Musique algorithmique

Genres et catégories [G&C]


Cette catégorie musicale comprend la majeure partie des œuvres dont le processus de composition utilise des algorithmes.


See also




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Alphabetical order - Chronological order

1-60 | 61-69 | >> 60 next

Alsop, Roger (1999). Exploring the Self Through Algorithmic Composition
ASUAR, José Vicente (1972a). Música con Computadores: ¿cómo hacerlo..? (Music with computers: how to do it..?)
Asuar, José Vicente (1980). Un sistema para hacer musica con un Microcomputador (A music-making system using a Microcomputer)
Battier, Marc (2003c). Science et technologie comme sources d’inspiration
Bello, Angelo (2001). Notes on Composing with the UPIC System: The Equipment of Iannis Xenakis
Budon, Osvaldo (2000). Composing with Objects, Networks, and Time Scales: An Interview with Horacio Vaggione
Burt, Warren (1996). Some Parentheses around Algorithmic Composition
Burton, Anthony R., Vladimirova, Tanya (1999). Generation of Musical Sequences with Genetic Techniques
Buxton, William (1978). Computers and the Composer: an Introductory Survey
Chowning, John, Gayou, Évelyne (2005). Entretien entre John Chowning et Évelyne Gayou
Collins, Nick (2002a). Experiments with a New Customisable Interactive Evolution Framework
Degazio, Bruno (1999). La evolución de los organismos musicales (The evolution of musical organisms)
Di Scipio, Agostino (1997). The Problem of 2nd-order Sonorities in Xenakis’ Electroacoustic Music
Di Scipio, Agostino (2001a). Clarification on Xenakis: The Cybernetics of Stochastic Music
Di Scipio, Agostino (2002b). Systems of Embers, Dust, and Clouds: Observations after Xenakis and Brün
Doornbosch, Paul (2002a). Composers’ Views on Mapping in Algorithmic Composition
Doornbusch, Paul (2002b). A Brief Survey of Mapping in Algorithmic Composition
Dorin, Alan (2001). Generative Processes in the Electronic Arts
Dubnov, Shlomo (1999). Stylistic Randomness: About Composing {NTrope Suite}
Fells, Nick (1999). {Kendhang}, {Or} and {Vug}: Three works for performer and live computer system
Ferraz, Silvio, Aldrovandi, Leonardo (2000). Loop-interpolation-random & Gesture: Déjà vu in computer-aided composition
Garnett, Guy E. (2001). The Aesthetics of Interactive Computer Music
Giomi, Francesco (1996). An Early Case of Algorithmic Composition in Italy
Harley, James (1991). Generative Processes in Algorithmic Composition: Chaos and Music
HINOJOSA CHAPEL, Rubén (2003). Realtime Algorithmic Music Systems From Fractals and Chaotic Functions: Toward an Active Musical Instrument
Hoffman, Peter (2001). Analysis through Resynthesis. {Gendy3} by Iannis Xenakis
Hoffmann, Peter (2004). Something Rich and Strange: Exploring the Pitch Structure of {GENDY3}
Hunt, Andy, Kirk, Ross, Orton, Richard, Merrison, Benji (1998). A Generic Model for Compositional Approaches to Audiovisual Media
Impett, Jonathan (1996). Projection and Interactivity of Musical Structures in {Mirror-Rite}
Jacob, Bruce L. (1996). Algorithmic Composition as a Model of Creativity
Järveläinen, Hanna (2001). Algorithmic Musical Composition
Karpen, Richard (2003). An Interview with James Dashow
Keller, Damián, Ferneyhough, Brian (2004). Analysis by Modeling: Xenakis’s {ST/10-1 080262}
Koenig, Gottfried Michael (1967). Notes on the Computer in Music
Koenig, Gottfried Michael (1978). My Experiences with Programmed Music
KOENIG, Gottfried Michael (1983). Integrazione estetica di partiture composte mediante elaboratore - {Segmente} 99-105 (Aesthetic integration of scores realised with a computer - {Segmente} 99-105
Küpper, Léo (1975). Élaboration de la musique électronique à partir d’un ordinateur musical. Tendance à l’automatisation de la composition. Génération d’un monde sonore autonome par interstimulations d’automates sonores
MADDEN, Charles (1999). Fractals in Music. Introductory Mathematics for Musical Analysis
Manzolli, Jonatas, Moroni, Artemis, Zuben, Fernando von, Gudwin, Ricardo (1999). Palatal Sound: An Evolutionary Approach to Algorithmic Composition
Marcenaro, Odilon (1997). Max and Tabula Vigilans: Two programs for algorithmic and rule-based composition
Maurer IV, John A. (1999). A Brief History of Algorithmic Composition
McAlpine, Kenneth, Miranda, Eduardo, Hoggar, Stuart (1999). Making Music with Algorithms: A Case-Study System
Merlier, Bertrand (2002a). Qu’est-ce que l’informatique musicale ?
Moles, Abraham A. (1968). L’évolution actuelle des musiques expérimentales
Monro, Gordon (1997). This is Art, Not Science
NUÑEZ, Adolfo (1993). Informática y Electrónica Musical - 2da. edición, revisada (Musical Electronics and Informatics - 2nd edition, revised)
Pecquet, Frank (1999). From the Model to Its Algorithmic Application
Richard, Dominique (1996). Code - notes - music: An epistemological investigation of algorithmic music
Serra, Marie-Hélène (1993a). Stochastic Composition and Stochastic Timbre: {GENDY3} by Iannis Xenakis
Solomos, Makis (2001). The Unity of Xenakis’s Instrumental and Electroacoustic Music: the Case for “Brownian Movements”
SUPPER, Martin (1992). Clarenz Barlows Computeranwendungen : ’...eine Maschine, um die Arbeit abzunehmen...’ (Clarenz Barlow’s computer applications: ’ ... a machine that reduces your work ... ’)
Supper, Martin (2001). A Few Remarks on Algorithmic Composition
Thywissen, Kurt (1999). GeNotator: An environment for exploring the application of evolutionary techniques
Xenakis, Iannis (1981). Les chemins de la composition musicale
Xenakis, Iannis (1987). Xenakis on Xenakis
ZARIPOV, Rudolf Chafizovic (1985). Musica con il calcolatore. Le regole matematiche della composizione (Music with computers. The mathematical rules of composition - second edition)



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