Representación Visual

Musicología de la Música Electroacústica [MME]

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Análisis

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Análisis Auditivo

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A los efectos del Índice de Temas, se puede buscar bajo este amplio término a todas las formas de Representación Visual de la música electroacústica con el propósito de analizar, ayudar en la ejecución, y funcionar como interfaz con las operaciones de una computadora.

 

See also

Acousmograph (Acusmógrafo)

,

Partitura de Difusión

,

FFT

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Interfaz Gráfica

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Partitura Gráfica

,

Síntesis Gráfica

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Sonograma

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Análisis Espectral

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Partitura para Síntesis

 

Bibliography:

English - Español - Français - Deutch - Italiano

Alphabetical order - Chronological order

1-60 | 61-120 | 121-141 | >> 60 next

Nucibella, Francesca, Zattra, Laura (2005). Audio content tools for the musicological analysis of electroacoustic music
PATTON, Kevin (2007). Morphological notation for interactive electroacoustic music
Pope, Stephen Travis (1996). Object-oriented Music Representation
Racot, Gilles (2002c). Subjestuel suivi de partition
Régnault, Cécile (2001). Correspondances entre graphisme et son : les représentations visuelles de “l’objet sonore”
Risset, Jean-Claude (1991b). Timbre, Analysis by Synthesis: Representations, Imitations, and Variants for Musical Composition
Risset, Jean-Claude (2001b). Problèmes posés par l’analyse d’œuvres musicales dont la réalisation fait appel à l’informatique
Roads, Curtis (1996b). Materials and Montage in {Clang-tint}
Roads, Curtis (2003). Réflexions sur la musique électronique aujourd’hui
Rousselier, Samuel (2002). Sonorités élastiques
Rousselier, Samuel (2005). {Playtime et Pensée du matin}, extraits de {La Ronde}
Roy, Stéphane (1996). Form and Referential Citation in a Work by Francis Dhomont
Rudi, Jøran (2005a). Computer Music Video: A Composer’s Perspective
Rusch, Simon, Behnke, Julia (2003). {Tremblement de terre très doux}
Sanson, Yoann (2005). {Le trésor}
Serafin, Stefania, Kojs, Juraj (2005). Computer Models and Compositional Applications of Plastic Corrugated Tubes
SMITH, Sophy (2007). The process of ‘collective creation’ in the composition of UK hip-hop turntable team routines
Smith, Sophy (S. J.) (2005). The Compositional Proceses of UK Hip-Hop Turntable Teams
Stroppa, Marco (1984). The analysis of electronic music
Teruggi, Daniel, Couprie, Pierre (2001). Les {Presque rien} de Luc Ferrari. {Hétérozygote} et les {Presque rien}
Thies, Wolfgang (1985). Notationsmöglichkeiten für elektronische Musik (Possibilities of Electronic Music Notation)
Thoresen, Lasse, Hedman, Andreas (2007). Spectromorphological analysis of sound objects: an adaptation of Pierre Schaeffer’s typomorphology
Tiffon, Vincent (2002). Jean-Claude Risset : {Sud} (1985)
Tiffon, Vincent (2005). L’image sonore : la présence invisible
Tiffon, Vincent (2006). La représentation sonagraphique est-elle une aide pour l’analyse perceptive de la musique électroacoustique ?
Ungeheuer, Elena, Decroupet, Pascal (1998). Through the Sensory Looking-glass: the Aesthetic and Serial Foundations of {Gesang des Jünglinge}
Voorvelt, Martijn (1998). British Post-punk Experimental Music (1977-1983)
Xenakis, Iannis (1996). Determinacy and Indeterminacy
Zattra, Laura (2004). Searching for Lost Data: Outlines of aesthesic-poietic analysis
Zbar, Michel (1992). Musiques électroacoustiques : de l’écoute du compositeur à celle de l’auditeur

 

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