Synthese-/Resynthese-Techniken

Klangproduktion und Manipulation [KPM]

 ]

 

See also

Additive Synthese

,

Kreuzsynthese

,

Diphone Synthese

,

FOF (Formant-Welle-Funktions-Synthese)

,

Frequenz-Modulations Synthese

,

Granular-Synthese/Resynthese

,

Graphische Synthese

,

Hybrid-Synthese

,

Karplus-Strong-Algorithmus

,

Linear Prädiktive Codierung

,

Phasen-Vocoder

,

Subtraktive Synthese

,

Partitur-Synthese

,

Synthesizer

,

Waveset Distortion

,

Waveshaping

 

Links

UNESCO DigiArts

- Tutorials : sound and music applications (Mac & PC) ( English , French , Spanish )
- Introduction à l’histoire et à l’esthétique des musiques électroacoustiques: Session 2 - Une nouvelle lutherie ( French )

 

Bibliography:

English - Español - Français - Deutch - Italiano

Alphabetical order - Chronological order

1-60 | 61-120 | 121-180 | 181-240 | 241-266 | >> 60 next

Risset, Jean-Claude (1978). Concerning the Synthesis of Musical Sounds by Computer
Risset, Jean-Claude (1985a). Computer Music Experiments 1964-
Risset, Jean-Claude (1985b). Digital Techniques and Sound Structure in Music
Risset, Jean-Claude (1985c). Le compositeur et ses machines. De la recherche musicale
Risset, Jean-Claude (1985d). Musique et perception
Risset, Jean-Claude (1986a). Timbre et synthèse des sons
RISSET, Jean-Claude (1986b). Arte e scienza: musica elettroacustica numerica (Arts and Science: Digital electroacoustic music)
Risset, Jean-Claude (1991b). Timbre, Analysis by Synthesis: Representations, Imitations, and Variants for Musical Composition
Risset, Jean-Claude (1992a). Composing Sounds with Computers
Risset, Jean-Claude (1993). Synthèse et matériau musical
Risset, Jean-Claude (1996a). Problems of Analysis and Computer Music
Risset, Jean-Claude (1996b). Real-World Sounds and Simulacra in my Computer Music
Risset, Jean-Claude (1999c). Évolution des outils de création sonore
Risset, Jean-Claude (2000). Temps et musique numérique
Risset, Jean-Claude (2001a). Synthèse et traitements des sons: sur la composition de {Sud}
Risset, Jean-Claude (2002). Examples of the Musical Use of Digital Audio Effects
Risset, Jean-Claude (2005). Quelques points de vue sur l’invisible
Risset, Jean-Claude, Baudoux, Roald (2003). Interview Jean-Claude Risset
Risset, Jean-Claude, Gontcharoff, Paul (2001). Interview de Jean-Claude Risset
Risset, Jean-Claude, Meston, Olivier (2001). Portrait d’un homme cultivé
Roads, Curtis (1982). A Conversation with James A. Moorer
Roads, Curtis (1992b). Des instruments pour un son organisé
Roads, Curtis (2001a). Microsound
Roads, Curtis, Pope, Steven Travis, Piccialli, Aldo, Poli, Giovanni De (Eds.) (1997). Musical Signal Processing
Rossille, Frédéric-André (1998). Nouvelles technologies musicales et imageries mentales
Ruget-Langlois, Nathalie (1999). Musique et technologie: la démarche particulière de Marco Stroppa. Entretien avec le compositeur
Saariaho, Kaija, Hoitenga, Camilla, Karttunen, Ansi, Barrière, Jean-Baptiste, Stoianova, Ivanka, Mathieu, Jean-Baptiste (1999). Prisma
Sabbe, Hermann (1973). Das Musikdenken von Karel Goeyvaerts in Bezug auf das Schaffen von Karlheinz Stockhausen
Sargenti, Simona (1995). Software per la definizione di strumenti nella musica elettronica: analisi e realizzazione di {Mikrophonie I} e di {Solo} di K.Stockhausen (Software for the definition of electronic music instruments: analysis and realization of {Mikrophonie I} and {Solo} by K.Stockhausen)
Schœller, Philippe (1986). Mutation de l’écriture : {Éclat, Stria, Désintégrations}
Schrader, Barry (1982). Introduction to Electro-acoustic Music
Sciarrino, Salvatore, Somigli, Paolo (2003). Nature technologique
Serra, Marie-Hélène (1993b). La synthèse dynamique stochastique de Iannis Xenakis
Simona, Sargenti (1995). Software per la definizione di strumenti nella musica elettronica: analisi e realizzazione di {Mikrophonie I} e di Solo di K.Stockhausen (Software for the definition of electronic music instruments: analysis and realization of {Mikrophonie I} and Solo by K.Stockhausen)
Smith III, Julius Orion (1993). Observations sur l’histoire de la synthèse numérique du son
Sousa Dias, Antonio de (2005). Articulation musique - image : les cas de {Réflexion faite...} et {Natureza morta - visages d’une dictature}
Spiegel, Laurie (1998). Graphical GROOVE: Memorial for the VAMPIRE, a visual music system
Stelkens, Jörg, Tillmann, Hans G. (Eds.) (1999). KlangForschung ’98: Symposium zur elektronischen Musik
Supper, Martin (1997). Elektroakustische Musik und Computermusik; Geschichte-Ästhetik-Methoden-Systeme (Electroacoustic Music and Computer Music: History, Aesthetics, Methods, Systems)
Teruggi, Daniel (1995). Les développements de la recherche informatique au Groupe de recherches musicales de l’Institut national de l’audiovisuel (INA-GRM)
Tiffon, Vincent (2002). Jean-Claude Risset : {Sud} (1985)
Toop, Richard (1981). Stockhausen’s Electronic Works: Sketches and Work-Sheets from 1952-1967
Vaggione, Horacio (1996a). Morphological Transformations Though Analysis and Resynthesis
Vaggione, Horacio (2003). Composition musicale et moyens informatiques : questions d’approche
Vande Gorne, Annette (1995). Une histoire de la musique électroacoustique
Veitl, Anne (2004). Le compositeur à l’ordinateur (1955-1985) : des moyens de rationalisation aux outils de réalisation
Victor, Michèle (1975). L’informatique musicale
Vidolin, Alvise (1980). Interazione fra i livelli di rappresentazione dell’informazione musicale nella composizione mediante elaboratore (Interaction among the representation levels of musical data in computer music composition)
Wanderley, Marcello, Depalle, Philippe (1999). Contrôle gestuel de la synthèse sonore
Waugh, Ian (2000). Quick Guide to Analogue Synthesis
Wright, Matthew, Beauchamp, James, Fitz, Kelly, Rodet, Xavier, Röbel, Axel, Serra, Xavier, Wakefield, Gregory (2000). Analysis/Synthesis Comparison
Xenakis, Iannis (1981). Les chemins de la composition musicale
Young, John (2004). Sound Morphology and the Articulation of Structure in Electroacoustic Music

 

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