Links
UNESCO DigiArts
- Practical seminar : Creating a simple electroacoustic piece in easy stages ( English , French )- Digital Creation with Sounds and Music ( English , French )
Bibliography: English - Español - Français - Deutch - Italiano
Battier, Marc (2003e). Digital Creation with Sounds and Music - an online introduction
Bossis, Bruno (2003). Practical seminar : Creating a simple electroacoustic piece in easy stages
Bossis, Bruno (2003a). Introduction à l’histoire et à l’esthétique des musiques électroacoustiques
Bossis, Bruno, Couprie, Pierre (2003). Tutorials : sound and music applications
Chadabe, Joel (1997b). Electric Sound: The Past and Promise of Electronic Music
Eaglestone, Barry, Ford, Nigel, Clowes, Mark (2001). Do Composition Systems Support Creativity? – An Evaluation
Elliot, Kevin (1993). A Behavioural or Actor-Based Paradigm of Sound Production and Studio Composition
Howe, Hubert S. (1975). Electronic Music Synthesis
Manning, Peter (2004). Electronic and Computer Music - Revised and Expanded Edition
Manning, Peter (2006). The significance of {techné} in understanding the art and practice of electroacoustic composition
Naumann, Joel, Wagoner, James D. (1985). Analog Electronic Music Techniques: In Tape, Electronic, and Voltage-Controlled Synthesizer Studios
Pole, Giovanni de, Rocchesso, Davide (1998). Physically Based Sound Modelling
Roads, Curtis (1996c). The Computer Music Tutorial
Rudi, Jøran (1996). Electroacoustics in Norway - This Site Under Construction
Spain, Martin, Polfreman, Richard (2001). Interpolator: A two-dimensional graphic interpolation system for the simultaneous control of digital signal processing parameters
Taylor, Gregory (2002). An Interview with Carl Stone
Wishart, Trevor (1994). Audible Design: A Plain and Easy Introduction to Practical Sound Design
Abstract Shaping
Amplifikation
Aufnahme (Recording)
Composed Space
Elektroakustische Geräte
Elektroakustische Instrument
Klanggestaltung
Angleichung (Equalisation)
Ausdehnung
Brassage
Chorusing
Delay
Echo / Hall
Echo
Editierung
Filter
Flanging
Freezing
Gating/Ducking
Geschwindigkeitsvariation
Harmonising / Transposition
Höhen-Verschiebung
Hüllkurve
Hüllkurven-Generierung
Hüllkurven-Verfolger
Klang-Transformation
Kompression
Konstruierte Fortführung
Konstruktive Verzerrung
Konvolution
Loop
Modulation
Phasen-Verschiebung
Phasing
Plug-in
Rückkopplung
Sample and Hold
Spektral Verdichtung
Spektral-Gestaltung
Temporal Shaping
Time-scaling
Time-stretching
Transposition
Umkehrung (Reverse)
Vocoding
- ADSR [Attack, Decay, Sustain, Release]
- Fader Gesture
- Limiting
- Morphing
- Morphology
- Scrubbing [Tape scrubbing]
- Strong Action
- Time-compression
- Transfer Function
Klangquelle
Mixen
Sampling
Scratching
Sequencing
Signalverarbeitung
Synthese-/Resynthese-Techniken
Additive Synthese
Diphone Synthese
Echtzeit
FOF (Formant-Welle-Funktions-Synthese)
Frequenz-Modulations Synthese
Granular-Synthese/Resynthese
Graphische Synthese
Hybrid-Synthese
Kreuzsynthese
Linear Prädiktive Codierung
Oszillator
Phasen-Vocoder
Physical Modelling
Subtraktive Synthese
Visuelle Repräsentation
Waveset Distortion
Waveset
Waveshaping
- Klanglomeration
- Pulse-train
- Schwellenreiten
- Speech Synthesis
- Synthrumentation
- Wavetable
Verzerrung
- Effect
- Faktura
- Remixing

