Klangproduktion und Manipulation [KPM]


Elektroakustische Geräte



See also



Data Tracking




Interaktive Instrumente









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Alphabetical order - Chronological order

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Allouis, Jean-François, Delalande, François (1976). Syter
Allouis, Jean-François, Delalande, François (1986). Syter et le temps réel
Appleton, Jon (1989a). 21st-Century Musical Instruments: Hardware and Software
Bailey, Christopher (2004). An Interface for ‘Flat Music’
Baird, Bridget, Blevins, Donald, Zahler, Noel (1993). Artificial Intelligence and Music: Implementing an Interactive Computer Performer
Battier, Marc (1995b). Entre l’idée et l’œuvre: parcours de l’informatique musicale
Battier, Marc (2003c). Science et technologie comme sources d’inspiration
Bernardini, Nicola (1991). Should Musical Instruments be Dreams?
Blaine, Tina, Fels, Sidney (2003a). Collaborative Musical Experiences for Novices
Boulanger, Richard (1990). Conducting the MIDI Orchestra, Part 1: Interviews with Max Matthews, Barry Vercoe, and Roger Dannenberg
Breinbjerg, Morten, Caprani, Ole, Lunding, Rasmus, Kramhøft, Line (2006). An Acousmatic Composition Environment
Bryan-Kinns, N., Healey, P. G. T. (2006). Decay in Collaborative Music Making
Bukvic, Ivica Ico (2002). {RTMix} - Towards a standardised interactive electroacoustic art performance interface
Burtner, Matthew (2002). The Metasaxophone: Concept, implementation and mapping strategies for a new computer music instrument
Cadennes, Michel (1998). Comment CyberCircé mène les petits cochons roses
Couturier, Jean-Michel (2004). Etheraction: Playing Musical Piece Using Graphical Interfaces
Dahan, Kevin (2005). Quelques réflexions sur la logique d’interface pour la création musicale assistée par ordinateur
Di Scipio, Agostino (2003). ‘Sound is the Interface’: From {interactive} to {ecosystemic} signal processing
Dierbach, Charles (1983). Some Initial Ideas on the Control of Digital Sound Synthesis Through AI Techniques
Dobrain, Christopher, Koppelman, Daniel (2006). The ’E’ in NIME: Musical Expression with New Computer Interfaces
Eloy, Christian (2001). Du magnétophone à l’ordinateur : quels changements pour la création électroacoustique avec les enfants?
Essl, Georg (2003). On Gender in New Music Interface Technology
Essl, Georg, O’Modhrain, Sile (2006). An enactive approach to the design of new tangible musical instruments
Geslin, Yann (2001). Le studio 123
Gluck, Robert J. (2005a). eSaz: A non-Western instrument in the context of a live electronic performance system
Gurevich, Michael (2006). JamSpace: Designing a Collaborative Networked Music Space for Novices
Hahn, Tomie, Bahn, Curtis (2002). {Pikapika} - The collaborative composition of an interactive sonic character
Hamman, Michael (2002). From Technical to Technological: The Imperative of Technology in Experimental Music Composition
Harris, Yolande, Bongers, Bert (2002). Approaches to Creating Interactivated Spaces, from Intimate to Inhabited Interfaces
Hunt, Andy, Kirk, Ross (2000). Mapping Strategies for Musical Performance
Jaffe, David A., Schloss, W. Andrew (1994). The Computer Extended Ensemble
Jordà, Sergi (2001a). New Musical Interfaces and New Music-making Paradigms
Jordà, Sergi (2002a). FMOL: Toward User-Friendly, Sophisticated New Musical Instruments
JORDÀ, Sergi (2005). Digital Lutherie: Crafting musical computers for new musics’ performance and improvisation
Krefeld, Volker (1990). The Hand in the Web: An Interview with Michel Waisvisz
Lane, Cathy, Parry, Nye (2005). The {Memory Machine}: sound and memory at the British Museum
Laske, Otto (1978). Considering Human Memory in Designing User Interfaces for Computer Music
Laske, Otto E. (1977). Toward a Theory of Interfaces for Computer Music Systems
Laubier, Serge de (1998). The Meta-instrument
Lewis, George E. (2000). Too Many Notes: Computers, Complexity and Culture in {Voyager}
Lock, Damien, Schiemer, Greg (2006). Orbophone: A New Interface for Radiating Sound and Image
Lohner, Henning (1986a). The UPIC System: A User’s Report
Miranda, Eduardo Reck (2001). Composers and Computer Music Technology in Brazil
Miranda, Eduardo Reck (Ed.) (1999b). Música y nuevas tecnologías: Perspectivas para el siglo XXI (Music and New Technologies: Perspectives for the 21st Century)
Mulder, Axel (1999). Sobre los límites de los gestos de los intérpretes instrumentales (On the limitations of the gestures of musical interpreters)
Nelson, Peter (1999). El cyborg musical (The musical cyborg)
Newton-Dunn, Henry, Nakano, Hiroaki, Gibson, James (2003). Block Jam: A Tangible Interface for Interactive Music
Orton, Richard (1992). Musical, Cultural and Educational Implications of Digital Technology
Pennycook, Bruce W. (1985). Computer-Music Interfaces: A Survey
Polfreman, Richard (2002). Modalys-ER for OpenMusic (MfOM): Virtual instruments and virtual musicians
Pottier, Laurent, Stalla, Olivier (2000). Interpretation and Space
Pressing, Jeff (1990). Cybernetic Issues in Interactive Performance Systems
Racot, Gilles, Teruggi, Daniel, Favreau Emmanuel, (1999). Évolution des outils, évolution des idées
Risset, Jean-Claude (1975). Musique et informatique
Risset, Jean-Claude (1985b). Digital Techniques and Sound Structure in Music
Risset, Jean-Claude (1999d). Nouveaux gestes musicaux : quelques points de repère historique
Rossille, Frédéric-André (1998). Nouvelles technologies musicales et imageries mentales
Rubine, Dean, McAvinney Paul, (1990). Programmable Finger-tracking Instrument Controllers
Spain, Martin, Polfreman, Richard (2001). Interpolator: A two-dimensional graphic interpolation system for the simultaneous control of digital signal processing parameters
Teruggi, Daniel (1995). Les développements de la recherche informatique au Groupe de recherches musicales de l’Institut national de l’audiovisuel (INA-GRM)