Serialismo

Géneros y Categorías [GyC]

 ]

En la música electroacústica, el serialismo equivale a las obras en las que una cantidad indeterminada de parámetros musicales son tratados separada y formalmente. Muchas de las obras del período temprano de la llamada Música Electrónica (Elektronische Musik) se basaron en principios seriales.

 

Links

UNESCO DigiArts

- Introduction à l’histoire et à l’esthétique des musiques électroacoustiques: Session 1 - Quelques réflexions sur les relations entre le son et la musique ( French )

 

Bibliography:

English - Español - Français - Deutch - Italiano

Alphabetical order - Chronological order

1-60 | 61-73 | >> 60 next

ASUAR, José Vicente (1972a). Música con Computadores: ¿cómo hacerlo..? (Music with computers: how to do it..?)
Bennett, Gerald (1990). Repères électro-acoustiques
Boehmer, Konrad (2002). Koenig - Sound Composition - {Essay}
Boehmer, Konrad, Zanési Christian, (1995). Histoire du studio de la WDR de Cologne
Bossis, Bruno (2003a). Introduction à l’histoire et à l’esthétique des musiques électroacoustiques
Bossis, Bruno (2004a). {Mortuos Plango, Vivos Voco} de Jonathan Harvey ou le miroir de la spiritualité
Bossis, Bruno (2005c). La voix et la machine. La vocalité artificielle dans la musique contemporaine
Boucourechliev, André (1960). La musique électronique
Brandorff, Steffen, Cour, Jørgen la (1975). Aspects of the Serial Procedures in Karlheinz Stockhausen’s Kontakte
Chadabe, Joel (1972). Le principe du voltage-control et ses implications pour le compositeur
Chang, Jae Ho (1999). Composing Noise
Chion, Michel (1972). Vingt années de musique électro-acoustique
Cody, Joshua (1996). An Interview with Paul Lansky
CREMASCHI, Andrea (2005). Parola-suono-silenzio: {Guai ai gelidi mostri} di Luigi Nono (Word-sound-silence: {Guai ai gelidi mostri} by Luigi Nono)
Dack, John (1999a). Karlheinz Stockhausen’s {Kontakte} and Narrativity
Dahlhaus, Carl (1974). Ästhetische Probleme der elektronischen Musik (Aesthetic problems related to electronic music)
Decroupet, Pascal (1994). Timbre Diversification in Serial Tape Music and its Consequence on Form
Decroupet, Pascal, Ungeheuer, Elena (2002). Through the Sensory Looking-Glass: The Aesthetic and Serial Foundations of {Gesang der Jünglinge}
Dhomont, Francis (1995). Éléments pour une syntaxe
Ferrari, Giordano (2005). {Perspectivae sintagma I} : une analyse
Ferrari, Luc (1996). I Was Running in So Many Different Directions
Ferrari, Luc, Delalande, François (1989). Entretien Luc Ferrari, les avants-gardes musicales
Griffiths, Paul (1984). Three works by Jonathan Harvey: the electronic mirror
Harvey, Jonathan, Corlaix, Omer (1999). Jonathan Harvey, l’âme ailée
Heikinheimo, Seppo (1972). The Electronic Music of Karlheinz Stockhausen. Studies on the Esthetical and Formal Problems of its First Phase
Kaske, Steven (1985). A Conversation with Clarence Barlow
Kohl, Jerome (2002). Serial Composition, Serial Form, and Process in Karlheinz Stockhausen’s {Telemusik}
Lai, Antonio (1999). La fonction compositionnelle des modulateurs en anneau dans {Mantra} (Karlheinz Stockhausen)
Laske, Otto (2002). Subscore Manipulation as a Tool for Compositional and Sonic Design
Menezes, Flo (1997). To Be and Not To Be: Aspects of the Interaction Between Instrumental and Electronic Compositional Methods
Molino, Jean (1999). La musique et l’objet
Palombini, Carlos (1993). Pierre Schaeffer, 1953: towards an Experimental Music
Palombini, Carlos (1993a). Pierre Schaeffer: from Research into Noises to Experimental Music
Palombini, Carlos (1993b). Pierre Schaeffer’s Typo-Morphology of Sonic Objects
Palombini, Carlos (2001). Ideas for a Musicology of Electroacoustic Musics: Notes to a Reading of Landy
Pousseur, Henri (1970). Calcul et imagination en musique électronique
Reich, Steve, Esselier, Françoise (1971). Steve Reich
Sabbe, Hermann (1973). Das Musikdenken von Karel Goeyvaerts in Bezug auf das Schaffen von Karlheinz Stockhausen
Schaeffer, Pierre (1952b). L’objet musical
Schaeffer, Pierre, Peignot, Jérome (1956). Bruits équivoques
SCHATT, Peter W. (2005). L’arte della transizione : funzioni dell’elettronica in {Mixtur} di Karlheinz Stockhausen (The art of transition: electronic functions in {Mixtur} by Karlheinz Stockhausen)
Scriabine, Marina (1952). Pierre Boulez et la musique concrète
Stockhausen, Karlheinz (1988). Musique électronique et musique instrumentale
Stockhausen, Karlheinz, Langlois, Philippe (2003). Aux origines du premier studio de musique électronique européen à Cologne
Thieberger, Ed M. (1995). An Interview with Charles Dodge
Ungeheuer, Elena (1994). From the Elements to the Continuum: Timbre Composition in Early Electronic Music
Ungeheuer, Elena, Decroupet, Pascal (1998). Through the Sensory Looking-glass: the Aesthetic and Serial Foundations of {Gesang des Jünglinge}
Wörner, Karl (1973). Stockhausen: Life and Work

 

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