Bibliography:

English - Español - Français - Deutch - Italiano

Alphabetical order - Chronological order

Chadabe, Joel (1997b). Electric Sound: The Past and Promise of Electronic Music
Cox, Christoph, Warner, Daniel (2004). Audio Culture: Readings in Modern Music
ESTRADA, Julio (1999). Conlon Nancarrow (1912-1997)
Jaeger, Timothy (2003). The (Anti-) Laptop Aesthetic
Manning, Peter (2004). Electronic and Computer Music - Revised and Expanded Edition
Wilding, Richard (1998). Listening Spaces/Performance Spaces: The Performance of electroacoustic Music as Cultural Practice
Yong, Kerry (2006). Electroacoustic adaptation as a mode of survival: arranging Giacinto Scelsi’s {Aitsi pour piano amplifée} (1974) for piano and computer

 

Subsections

• Composed Space

  • Architectonic

• Echtzeit-Transformation

• Echtzeit

  • MIDI

    • Pitch-to-MIDI

• Immersive Umwelt / Immersion

• Interaktivität

  • Bewegungsschnittstelle

  • Emergence

  • Interaktive Instrumente

• Internet Musik

  • Free Music

• Live Elektronik

• Ortsspezifikation

• Spatialisation

  • Ambisonic

  • Automatisierte Raumverteilungs-Systeme

  • Bewegung

  • Binaural

  • Diffusion

  • Immersive Umwelt / Immersion

  • Klangprojektion

  • Lautsprecher-Orchester

  • Octophon

  • Ortsspezifisch

  • Panoramics

  • Quadraphon

  • Stereophon
  • Architectonic
  • Fader Gesture
  • Surround Sound

• Turntablism

• Visuelle Repräsentation

  • Graphische Partitur

  • Lautsprecherkanal-Verteilungsplan
• Access (to Electroacoustic Music)
• Cinéma Pour l’Oreille (Cinema For The Ears)
• Collaboration
  • Devising
• Faktura
• Improvisation
• Performance Space(s)
• Public Art

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