Multimédia/Intermédia

Genres et catégories [G&C]

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Œuvre d’art nécessitant la collaboration d’au moins deux formes d’art. Ce terme est également utilisé dans l’univers des nouveaux médias comme le développement de CD-ROM et de DVD.

 

Bibliography:

English - Español - Français - Deutch - Italiano

Alphabetical order - Chronological order

1-60 | 61-105 | >> 60 next

Aharonian, Coriun, Appleton, Jon, Beyls, Peter, Boeswillwald, Pierre, Buxton, Bill, Chiarucci, Henri, Clozier, Christian, Ferreyra, Beatriz, Goethals, Lucien, Hanson, Sten, Kotonski, Wlodzimierz , Küpper, Leo, Pignon, Paul, Menard, Philippe, Nilson, Leo, Rudnik, Eugeniusz, Savouret, Alain (1975). La musique électroacoustique en 5 thèmes
Alves, Bill (2005). Digital Harmony of Sound and Light
Austin, Larry (1991). Live-electronic Music on the Third Coast
Barrett, Natasha, Hammer, Oyvind (1998). Mimetic Dynamics
Bonardi, Alain, Rousseaux, Francis (2004). Un exemple de médiation numérique opératique : l’opéra interactif sur CD-ROM {Virtualis}
Bonin, Vincent, Heimbecker, Steve (2006). Interview with Steve Heimbecker
Bridoux-Michel, Séverine (2004). Musique, architecture, un projet multimédia: le Pavillon Philips de l’Exposion internationale de 1958
Burns, Kristine H. (1997). An Emerging Digital Community: The CD-ROM artists
Burtner, Matthew (2005). Ecoacoustic and Shamanic Technologies for Multimedia Composition and Performance
Chadabe, Joel (1999a). The Performer is Us
Chion, Michel (1982). La musique électroacoustique
Cook, Nicholas (1998). Analysing Musical Multimedia
Couprie, Pierre (2004a). La place de l’informatique et du multimédia dans l’analyse des musiques électroacoustiques
Dahlstedt, Palle (2001). A MutaSynth in Parameter Space: Interactive composition through evolution
Dannenberg, Roger B. (2005). Interactive Visual Music: A Personal Perspective
Dean, Roger T., Whitelaw, Mitchell, Smith, Hazel, Worrall, David (2006). The Mirage of Real-Time Algorithmic Synaesthesia: Some Compositional Mechanisms and Research Agendas in Computer Music and Sonification
Dorin, Alan (2001). Generative Processes in the Electronic Arts
Goto, Suguru (2000). Virtual Musical Instruments: Technological Aspects and Interactive Performance Issues
Gray, D’ Arcy Philip (2004). David Tudor in the Late 1980s: Understanding a Secret Voice
Grimley, Daniel (2005). Hidden Places: Hyper-realism in Björk’s Vespertine and Dancer in the Dark
Guérin, François (1993). Aperçu du genre électroacoustique au Québec
Hahn, David (2002). Creating the Soundscape for {Zagreb Everywhere}
Hannan, Michael (2006). Intermedia Collaboration for {The Flood}
Harley, James (2002). The Electroacoustic Music of Iannis Xenakis
Harris, Yolande (2004). The Meta-Orchestra: Research by practice in group multi-disciplinary electronic arts
Harris, Yolande (2006). Inside-out instrument
Harris, Yolande, Bongers, Bert (2002). Approaches to Creating Interactivated Spaces, from Intimate to Inhabited Interfaces
Helmuth, Mara (2005). Virtual musical performance and improvisation on Internet2
Hunt, Andy, Kirk, Ross, Orton, Richard, Merrison, Benji (1998). A Generic Model for Compositional Approaches to Audiovisual Media
Jones, Stephen (2004). Philippa Cullen: Dancing the Music
Keller, Damián, Capasso, Ariadna (2000). Social and Perceptual Processes in the Installation {The Trade}
Keller, Damián, Capasso, Ariadna (2006). New concepts and techniques in eco-composition
Landy, Leigh (1991). What’s the Matter with Today’s Experimental Music: Organized Sound too Rarely Heard
Landy, Leigh (1994a). Experimental Music Notebooks
Landy, Leigh, Jamieson, Evelyn, Ng, Kia (2003). {In Transit} or Realising One’s Aesthetic when the Technology Finally Catches Up
Laubier, Serge de (1999). Le Méta-Instrument a-t-il un son ? Émergence de lois ou de constantes dans le développement d’instruments virtuels
Laubier, Serge de (2000). The Meta-Instrument. How the project started
LINTZ MAUÉS, Igor (1989). Música Eletroacústica no Brasil. Composição utilizando o meio eletrônico (1956 - 1981) (Electroacoustic Music in Brazil: Composition using the electronic media (1956 - 1981))
Lokki, Tapio, Hiipakka, Jarmo, Hänninen, Rami, Ilmonen, Tommi, Savioja, Lauri, Takala, Tapio (1998). Realtime Audiovisual Rendering and Contemporary Audiovisual Art
Lucier, Alvin (1998). Origins of a Form: Acoustical Exploration, Science and Incessancy
Lussac, Olivier (1998). Peindre par les noms, peindre par les sons
Lyons, Andrew D. (2001). Ian Fredericks in Interview: Ideas of an Australian spatial synthesis and mixed media innovator
Machover, Tod (1986). A Stubborn Search for Artistic Unity
McCombe, Christine (2006). Videomusicvideo - Composing across Media
Menard, Philippe (1991). Le projet de Vancouver
Monahan, Gordon (2003). The Amplified Touring Sound Installation
Moorefield, Virgil, Weeter, Jeffrey (2004). The Lucid Dream Ensemble: A laboratory of discovery in the age of convergence
Mountain, Rosemary (2003). Creating and Contributing. The Expensive Spirit of Marcelle Deschênes
Mountain, Rosemary (2004b). Marcelle Deschênes
Mulder, Robert, Allick, Kristi (2002). {Fragrances of Time and Space}: An Omniscape Installation
Mumma, Gordon (1975). Live-Electronic Music
Myatt, Tony (2002). Strategies for Interaction in {Construction 3}
Oliverio, James, Pair, Jarrell (1996). Design and Implementation of a Multimedia Opera
Packer, Randall (2005). Composing with Media: Zero in Time and Space
PAVÓN SARRELANGUE, Raúl (1981). La Electrónica en la Música ... y en el Arte (Electronics in Music ... and the Arts)
Perloff, Nancy (2004). Hearing Spaces: David Tudor’s Collaboration on {Sea Tails}
Pole, Giovanni de, Rocchesso, Davide (1998). Physically Based Sound Modelling
Povall, Richard (1996). Adding Video into the (Real)time Domain
Radovanovic, Vladan (1980). The Composer Between Man and Music
Reddell, Trace (2003). Laptopia: The Spatial Poetics of Networked Laptop Performance

 

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