Elektroakustische Musik

Genres und Kategorien [G&K]





- Music using technology ( English , French )



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Alphabetical order - Chronological order

1-60 | 61-120 | 121-180 | 181-240 | 241-300 | 301-360 | 361-420 | 421-480 | 481-540 | 541-600 | 601-636 | >> 60 next

McCartney, Andra (1995a). A Prelude to Ea Gender Issues
McCartney, Andra (1995b). The Ambiguous Relation (1/2)
McCartney, Andra (1995c). Inventing Images: Constructing and Contesting Gender in Thinking about Electroacoustic Music
McCartney, Andra (1996). The Ambiguous Relation (2/2)
McCartney, Andra (2000b). Hildegard Westerkamp’s {Moments of Laughter}: Recording Childhood, Performing Motherhood, Refusing to Shup Up, and Laughing
McCartney, Andra (2000c). Soundscape Composition and the Subversion of Electroacoustic Norms
McCartney, Andra (2000d). Sounding Places with Hildegard Westerkamp
McCartney, Andra (2002b). Sharing Experiences Towards the Possibility of an Electroacoustic Ecology
McLean, Priscilla (1989). Fire and Ice: An Inquiry
Melby, John (1989). {Computer} Music or Computer {Music}
Meloche, Chris (1999). Reflections on Long-Duration Soundworks and Radio
Menezes, Flo (1997). To Be and Not To Be: Aspects of the Interaction Between Instrumental and Electronic Compositional Methods
Menezes, Flo (1998). La spatialité dans la musique électroacoustique. Aspects historiques et proposition actuelle
Merlier, Bertrand (1998). À la conquête de l’espace
Merlier, Bertrand (2002b). Qu’est-ce que l’informatique musicale ?
Merlier, Bertrand (2003). La main, le geste instrumental et la pensée créative. CG3D, contrôleur gestuel tridimensionnel
Miksch, Bonnie, Couch III, Leon W. (1999). ’Blip, Buzz, Blurp’: The Challenge of Teaching New Ways to Listen
Mion, Philippe (2001). {La grotte}, extrait de {Hétérozygote}
Mion, Philippe (2002). {L’Œil écoute}
Mion, Philippe, Nattiez, Jean-Jacques, Thomas, Jean-Christophe (1982). L’envers d’une œuvre. {De Natura Sonorum} de Bernard Parmegiani
Miranda, Eduardo Reck (Ed.) (1999b). Música y nuevas tecnologías: Perspectivas para el siglo XXI (Music and New Technologies: Perspectives for the 21st Century)
Molino, Jean (1989). Musique et machine
Moore, F. Richard (1992). A Technological Approach to Music
Moore, F. Richard (1996). Dreams of Computer Music - Then and Now
Morthenson, Jan W. (1989). Aesthetic Dilemmas in Electronic Music
Mountain, Rosemary (2001b). “Sculpting” Sound: The Story of the CEC
Mountain, Rosemary (2003). Creating and Contributing. The Expensive Spirit of Marcelle Deschênes
Mountain, Rosemary (2004b). Marcelle Deschênes
Neumann, Friedrich (1997). Weg von der Natur - hin zur Elektronik (Moving away from nature - towards the electronic)
Neves, Jose Maria (1978). Education by and for Electroacoustic Music - Topics for reflection
Norman, Katharine (1996). Real-World Music as Composed Listening
Norman, Katharine (2004). Sounding Art: Eight Literary Excursions through Electronic Music
Normandeau, Robert (2001). The Electroacoustic Situation in Canada
Normandeau, Robert (2004). Le studio personnel, la véritable innovation du second cinquantenaire
Normandeau, Robert, Bouhalassa, Ned (1999). Robert Normandeau Interviewed by Ned Bouhalassa
Normandeau, Robert, Zanési, Christian (1995). Entretien avec Robert Normandeau
Norris, Michael (1999). Reinstating Interpretation: The status of Analysis in an Electroacoustic Context
Novati, Maddalena (2001). The Archive of the “Studio di Fonologia di Milano della Rai”
Obst, Michael (1997). {Fábrica} - a Structural Analysis
Orcalli, Angelo (2001). On the Methodologies of Audio Restoration
Pallandre, Jean (2001). Invention et pédagogie
Palmer, John (1999). Daniel Teruggi - in Conversation with John Palmer
PALOMBA, Cristina (1998). Pierre Schaeffer : alla ricerca dell’oggetto sonoro (Pierre Schaeffer : searching the sound object)
Palombini, Carlos (1993). Pierre Schaeffer, 1953: towards an Experimental Music
Palombini, Carlos (1993a). Pierre Schaeffer: from Research into Noises to Experimental Music
Palombini, Carlos (1993b). Pierre Schaeffer’s Typo-Morphology of Sonic Objects
Palombini, Carlos (1999). Retorno a la música concreta (Return to Concrete Music)
Palombini, Carlos (2000). The Brazilian Group for Computer Music Research: A Proto-History
Palombini, Carlos (2001). Ideas for a Musicology of Electroacoustic Musics: Notes to a Reading of Landy
Parmegiani, Bernard, Gayou, Evelyne (2002). Mots de l’immédiat
Pennycook, Bruce (1986). Language and Resources: A New Paradox
Pennycook, Bruce (1992). Composers and Audiences: New Relationships in the Technological Age
Perry, Jeffrey (1996). The Inner Voices of Simple Things: A Conversation with Paul Lansky
Piché, Jean (2003). De la musique et des images
Pignon, Paul (1978). A Philosophy of Music Systems - A Cybernetic Approach
Polonio, Eduardo (1999). Música + Electroacústica: bodas de oro finiseculares (Music + Electroacoustic: end of the century golden anniversary)
Pope, Steven Travis (Ed.) (1994). Music and Computers: NEMO Composers Panel Discussion
Pressing, Jeff (1994). Novelty, Progress and Research Method in Computer Music Composition
Racot, Gilles (2002a). Un pont entre des mondes
Racot, Gilles (2002b). Du traitement sonore à l’écriture