accessible Electroacoustic Music Can Be: the Intention/Reception project
Weale, Rob (2007). Mapping perception across the communitive continuum as a prelude to analysis
Windsor, W. Luke (1997). Frequency Structure in Electroacoustic Music: Ideology, function and perception
Windsor, W. Luke (2000). Through and Around the Acousmatic: The Interpretation of Electroacoustic Sounds
Wishart, Trevor (1986a). Sound Symbols and Landscapes
Young, John (1994). The Extended Environment
Young, John (1996). Imagining the Source: The Interplay of Realism and Abstraction in Electroacoustic Music
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