Mapeo

Estructura Musical [Str]

 > 

Formalismo

 ]

Cualquier proceso formal o algorítmico que involucre la traducción de datos es un proceso de mapeo.

 

Bibliography:

English - Español - Français - Deutch - Italiano

Alphabetical order - Chronological order

Allen, J. Anthony (2004). Playing with Fire: An unexpected collaboration
Alves, Bill (2005). Digital Harmony of Sound and Light
Arfib, D., Coutrurier, J. N., Kessous, L., Verfaille, V. (2002). Strategies of Mapping between Gesture Data and Synthesis Model Parameters Using Perceptual Spaces
Barrett, Natasha (2000b). A Compositional Methodology Based on Data Extracted from Natural Phenomena
Barrett, Natasha, Hammer, Oyvind (1998). Mimetic Dynamics
Battey, Bret (2004). Musical Pattern Generation with Variable-coupled Iterated Map Networks
Burtner, Matthew (2002). The Metasaxophone: Concept, implementation and mapping strategies for a new computer music instrument
Clark, Thomas (1989). Coasts: On the Creative Edge with Composer Larry Austin
Doornbosch, Paul (2002a). Composers’ Views on Mapping in Algorithmic Composition
Doornbusch, Paul (2002b). A Brief Survey of Mapping in Algorithmic Composition
Fels, Sidney, Gadd, Ashley, Mulder, Axel (2002). Mapping Transparency through Metaphor: Towards more expressive musical instruments
Goudeseune, Camille (2002). Interpolated Mappings for Musical Instruments
Grabócz, Marta (1997). Survival or Renewal? Structural imagination in recent electroacoustic and computer music
Hahn, Tomie, Bahn, Curtis (2002). {Pikapika} - The collaborative composition of an interactive sonic character
HINOJOSA CHAPEL, Rubén (2003). Realtime Algorithmic Music Systems From Fractals and Chaotic Functions: Toward an Active Musical Instrument
Hunt, Andy, Wanderley, Marcelo M. (2002). Mapping Performer Parameters to Synthesis Engines
Jordà, Sergi (2002a). FMOL: Toward User-Friendly, Sophisticated New Musical Instruments
Keller, Damián, Capasso, Ariadna (2000). Social and Perceptual Processes in the Installation {The Trade}
Keller, Damián, Ferneyhough, Brian (2004). Analysis by Modeling: Xenakis’s {ST/10-1 080262}
Levitin, Daniel J., McAdams, Stephen, Adams, Robert L. (2002). Control Parameters for Musical Instruments: A foundation for new mappings of gesture to sound
McAlpine, Kenneth, Miranda, Eduardo, Hoggar, Stuart (1999). Making Music with Algorithms: A Case-Study System
Menzies, Dylan (2002). Composing Instrument Control Dynamics
Miranda, Eduardo Reck (1999a). De los orígenes de la música a la vida artificial (From the origins of music to Artificial Life)
Myatt, Tony (2002). Strategies for Interaction in {Construction 3}
Ng, Kia (2002). Sensing and Mapping for Interactive Performance
Nichols, Charles (2002). The vBow: A virtual violin bow controller for mapping gesture to synthesis with haptic feedback
Paine, Garth (2003). {Reeds}: A responsive environmental installation
Polfreman, Richard (2002). Modalys-ER for OpenMusic (MfOM): Virtual instruments and virtual musicians
Polli, Andrea (2004). Modelling Storms in Sound: The Atmospherics/Weather Works Project
Robson, Dominic (2002). PLAY: Sound Toys for Non-Musicians
Rudi, Jøran (1998). Computer Music Animations
Rudi, Jøran (2005a). Computer Music Video: A Composer’s Perspective
Sturm, Bob L. (2001). Composing for an Ensemble of Atoms: The metamorphosis of scientific experiment into music
Whalley, Ian (1999). Beyond Pitch/Duration Scoring: Towards A System Dynamics Model Of Electroacoustic Music
Whalley, Ian (2004). PIWeCS: Enhancing human/machine agency in an interactive composition system

 

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