Wissenschaft Elektroakustischer Musik [WEM]

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Digitale Ästhetik



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Digitale Ästhetik







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Alphabetical order - Chronological order

Cutler, Chris (2000). Plunderphonics
Cutler, Chris (2004). Pluderphonia
D’Arcangelo, Gideon (2004). Recycling Music, Answering Back: Toward an Oral Tradition of Electronic Music
Hesmondhalgh, David (2000). International Times: Fusions, Exoticism, and Antiracism in Electronic Dance Music
Holm-Hudson, Kevin (1996). John Oswald’s {Rubaiyat (Elektrax)} and the Politics of Recombinant Do-Re-Mi
Jordà, Sergi (1999). Faust Music On Line: (FMOL) An Approach to Real-Time Collective Composition on the Internet
Lysloff, René T. A. (2003a). Musical Life in Softcity: An Internet Ethnography
Miller, Paul D. (aka. Dj Spooky that Subliminal Kid) (2004). Rhythm Science
Polansky, Larry (1998). Signing Together, Hacking Together, Plundering Together: Sonic Intellectual Property in Cybertimes
Sanjek, David (2003). Fairly Used: Negativeland’s {U2} and the Precarious Practice of Acoustic Appropriation
Schaefer, Janek (2001). {AudiOh!}: Appropriation, Accident and Alteration
Sousa, John Phillip (1993). Machine Songs IV: The Menace of Mechanical Music
Théberge, Paul (2003). “Ethnic Sounds”: The Economy and Discourse of World Music Sampling
Vincent, Simon (2003). Mixes and Modulations
Voegelin, Salomé (2006). Sonic memory material as ‘pathetic trigger’
Waters, Simon (2000b). Beyond the Acousmatic: Hybrid Tendencies in Electroacoustic Music