Elektroakustische Musik

Genres und Kategorien [G&K]

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- Music using technology ( English , French )

 

Bibliography:

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DeLio, Thomas (2002). {Diamorphoses} by Iannis Xenakis
Denis, Jean-François (2000). L’électroacoustique au Canada
Denis, Jean-François, Daoust, Yves (2002). Entrevue avec Jean-François Denis, directeur d’Empreintes DIGITALes
Dhomont, Francis (1995). Éléments pour une syntaxe
Di Scipio, Agostino (1994b). Micro-time Sonic Design and Timbre Formation
Di Scipio, Agostino (1995a). Inseparable Models of Materials and of Musical Design in Electroacoustic Music
Di Scipio, Agostino (1995b). Centrality of Techné for an Aesthetic Approach on Electroacoustic Music
Di Scipio, Agostino (1998). Compositional Models in Xenakis’s Electroacoustic Music
Di Scipio, Agostino (2001a). Clarification on Xenakis: The Cybernetics of Stochastic Music
Di Scipio, Agostino (2002a). A Story of Emergence and Dissolution: Analytical Sketches of Jean-Claude Risset’s {Contours}
Di Scipio, Agostino (2002b). Systems of Embers, Dust, and Clouds: Observations after Xenakis and Brün
Di Scipio, Agostino (2004). The Orchestra as a Resource for Electroacoustic Music: On some works by Iannis Xenakis and Paul Dolden
Dobson, Richard (2005). Beckmesser revisited?
Dodge, Charles (1995). Aesthetic Situation and Actual View of Electroacoustic Music
Dreyer, Sylvain (1999). Marseille à l’heure électronique
Dufour, Hugues (1999). Pierre Schaeffer : le son comme phénomène de civilisation
Dupont, Maÿlis (2001). Pour une écoute critique : l’émergence de la musique
Dürr, Bernard (1975). Valeur et plus value (hypothèses pour l’analyse musicale)
Dürr, Bernard (1986). Journal des {Chants parallèles} de Luciano Berio
Eaglestone, Barry, Ford, Nigel, Clowes, Mark (2001). Do Composition Systems Support Creativity? – An Evaluation
Eloy, Christian (2001). Du magnétophone à l’ordinateur : quels changements pour la création électroacoustique avec les enfants?
Emmerson, Simon (1982). Analysis and the Composition of Electro-Acoustic Music
Emmerson, Simon (1986). The Relation of Language to Materials
Emmerson, Simon (1994a). ‘Local/Field’: Towards a Typology of Live Electroacoustic Music
Emmerson, Simon (1994b). ’Live’ versus ’Real-time’
Emmerson, Simon (1995b). Electroacoustic Music: Aesthetic Situation and Perspectives
Emmerson, Simon (1998a). Acoustic/Electroacoustic: The Relationship with Instruments
Emmerson, Simon (2000a). Crossing Cultural Boundaries Through Technology?
Emmerson, Simon (2000b). ‘Losing Touch?’: The Human Performer and Electronics
Emmerson, Simon (2000c). Time Regained
Emmerson, Simon (2001b). From Dance to Dance: Distance and Digits
Emmerson, Simon (Ed.) (2000d). Music, Electronic Media and Culture
Ernst, David (1977). The Evolution of Electronic Music
FABBRI, Franco (1998). Invenzioni, espropri, saccheggi: la “musica elettronica” è anche popular (Inventing, expropriating, stealing: “electronic music” is also popular)
Favaro, Roberto (ed.) (2002). Musica e tecnologia domani. Convegno internazionale sulla musica elettroacustica. Teatro alla Scala 20-21 novembre 1999 (Music and technology tomorrow. International conference on electroacoustic music. Teatro alla Scala, 1999, November 20-21)
Fedorkow, Guy, Buxton, William, Smith, K.C. (1978). A Computer-Controlled Sound Distribution System for the performance of Electroacoustic Music
Feld, Steven, Palombini, Carlos (2001). Thoughts on Recording Soundscapes
Ferrari, Luc, Zanési, Christian (1996). Entretien avec Luc Ferrari
Ferreira Lopes, Paulo, Sousa Dias, Antonio de (2005). Musique et intéraction: aboutissement, mutations te métaphores de l’instrument de musique numérique
Field, Ambrose (2000). Simulation and Reality: The New Sonic Objects
Fischman, Rajmil (1994b). Music for the Masses
Fort, Bernard (2001). De l’animation à l’édition d’outils pédagogiques
François, Jean-Charles (1972). La musique électronique est éducation
Fricke, Stephan (1999). Klang im unentdeckten Raum: Einige Aspekte zur elektroakustischen Musik heute (Sound in an undiscovered place: a few aspects related to today’s electroacoustic music)
Fumarola, Martin Alejandro (1996). An Approach to a LatinAmerican Computer Music
Fumarola, Martin Alejandro (1998). Change and Permanence in LatinAmerican Electroacoustic and Computer Music: A Compositional Approach
Furlanete, Fábio P. (1999). Models of Sound Representation in Electroacoustic Composition
Gaburo, Kenneth (1989). Murmur
GALANTE, Francesco, PESTALOZZA, Luigi (eds.) (1998). Metafonie. Cinquanta anni di musica elettroacustica (Metaphonies. Fifty years of electroacoustic music)
Garcia, Denise (2000). Body Representations in the Electroacoustic Music
Gerwin, Thomas (1993). The International Digital ElectroAcoustic Music Archive – A new source for research into the history of electroacoustic music
Geslin, Yann (2002). Digital Sound and Music Transformation Environments: A Twenty-year Experiment at the “Groupe de Recherches Musicales”
Gillham, Owen (2000). The Crossover of Electroacoustic and Popular Music Culture
Giorgio, Battistelli (1995). Tecnologia e drammaturgia (Technology and dramaturgy)
Goebel, Johannes (1996). “Freedom and Precision of Control”
Goebel, Johannes (2001). IDEAMA - The International Digital Electroacoustic Music Archive
Green, Tona (1991). Interview with Jean-Claude Eloy
Guérin, François (1993). Aperçu du genre électroacoustique au Québec
Harley, James (2002). The Electroacoustic Music of Iannis Xenakis
Harvey, Jonathan, Palmer, John (1999). Jonathan Harvey

 

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