Composición Automática

Estructura Musical [Str]

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Formalismo

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La composición automática es una forma de composición algorítmica que involucra elementos mecánicos, o más frecuentemente digitales, de toma de decisiones.

 

Bibliography:

English - Español - Français - Deutch - Italiano

Alphabetical order - Chronological order

AMES, Charles (1983). Automatismi stilistici di {Gradient} (Stylistic automatism of {Gradient})
Berry, Rodney, Dahlstedt, Palle (2003). Artificial Life: Why Should Musicians Bother?
Chadabe, Joel (1997b). Electric Sound: The Past and Promise of Electronic Music
Cope, David (1999). Facing the Music: Perspectives on Machine-Composed Music
DI SCIPIO, Agostino (2002). Tecnologia dell’esperienza musicale nel Novecento (The technology of musical experience in the 20th century)
Hoffmann, Peter (2004). Something Rich and Strange: Exploring the Pitch Structure of {GENDY3}
Lewis, George E. (2000). Too Many Notes: Computers, Complexity and Culture in {Voyager}
MADDEN, Charles (1999). Fractals in Music. Introductory Mathematics for Musical Analysis
Miranda, Eduardo Reck (1999a). De los orígenes de la música a la vida artificial (From the origins of music to Artificial Life)
Supper, Martin (2001). A Few Remarks on Algorithmic Composition
ZARIPOV, Rudolf Chafizovic (1985). Musica con il calcolatore. Le regole matematiche della composizione (Music with computers. The mathematical rules of composition - second edition)
Zattra, Laura (2007). The Assembling of Stria by John Chowning: A Philological Investigation

 

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