Difusión

Prácticas de Interpretación y Presentación [PIP]

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Espacialización

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La difusión electroacústica se refiere a la práctica de distribución del sonido a través de un espacio empleando múltiples altavoces, usualmente con un control en tiempo real sobre los niveles sonoros, la ecualización, y la ubicación del sonido. El material sonoro puede provenir de intérpretes tocando en vivo, sintetizadores, y/o grabaciones en cinta estéreo o multicanal. (Fuente: Barry Truax (1999). Handbook for Acoustic Ecology. CD-ROM. Cambridge Street Publishing. CSR-CDR 9901)

Entre los sistemas de difusión de sonido más reconocidos, donde se practican avanzadas técnicas de ejecución, están: el BEAST (Birmingham Electroacoustic Sound Theatre), desarrollado por Jonty Harrison en la Universidad de Birmingham, en el Reino Unido; el Acousmonium (basado en el concepto de "orquesta de altavoces"), concebido y desarrollado por el Groupe de Recherches Musicales (en Radio France) a comienzos de los años 70; y el GMEBaphone, del IMEB, en Bourges, Francia.

 

See also

Orquesta de Altavoces

 

Bibliography:

English - Español - Français - Deutch - Italiano

Alphabetical order - Chronological order

Austin, Larry (2000). Sound Diffusion in Composition and Performance: An Interview with Denis Smalley
Austin, Larry (2001). Sound Diffusion in Composition and Performance Practice II: An Interview with Ambrose Field
Chion, Michel (1993b). Le promeneur écoutant
Clozier, Christian (1981). The Gmebaphone Sound Diffusion Instrument
Clozier, Christian (2001). The Gmebaphone Concept and the Cybernéphone Instrument
Courchene, Kim S. (2001). A Conversation with Beatriz Ferreyra
Dack, John (2001). Diffusion as Performance
Doherty, Douglas, Berry, Ron (1998). Sound Diffusion of Stereo Music over a Multi Loudspeaker Sound System: From First Principles Onwards to a Successful Experiment
Dow, Robert J. (2003). Sound Diffusion and the Sonic Image
Emmerson, Simon (1994a). ‘Local/Field’: Towards a Typology of Live Electroacoustic Music
Fedorkow, Guy, Buxton, William, Smith, K.C. (1978). A Computer-Controlled Sound Distribution System for the performance of Electroacoustic Music
Garcia, Denise (2000). Body Representations in the Electroacoustic Music
Harrison, Jonty (1998). Sound, Space, Sculpture: Some thoughts on the ‘what’, ‘how’ and ‘why’ of sound diffusion
Loy, Gareth (1985). About AUDIUM - A Conversation with Stanley Shaff
MacDonald, Alistair (1995). Performance Practice in the Presentation of Electroacoustic Music
Malham, David G. (2001). Toward Reality Equivalence in Spatial Sound Diffusion
Moore, Adrian, Moore, Dave, Mooney, James (2004). M2 Diffusion - The Live Diffusion of Sound in Space
Morrill, Dexter (1981). Loudspeakers and Performers: Some Problems and Proposals
Morrill, Dexter (1989). Loudspeakers and Performers: Some Problems and Proposals
Tutschku, Hans (2002). On the Interpretation of Multi-Channel Electroacoustic Works on Loudspeaker-Orchestras: Some thought on the GRM-Acousmonium and BEAST

 

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