[El] Discurso en la Música Electroacústica

Musicología de la Música Electroacústica [MME]

 ]

A los efectos del Índice de Temas, todos los términos que atañen al discurso musical y al potencial significante de la música electroacústica pueden ser buscados bajo este amplio término. Una definición más general de discurso, desde luego, incluye la importante función de la música como proceso social. A los efectos de la organización del Índice de Temas, hay una entrada complementaria denominada Aspectos Socioculturales de la Música Electroacústica.

 

Bibliography:

English - Español - Français - Deutch - Italiano

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Vidolin, Alvise (ed.) (1980). Musica e elaboratore. Orientamenti e prospettive (Music and Computer. Guidelines and perspectives)
VIDOLIN, Alvise, DOATI, Roberto (1983). Bollettino 3 – Bollettino del Laboratorio permanente per l’Informatica Musicale della Biennale (LIMB) (Review of the Permanent Laboratory for Computer Music of the Biennale)
VIDOLIN, Alvise, POLO, Nicoletta (1981). Bollettino del Laboratorio permanente per l’Informatica Musicale della Biennale (LIMB) (Review of the Permanent Laboratory for Computer Music of the Biennale (LIMB))
VIDOLIN, Alvise, POLO, Nicoletta, TORRESAN, Daniele (1982). Bollettino 2 – Bollettino del Laboratorio permanente per l’Informatica Musicale della Biennale (LIMB) (Review of the Permanent Laboratory for Computer Music of the Biennale (LIMB))
Waters, Simon (2000a). The musical process in the age of digital intervention
Weale, Rob (2005a). The Intention/Reception Project: Investigating Composer Intention and Listener Response in Electroacoustic Compositions
Weale, Rob (2005b). The Intention/Reception Project: Investigating the Relationship Between Composer Intention and Listener Response in Electroacoustic Compositions
Weale, Rob (2006). Discovering How Accessible Electroacoustic Music Can Be: the Intention/Reception project
Windsor, W. Luke (2000). Through and Around the Acousmatic: The Interpretation of Electroacoustic Sounds
Wishart, Trevor (1978). Red Bird: A Document
Young, John (2002b). Sju ... Who?
Zapf, Donna (1981b). Inside the Soundscape: The Compositions of Hildegard Westerkamp
Zattra, Laura, Durante, Sergio (eds.) (2002). Vent’anni di musica elettronica all’università di Padova. Il Centro di Sonologia Computazionale (20 years of electronic music at Padua University. The Centro di Sonologia Computazionale)

 

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