Aspectos Socioculturales de la Música Electroacústica

Musicología de la Música Electroacústica [MME]

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Considerando que la música es un fenómeno cultural, el estudio de aspectos socioculturales de un determinado corpus de música ayuda a la mejor comprensión del lugar de esa música dentro de una cierta cultura en un momento dado. La música electroacústica, que representa un momento extremo en la historia de la música, ha influido considerablemente sobre la cultura. Este amplio término se refiere al estudio de la música electroacústica desde puntos de vista sociológicos y antropológicos.

 

Links

UNESCO DigiArts

- History of electronic music in Asia and the Pacific ( English )
- History of electronic music in Latin America and the Caribbean ( English )
- Introduction à l’histoire et à l’esthétique des musiques électroacoustiques: Session 4 - Ruptures technologiques: révolutions esthétiques? ( French )
- Young Digital Creators: The sound of our water ( English , French , Spanish )
- Young Digital Creators: Scenes and sounds of my city ( English , French , Spanish )

 

Bibliography:

English - Español - Français - Deutch - Italiano

Alphabetical order - Chronological order

1-60 | 61-120 | 121-180 | 181-240 | 241-300 | 301-360 | 361-382 | >> 60 next

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DI SCIPIO, Agostino (1995d). Riflessioni sull’analisi della musica elettroacustica e informatica
Dickinson, Kay (2001). ‘Believe?’ Vocoders, Digitalised Female Identity and Camp
Dimas de Melo Pimenta, Emanuel (1999). El futuro de la música del futuro (The future of the music of the future)
Doati, Roberto, Vidolin, Alvise (1986). Nuova Atlantide. Il continente della musica elettronica 1900-1986 (New Atlantis. The electronic music continent 1900-1986)
Dobson, Richard (2005). Beckmesser revisited?
Dominique, M. Richard (1992). Short Circuit: The Computer Music’s Edison Complex
Drever, John Levack (2002). Soundscape Composition: The convergence of ethnography and acousmatic music
Droumeva, Milena (2004). The music must always play: redefining the public and private
Dufour, Denis (1991). Enseignement de la composition de musique électroacoustique
Durant, Alan (1990). A New Day for Music? Digital Technologies in Contemporary Music Making
Durante, Sergio, Zattra, Laura (eds.) (2002). Vent’anni di musica elettronica all’università di Padova. Il Centro di Sonologia Computazionale (20 years of electronic music at Padua University. The Centro di Sonologia Computazionale)
Emmerson, Simon (1995b). Electroacoustic Music: Aesthetic Situation and Perspectives
Emmerson, Simon (2000a). Crossing Cultural Boundaries Through Technology?
Emmerson, Simon (2001a). New Spaces/New Places: a Sound House for the performance of electroacoustic music and sonic art
Emmerson, Simon (2001b). From Dance to Dance: Distance and Digits
Emmerson, Simon (Ed.) (2000d). Music, Electronic Media and Culture
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FABBRI, Franco (1998). Invenzioni, espropri, saccheggi: la “musica elettronica” è anche popular (Inventing, expropriating, stealing: “electronic music” is also popular)
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Fischman, Rajmil (1994b). Music for the Masses
Freire, Sérgio (2003). Early Musical Impressions from Both Sides of the Loudspeaker
Fumarola, Martin A. (1999). Electroacoustic Music Practice in Latin America: An Interview with Juan Amenábar
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Fumarola, Martin Alejandro (1998). Change and Permanence in LatinAmerican Electroacoustic and Computer Music: A Compositional Approach
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GALANTE, Francesco, PESTALOZZA, Luigi (eds.) (1998). Metafonie. Cinquanta anni di musica elettroacustica (Metaphonies. Fifty years of electroacoustic music)
GENTILUCCI, Armando (1972 (reprinted 1983 4th ed., 1990 9th ed.)). Introduzione alla Musica Elettronica (Introduction to electronic music)
Gerwin, Thomas (1997b). On Acoustic Ecology and “Integral Art”
Gillham, Owen (2000). The Crossover of Electroacoustic and Popular Music Culture
Giomi, Francesco (2002). Scuole storiche italiane di musica elettronica (Historical electronic music schools in Italy)
Giorgio, Battistelli (1995). Tecnologia e drammaturgia (Technology and dramaturgy)
Glandien, Kersten (2000). Art on Air: A Profile of New Radio Art
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Gluck, Robert J. (2005b). {Sounds of a Community}: Cultural Identity and Interactive Art
Gluck, Robert J. (2005c). Fifty years of electronic music in Israel
Goethals, Lucien (1978). Considerations
Gripp, Ragnar (1975). La musique expérimentale en Suède
Guerin, François (1991). Un espace mental à favoriser
Hamman, Michael (2004). On Technology and Art: Xenakis at Work
Harvey, Jonathan (1985). Electronics in Music: A New Aesthetic
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Hawkins, Scott (2002). Wudu
Hegarty, Paul (2001). Noise Threshold: Merzbow and the end of natural sound
Heinrich, Marie-Noëlle (2003). Création musicale et technologies nouvelles
Helmuth, Mara, White, Frances, Norman, Katharine, Roberts, Mary, Seltzer, Linda, Kimura, Mari (1994). Gender & Computer Music
HERRERA, Silvia (2005). Gabriel Brncic: Un primer acercamiento hacia el compositor y maestro chileno en el exilio (Gabriel Brncic: A first approach to the Chilean composer and maestro in his exile)
Hesmondhalgh, David (2000). International Times: Fusions, Exoticism, and Antiracism in Electronic Dance Music
Hinkle-Turner, Elizabeth (2003). Women and Music Technology: Pioneers, Precedents and Issues in the United States
Hinkle-Turner, Elizabeth (2005). Hear Me Now: the implication and significance of the female composer’s voice as sound source in her electroacoustic music
Hinkle-Turner, Elizabeth (2006). Women Composers and Music Technology in the United States
Hirst, David (2001). An Echo from Closed Doors
Holm-Hudson, Kevin (1997). Quotation and Context: Sampling and John Oswald’s Plunderphonics
Hugill, Andrew (2005a). Internet Music: An Introduction
Hugill, Andrew (2005b). From Online Symphonies to MusiMOO: Some Creative Uses of the Internet in Music and Education

 

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