Estructura a Nivel Micro

Estructura Musical [Str]

 ]

Este amplio término, que complementa al de Estructura a Nivel Macro, se ocupa de la construcción o identificación de los sonidos (como entidades individuales) que son usados para crear la arquitectura de una obra electroacústica.

 

Bibliography:

English - Español - Français - Deutch - Italiano

Alphabetical order - Chronological order

Barrett, Natasha (2000a). Musical Structure, Shifting Perspectives and Composition
Barrett, Natasha (2000b). A Compositional Methodology Based on Data Extracted from Natural Phenomena
Bello, Angelo (2001). Notes on Composing with the UPIC System: The Equipment of Iannis Xenakis
Bernardini, Nicola, Rudi, Jøran (2002). Compositional Use of Digital Audio Effects
Blackwell, Tim, Young, Michael (2004). Self-organised Music
Boehmer, Konrad (2002). Koenig - Sound Composition - {Essay}
Brandorff, Steffen, Cour, Jørgen la (1975). Aspects of the Serial Procedures in Karlheinz Stockhausen’s Kontakte
Criton, Pascale (2005). Mutation and Processuality in the Musical Thought of Horacio Vaggione
Decroupet, Pascal, Ungeheuer, Elena (2002). Through the Sensory Looking-Glass: The Aesthetic and Serial Foundations of {Gesang der Jünglinge}
DeLio, Thomas (2002). {Diamorphoses} by Iannis Xenakis
Di Scipio, Agostino (1994b). Micro-time Sonic Design and Timbre Formation
Emmerson, Simon (1998a). Acoustic/Electroacoustic: The Relationship with Instruments
Ferrari, Giordano (2005). {Perspectivae sintagma I} : une analyse
FERRARI, Luc (1966). Tautologos I
Fischman, Rajmil (1999). Score of {Point-virgule} (Electro-clip by Jean-François Denis)
Giomi, Francesco, Ligabue, Marco (1998). Evangelisti’s Composition Incontri di Fasce Sonore at WDR: Aesthesic-Cognitive Analysis in Theory and Practice
Hatzis, Christos (1998). {The Law of One}: Recursive structures in composition
Hoffman, Peter (2001). Analysis through Resynthesis. {Gendy3} by Iannis Xenakis
Keller, Damián, Capasso, Ariadna (2000). Social and Perceptual Processes in the Installation {The Trade}
Kohl, Jerome (2002). Serial Composition, Serial Form, and Process in Karlheinz Stockhausen’s {Telemusik}
Kröpfl, Francisco (1998). Organizing Sound in Electroacoustic Music, questions and Hints: a Proposal of Exploration for the Young
Laliberté, Martin (2005). An Analytic Approach to Horacio Vaggione’s {Till}
Licata, Thomas (2002a). Luigi Nono’s {Omaggio a Emilio Vedova}
Lotis, Theodoros (2003). The Creation and Projection of Ambiophonic and Geometrical Sonic Spaces with Reference to Denis Smalley’s {Base Metals}
Marino, Gérard, Serra, Marie-Hélène, Raczinski, Jean-Michel (1993). The UPIC System: Origins and Innovations
Mary, Mario (2006). L’orchestration électroacoustique. Une approche particulière à la composition électroacoustique. Ses liens avec la musique instrumentale et ses applications dans le domaine de l’analyse musicale
Mion, Philippe, Nattiez, Jean-Jacques, Thomas, Jean-Christophe (1982). L’envers d’une œuvre. {De Natura Sonorum} de Bernard Parmegiani
Palombini, Carlos (1993b). Pierre Schaeffer’s Typo-Morphology of Sonic Objects
Risset, Jean-Claude (1991b). Timbre, Analysis by Synthesis: Representations, Imitations, and Variants for Musical Composition
Roads, Curtis (2001b). The Time Domain
Robindoré, Brigitte (1996). Eskhaté Ereuna: Extending the Limits of Musical Thought-Comments On and By Iannis Xenakis
Sedes, Anne (2005). Aspects of Time in the Music of Horacio Vaggione
Soulez, Antonia, Vaggione, Horacio (2005). Composing, Listening
Truax, Barry (1980b). Timbral Construction as a Stochastic Process
Truax, Barry (1982). Timbral Construction in {Arras} as a Stochastic Process
Truax, Barry (1995b). La composition basée sur le timbre avec son granulaire
Truax, Barry (2001c). Time and Electroacoustic Music
Ungeheuer, Elena, Decroupet, Pascal (1998). Through the Sensory Looking-glass: the Aesthetic and Serial Foundations of {Gesang des Jünglinge}
Vaggione, Horacio (1994). Timbre as Syntax: A Spectral Modeling Approach
Vaggione, Horacio (1996a). Morphological Transformations Though Analysis and Resynthesis
Vaggione, Horacio (1998b). Transformations Morphologiques et Echelles Temporelles
Vaggione, Horacio (2003). Composition musicale et moyens informatiques : questions d’approche
Vaggione, Horacio (2005). Notes on {Atem}
Xenakis, Iannis (1985). Music Composition Treks

 

Subsections

Top

cost of simvastatin purchase x-vir http://gval-sec.com/?dft=55829 atorvastatin 40 mg discount in mayami bactrim tablets low cost naltrexone order prilosec online canada in mexico http://cepa.aero/buy-doxycycline-hyclate-100mg/ esomeprazole generic discount in uk buying accutane http://hlt-evaluation.org/?ght=327701 buy lithosun sr buy orlistat uk nexium cheap canada more info piracetam powder to buy metronidazole tablets 200mg baclof without a prescription allit orlistat 60mg more info about fluconazole buy http://gval-sec.com/?dft=741442 simvastatin tab lipitor lipitor buy ciprofloxacin hci in usa cheapest dilantin http://gval-sec.com/?dft=474607 vega information ampicillin usa azithromycin 4 tablets omeprazole 40 mg more info buy hostacycline about buy urimax without a prescription getting off enalapril 100 mg doxycycline generic version of lipitor information about lumigan cost bupron sr 150 bactrim ds mg bupropion hlc prilosec otc 20mg more info about purchase lasuna online lower price lipitor over the counter premarin nexium cheap norvasc 5 mg more info buy fluconazole mexico bactrim otc information about imatinib mesylate generic http://iedafrique.org/?ffr=352725 dapoxetine canada discount diflucan doxycycline 300mg bimatoprost online canada nexium voltaren buy