Wissenschaft Elektroakustischer Musik [WEM]


Diskurs der Elektroakustischen Musik



See also

Abstrakter Klang




Auditiver/Mimetischer Diskurs




Digitale Ästhetik

, ,

Hybrides Denken




Reduziertes Hören












- Digital Creation with Sounds and Music: Collect ( English , French )
- Introduction à l’histoire et à l’esthétique des musiques électroacoustiques: Session 6 - De la musique mixte à l’interactivité ( French )



English - Español - Français - Deutch - Italiano

Alphabetical order - Chronological order

Battier, Marc (2003b). Notes sur l’électronique dans un opéra récent : {K...} de Philippe Manoury
Battier, Marc (2003e). Digital Creation with Sounds and Music - an online introduction
Borin, Gianpaolo, Poli, Giovanni De, Sarti, Augusto (1997). Musical Signal Synthesis
Bossis, Bruno, Couprie, Pierre (2003). Tutorials : sound and music applications
Cutler, Chris (2000). Plunderphonics
D’Arcangelo, Gideon (2004). Recycling Music, Answering Back: Toward an Oral Tradition of Electronic Music
Davies, Hugh (1996a). A History of Sampling
Davis, Deta S. (1988). Computer Applications in Music: A Bibliography
Fikentscher, Kai (2003). “There’s not a problem I can’t fix, ‘cause I can do it in the mix”: On the Performative Technology of 12-inch Vinyl
Gallet, Bastien (2002). Le boucher du prince Wen-houei
Hesmondhalgh, David (2000). International Times: Fusions, Exoticism, and Antiracism in Electronic Dance Music
Holm-Hudson, Kevin (1996). John Oswald’s {Rubaiyat (Elektrax)} and the Politics of Recombinant Do-Re-Mi
Holm-Hudson, Kevin (1997). Quotation and Context: Sampling and John Oswald’s Plunderphonics
Hoopen, Christiane ten, Landy, Leigh (1992). La musique électroacoustique
Jordà, Sergi (1999). Faust Music On Line: (FMOL) An Approach to Real-Time Collective Composition on the Internet
Lalitte, Philippe (1998). {City Life}
Ligeti, Lukas (2000). Beta Foly: Experiments with Tradition and Technology in West Africa
Lysloff, René T. A. (2003a). Musical Life in Softcity: An Internet Ethnography
Miller, Paul D. (aka. Dj Spooky that Subliminal Kid) (2004). Rhythm Science
NUÑEZ, Adolfo (1993). Informática y Electrónica Musical - 2da. edición, revisada (Musical Electronics and Informatics - 2nd edition, revised)
Polansky, Larry (1998). Signing Together, Hacking Together, Plundering Together: Sonic Intellectual Property in Cybertimes
Reich, Steve, Vérin, Nicolas (1998). Interview de Steve Reich
Rimbaud, Robin (a.k.a. Scanner) (2001). Remembering How to Forget: An Artist’s Exploration of Sound
Rodgers, Tara (2003). On the Process and Aesthetics of Sampling in Electronic Music Production
Sanjek, David (2003). Fairly Used: Negativeland’s {U2} and the Precarious Practice of Acoustic Appropriation
Schaefer, Janek (2001). {AudiOh!}: Appropriation, Accident and Alteration
Théberge, Paul (2003). “Ethnic Sounds”: The Economy and Discourse of World Music Sampling
Tiffon, Vincent (2003). La partition, le phonographe et l’échantillonneur : usages de la copie en musique