Sintaxis Abstracta/Abstraída

Musicología de la Música Electroacústica [MME]

 > 

[El] Discurso en la Música Electroacústica

 ]

La Sintaxis Abstracta se refiere al modo en el que el material composicional puede ser organizado de acuerdo con principios formales, extrínsecos a la naturaleza sonora y las características del material. La Sintaxis Abstraída (Abstracted Syntax) se refiere a la extracción de principios estructuradores de acuerdo con lo que se percibe como pertinente dentro del material mismo. Esta conjunción de términos fue propuesta por Simon Emmerson, en "The Relation of Language to Materials" en Emmerson, S., editor. (1986). The Language of Electroacoustic Music. (Basingstoke: Macmillan Press), en donde él propone un continuo entre los dos. Este par de términos está también relacionado con el Discurso Auditivo/Mimético.

 

See also

Arquitectónico, ca

,

Discurso Auditivo/Mimético

,

Formalismo

,

Musica Concreta (Musique concrète)

,

Teoría Schaefferiana

 

Bibliography:

English - Español - Français - Deutch - Italiano

Alphabetical order - Chronological order

Alvarez, Javier (1989). Rhythm as Motion Discovered
Barrière, Jean-Baptiste (1989). Computer Music as Cognitive Approach: Simulation, Timbre and Formal Processes
Boehmer, Konrad (2002). Koenig - Sound Composition - {Essay}
Dack, John (2002b). Abstract and Concrete
Decroupet, Pascal, Ungeheuer, Elena (2002). Through the Sensory Looking-Glass: The Aesthetic and Serial Foundations of {Gesang der Jünglinge}
DeLio, Thomas (2002). {Diamorphoses} by Iannis Xenakis
Emmerson, Simon (1982). Analysis and the Composition of Electro-Acoustic Music
Emmerson, Simon (1986). The Relation of Language to Materials
Kohl, Jerome (2002). Serial Composition, Serial Form, and Process in Karlheinz Stockhausen’s {Telemusik}
Licata, Thomas (2002a). Luigi Nono’s {Omaggio a Emilio Vedova}
Solomos, Makis (2004). Xenakis’ Thought Through his Writings
Twombly, Kristian (2002). Oppositional Dialectics in Joji Yuasa’s {The Sea Darkens}
Ungeheuer, Elena, Decroupet, Pascal (1998). Through the Sensory Looking-glass: the Aesthetic and Serial Foundations of {Gesang des Jünglinge}
Wishart, Trevor (1986a). Sound Symbols and Landscapes

 

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