Klangproduktion und Manipulation [KPM]





See also

Ausdrucksparameter (Indicative Fields/Networks)


Phonemisches Objekt





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Alphabetical order - Chronological order

Blonk, Jaap, Peer, René van (2005). Sounding the Outer Limits
Bosma, Hannah (2003). Bodies of Evidence, Singing Cyborgs and Other Gender Issues in Electrovocal Music
Bossis, Bruno (2004). Reflections on the Analysis of Artificial Vocality: Representations, Tools and Prospective
Code, David Loberg (1990). Observations in the Art of Speech: Paul Lansky’s {Six Fantasies}
Drever, John Levack (1999). The Exploitation of ‘Tangible Ghosts’: Conjectures on soundscape recording and its reappropriation in sound art
Georgaki, Anastasia (1999b). Proteïc Voices in the Computer Music Repertory (1972-1997)
Hettergott, Alexandra (1999). Human Voice Treatment in Various Types of Electroacoustic Music
Jones, David Evan (1984). Composer’s View - David Evan Jones
Lane, Cathy (2006). Voices from the Past: compositional approaches to using recorded speech
Miranda, Eduardo Reck (2005). Artificial Phonology: Disembodied Humanoid Voice for Composing Music with Surreal Languages
Perry, Jeffrey (1996). The Inner Voices of Simple Things: A Conversation with Paul Lansky
Toop, David (2005). Sound Body: The Ghost of a Program
Weber-Lucks, Theda (2003). Electroacoustic Voices in Vocal Performance Art - A Gender Issue?
Wishart, Trevor (1988). The Composition of {Vox-5}
Wishart, Trevor (1989). The Function of Text in the {VOX} cycle
Wishart, Trevor (2000). Sonic Composition in {Tongues of Fire}
Wynne, John (2006). Language ecology and photographic sound in the McWorld
Young, John (2002b). Sju ... Who?
Young, Miriama (2006). Latent body-plastic, malleable, inscribed: The human voice, the body and the sound of its transformation through technology
Zurbrugg, Nicolas (2000). Marinetti, Boccioni and Electroacoustic Poetry: Futurism and After