Elektroakustische Musik

Genres und Kategorien [G&K]

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UNESCO DigiArts

- Music using technology ( English , French )

 

Bibliography:

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Solomos, Makis (2005). An Introduction to Horacio Vaggione’s Musical and Theoretical Thought
SOSA, Rogelio (2004). Nuevas poéticas electroacústicas (New electroacoustic poetics)
Soulez, Antonia, Vaggione, Horacio (2005). Composing, Listening
Stockhausen, Karlheinz (1974). Die Zukunft der elektroakustischen Apparaturen in der Musik (The future of electronic apparatus in music)
Stockhausen, Karlheinz (1996). Electroacoustic Performance Practice
Tagney, Philip (1992). An Interview with Alejandro Viñao
Taylor, Timothy D. (2001). Strange Sounds: Music, Technology and Culture
Teruggi, Daniel (1999). L’interactivité dans les processus de création sonore et musicale
Teruggi, Daniel (2001a). Preserving and Diffusing
Teruggi, Daniel (2001b). Après une écoute de {Sud}
Teruggi, Daniel (2001c). Electro-acoustic Music in Italy
Teruggi, Daniel (2004b). Quel esprit pour demain?
Teruggi, Daniel, Couprie, Pierre (2001). Les {Presque rien} de Luc Ferrari. {Hétérozygote} et les {Presque rien}
Teruggi, Daniel, Dunkelman, Stefan, Coppe, Dimitri (1997). Daniel Teruggi, directeur INA-GRM
Teruggi, Daniel, Romano, Marta (2001). Interview with Daniel Teruggi Director of Groupe de Recherches Musicales (GRM)
Thaemlitz, Terre (2001). Operating in Musical Economies of Compromosie (or ... When do I get paid for writing this?)
Thibault, Alain (2002). Culture numérique et électroacoustique
Thomas, Jean-Christophe (2001). Sur l’expression de la nature dans les musiques électroacoustiques
Thomas, Jean-Christophe (2002). Aspects d’Orphée
Thomas, Jean-Christophe (2003a). Ivo Malec: trouvaille, minimalisme et théâtralité
Thomas, Jean-Christophe (2003b). Entrons dans {Camera oscura} et son Labyrinthe avec l’auteur
Thome, Diane (1995). Reflections on Collaborative Process and Compositional Revolution
Tiffon, Vincent (2003). La partition, le phonographe et l’échantillonneur : usages de la copie en musique
Tiffon, Vincent (2004). La musique mixte: avenir de la musique électroacoustic?
Torra-Mattenklot, Caroline (2000). Illusionnisme musical
Truax, Barry (1986). Computer Music Language Design and the Composing Process
Truax, Barry (1992a). Electroacoustic Music and the Soundscape: The Inner and Outer World
Truax, Barry (1996b). Soundscape, Acoustic Communication and Environmental Sound Composition
Truax, Barry (1996d). Sounds and Sources in {Powers of Two} Towards a Contemporary Myth
Truax, Barry (1998b). Letter to a 25 year-old electroacoustic composer
Truax, Barry (1999c). Sonology: A Questionable Science Revisited
Truax, Barry (2001c). Time and Electroacoustic Music
Truax, Barry (2002a). Electroacoustic Music and the Digital Future
Twombly, Kristian (2002). Oppositional Dialectics in Joji Yuasa’s {The Sea Darkens}
Ungeheuer, Elena, Decroupet, Pascal (1998). Through the Sensory Looking-glass: the Aesthetic and Serial Foundations of {Gesang des Jünglinge}
Vaggione, Horacio (1995). About the Electroacoustic Approach: Situations, Perspectives
Vaggione, Horacio (1998a). L’espace composable. Sur quelques catégories opératoires dans la musique électroacoustique
Vaggione, Horacio (2002). Décorrélation microtemporelle, morphologies et figurations spatiales
VALENTINO, Roberto (1986). Le altre elettroniche (Other electronics)
Vande Gorne, Annette (1995). Une histoire de la musique électroacoustique
Vande Gorne, Annette (1998). Les deux côtés du miroir : la mariée est-elle trop belle ?
Vandenbogaerde, Fernand (1977). De la diffusion des musiques électroacoustiques
Vandenheede, Jan (1992). Jonathan Harvey’s {Ritual Melodies}
Vaughan, Mike (1994). The Human-Machine Interface in Electroacoustic Music Composition
Veitl, Anne (2001). Les musiques électroacoustiques et la politique culturelle : repères historiques
Verin, Nicolas (1998). Spatialisation : interprétation, composition, improvisation ?
Vidal, Jack (1975). Les Deux lieux communs sur le rapport image-son
Vidolin, Alvise (1995). Documentazione, conservazione e restauro dei beni musicali elettronici (Conservation, documentation and restoration of electronic musical assets)
Vinay, Gianfranco (2003). La ’’recherche’’ de François Bayle. Portrait de l’artiste
Waters, Simon (2000b). Beyond the Acousmatic: Hybrid Tendencies in Electroacoustic Music
Waters, Simon (2006). Making the Archive and Archiving the Making: insights and outcomes from a major research project
Weale, Rob (2005a). The Intention/Reception Project: Investigating Composer Intention and Listener Response in Electroacoustic Compositions
Weale, Rob (2005b). The Intention/Reception Project: Investigating the Relationship Between Composer Intention and Listener Response in Electroacoustic Compositions
Weale, Rob (2006). Discovering How Accessible Electroacoustic Music Can Be: the Intention/Reception project
Windsor, W. Luke (1994). Using Auditory Information for Events in Electroacoustic Music
Windsor, W. Luke (2000). Through and Around the Acousmatic: The Interpretation of Electroacoustic Sounds
Wishart, Trevor (1986a). Sound Symbols and Landscapes
Wishart, Trevor (1992). Music and Technology: Problems and Perspectives
Wishart, Trevor (1996a). On Sonic Art - Revised Edition
Xenakis, Iannis (1959). Note sur un “geste électronique”

 

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