Instalación Sonora

Géneros y Categorías [GyC]

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Dentro del ámbito del arte desarrollado en espacios públicos, la instalación sonora puede considerarse como el equivalente musical de una escultura, una experiencia auditiva diseñada para un lugar generalmente utilizado para exhibir obras de arte fundamentalmente visuales o piezas creadas para sitios específicos. Muchas instalaciones sonoras utilizan una diversidad de técnicas y tecnologías electroacústicas para su creación y la presentación espacial. En contraste con las obras de arte lineales y autónomas, las instalaciones sonoras son habitualmente apreciadas comenzando y terminando en un punto cualquiera de la misma.

 

See also

Arte Sonoro (Sound Art)

 

Bibliography:

English - Español - Français - Deutch - Italiano

Alphabetical order - Chronological order

1-60 | 61-105 | >> 60 next

Pottier, Laurent (1999). Contrôle interactif d’une voix chantée de synthèse
Prado, Cécile Le (1991). Deux espaces sonores urbains
Rebelo, Pablo (2003). Performing Space
Rémus, Jacques (2004). La sculpture sonore, pratique artistique en recherche de définition
Rudi, Jøran (2003). {Norge - et Lydrike, Norway Remixed}: A sound installation
Rudi, Jøran (2005b). ‘From a musical point of view, the world is musical at any given moment’: an interview with Bill Fontana
Ryan, Joel, Salter, Christopher (2003). TGarden: Wearable Instruments and Augmented Physicality
SANIO, Sabine (1994). Komponieren als Experiment. Die Musik von Alvin Lucier (Composition as experiment: the music of Alvin Lucier)
Schütze, Stephan (2003). The Creation of an Audio Environment as Part of a Computer Game World: The design for {Jurassic Park - Operation Genesis} on the XBOX™ as a broad concept for surround installation creation
Schäfer, Sabine (1999). TopoPhonien
Schäfer, Sabine, Krebs, Joachim (2003). Sound - Time - Space - Movement: The space-soundInstallations of the artist-couple
Senn, Dan (1997). Pendulum-based Instruments, Percussive Video, Sound Art, and the Permanence of Ephemeral Public Art
Shirt Trax, (2001). No More Mind Games
Souffriau, Arsène (1991). Espace-support Espace-acousmatique
Supper, Martin (1999). Technische Systeme von Klanginstallationen (Technical Systems related to Sound Installations)
Velasco, Daniel (2000). {Island Landscape}: Following in Humboldt’s Footsteps through the Acoustic Spaces of the Tropics
VIDOLIN, Alvise (2005). Percorsi sonori di un teatro immaginario. Da {Noms des airs} a {Lohengrin II} di Salvatore Sciarrino (Sonorous ways of an imaginary theatre. From {Noms des airs} to {Lohengrin II} by Salvatore Sciarrino)
Viola, Bill (2004). David Tudor: The Delicate Art of Falling
Weinberg, Gil (2005b). Voice Networks: The Human Voice as a Creative Medium for Musical Collaboration
Woolf, Sam, Yee-King, Matthew (2003). Virtual and Physical Interfaces for Collaborative Evolution of Sound
Wright, Mary, Cook, Perry (2003). {Project Arbol: Deer-B-Gone}: Journal of a guerrilla sound installation
Wynne, John (2004). Fallender Ton für 207 Lautsprecher Boxen (Falling tone for 207 loudspeaker boxes)
Young, La Monte, Zazeela, Marian (1971). La Monte Young
Young, La Monte, Zazeela, Marian (1971). {Dream House}
Zvonar, Richard (2004). A History of Spatial Music

 

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