Wissenschaft Elektroakustischer Musik [WEM]


Diskurs der Elektroakustischen Musik



See also

Abstrakter Klang




Anekdotische Musik




Reduziertes Hören









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Alphabetical order - Chronological order

Austin, Larry (2000). Sound Diffusion in Composition and Performance: An Interview with Denis Smalley
Bridger, Michael (2002). Narrativisation in Electroacoustic and Computer Music - Reflections on Empirical Research into Listeners’ Response
D’Escrivan, Julio (1989). Reflections on the Poetics of Time in Electoacoustic Music
Emmerson, Simon (1996). {Sentences} for Soprano and Electronics: Towards a Poetics of Live Electronic Music
Emmerson, Simon (1998b). Aural Landscape: Musical Space
Ferrari, Luc; Gayou, Evelyne, (2001). Avec, de, sur... Entre
Giomi, Francesco, Ligabue, Marco (1998a). Understanding Electroacoustic Music: Analysis of narrative strategies in six early compositions
Kankaanpää, Vesa (1996). Displaced Time: Transcontextual references to time in Kaija Saariaho’s {Stilleben}
McCartney, Andra (2002a). Alien Intimacies: Hearing science fiction narratives in Hildegard Westerkamp’s {Cricket Voice} (or ‘I don’t like the country, the crickets make me nervous’)
Norman, Katharine (1994). Telling Tales
Norman, Katharine (2000). Stepping Outside for a Moment: Narrative Space in Two Works for Sound Alone
Rubin, Anna (2000). {Forêt Profonde} by Francis Dhomont - Representations of the Unconscious
Rudi, Jøran (2005a). Computer Music Video: A Composer’s Perspective
Sani, Nicola (1997). Analysis of {Wassererinnerungen}, Part II, {The Pool}
Teruggi, Daniel, Couprie, Pierre (2001). Les {Presque rien} de Luc Ferrari. {Hétérozygote} et les {Presque rien}
Waters, Simon (2000a). The musical process in the age of digital intervention
Whalley, Ian (2000). Applications of System Dynamics Modelling to Computer Music
Wishart, Trevor (1986a). Sound Symbols and Landscapes
Wishart, Trevor (1989). The Function of Text in the {VOX} cycle