Art sonore

Genres et catégories [G&C]

 ]

Ce terme a été utilisé pendant plusieurs années sans avoir une définition bien précise. Actuellement, il est généralement employé afin de désigner des installations sonores (liées aux galeries d’art et aux musées), des événements publiques ou des événements dans des lieux particuliers dédiés au sonic art. Son équivalent allemand, Klangkunst, est beaucoup plus courant que le terme anglais.

 

See also

Sonic Art

,

Installation sonore

 

Bibliography:

English - Español - Français - Deutch - Italiano

Alphabetical order - Chronological order

Bandt, Ros (2005). Designing Sound in Public Space in Australia: a comparative study based on the Australian Sound Design Project’s online gallery and database
Barthelmes, Barbara (1999). Klangkunst - eine neue Gattung oder ein interdiscziplinäres Feld? (Sound art - a new genre or an interdisciplinary field?)
Cascella, Daniela (2004). Scultori di suono (Sculptor of sound)
Frisk, Henrik, Yoshida, Miya (2005). New Communications Technology in the Context of Interactive Sound Art: an empirical analysis
Föllmer, Golo (1999a). Klangorganisation im öffentlichen Raum (Sound Organisations in Public Spaces)
Gertich, Frank (1999). Klangskulpturen (Sound sculptures)
Heon, Laura (2005). In Your Ear: hearing art in the twenty-first century
KLEINER, Marcus S. and Achim SZEPANSKI (Ed.) (2003). Soundcultures. Über elektronische und digitale Musik
LA MOTTE-HABER, Helga de (1992). In den Extremen der Dynamik. Maryanne Amachers Wahrnehmungslandschaften (In the Extremes of Dynamics: Maryanne Amacher’s Perception Landscapes)
La Motte-Haber, Helga de (1999b). Klangkunst: Die gedanklichen und geschichtlichen Voraussetzungen: (Sound Art: its concepts and history)
La Motte-Haber, Helga de (1999c). Zwischen Performance und Installation (Between Performance and Installation)
La Motte-Haber, Helga de (Ed.) (1999a). Klangkunst: Tönende Objekte und klingende Räume
Müller, Ulrich (1999). Klangkörper (Sound bodies [or sounding objects])
Sanio, Sabine (1999). Autonomie, Intentionalität, Situation: Aspekte eines erweiterten Kunstbegriffs: (Autonomy, Intention, Situation: Aspects of an expanded concept of art)
Schedel, Margaret Anne (2004). Alternative Venues for Computer Music: SoundGallery_Living Room_ARTSHIP
Senn, Dan (1997). Pendulum-based Instruments, Percussive Video, Sound Art, and the Permanence of Ephemeral Public Art
Siegfried, Walter (1999). same time - same place: orts- und zeitabhängige Kunstformen (site and time-dependent forms of art)
Stelkens, Jörg, Tillmann, Hans G. (Eds.) (1999). KlangForschung ’98: Symposium zur elektronischen Musik
Vickery, Lindsay (2001). The Western Edge: Some recent electronic music from Western Australia

 

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