Abstrakte/Abstrahierte Syntax

Wissenschaft Elektroakustischer Musik [WEM]

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Diskurs der Elektroakustischen Musik

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See also

,

Auditiver/Mimetischer Diskurs

,

Formalismus

,

Musique Concrète

,

Schaeffer’sche Theorie

 

Bibliography:

English - Español - Français - Deutch - Italiano

Alphabetical order - Chronological order

Alvarez, Javier (1989). Rhythm as Motion Discovered
Barrière, Jean-Baptiste (1989). Computer Music as Cognitive Approach: Simulation, Timbre and Formal Processes
Boehmer, Konrad (2002). Koenig - Sound Composition - {Essay}
Dack, John (2002b). Abstract and Concrete
Decroupet, Pascal, Ungeheuer, Elena (2002). Through the Sensory Looking-Glass: The Aesthetic and Serial Foundations of {Gesang der Jünglinge}
DeLio, Thomas (2002). {Diamorphoses} by Iannis Xenakis
Emmerson, Simon (1982). Analysis and the Composition of Electro-Acoustic Music
Emmerson, Simon (1986). The Relation of Language to Materials
Kohl, Jerome (2002). Serial Composition, Serial Form, and Process in Karlheinz Stockhausen’s {Telemusik}
Licata, Thomas (2002a). Luigi Nono’s {Omaggio a Emilio Vedova}
Solomos, Makis (2004). Xenakis’ Thought Through his Writings
Twombly, Kristian (2002). Oppositional Dialectics in Joji Yuasa’s {The Sea Darkens}
Ungeheuer, Elena, Decroupet, Pascal (1998). Through the Sensory Looking-glass: the Aesthetic and Serial Foundations of {Gesang des Jünglinge}
Wishart, Trevor (1986a). Sound Symbols and Landscapes

 

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