Aspects socioculturels de la musique électroacoustique

Musicologie et musique électroacoustique [MME]

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Comme la musique est un phénomène culturel, l’étude de ses aspects socioculturels permet une meilleure compréhension de sa place dans une culture donnée à un moment donné. La musique électroacoustique, domaine extrême de l’histoire de la musique, a eu une influence considérable sur la culture qui l’a vue naître. Ce terme désigne donc l’étude de la musique électroacoustique à partir de points de vus sociologiques et anthropologiques.

 

Links

UNESCO DigiArts

- History of electronic music in Asia and the Pacific ( English )
- History of electronic music in Latin America and the Caribbean ( English )
- Introduction à l’histoire et à l’esthétique des musiques électroacoustiques: Session 4 - Ruptures technologiques: révolutions esthétiques? ( French )
- Young Digital Creators: The sound of our water ( English , French , Spanish )
- Young Digital Creators: Scenes and sounds of my city ( English , French , Spanish )

 

Bibliography:

English - Español - Français - Deutch - Italiano

Alphabetical order - Chronological order

1-60 | 61-120 | 121-180 | 181-240 | 241-300 | 301-360 | 361-382 | >> 60 next

Monroe, Alexi (2003). Ice on the Circuits/Coldness as Crisis: The Re-subordination of Laptop Sound
Moore, F. Richard (1992). A Technological Approach to Music
Mountain, Rosemary (2001a). Caveats from a Dyed-in-the-wool Futurist
Mumma, Gordon (1975). Live-Electronic Music
Neill, Ben (2002). Pleasure Beats: Rhythm and the Aesthetics of Current Electronic Music
Neves, Jose Maria (1978). Education by and for Electroacoustic Music - Topics for reflection
Nicollet, Gérard (1998). GMEM (Groupe de Musique expérimentale de Marseille)
Nicollet, Gérard (1998). Métamkine ou le cinéma pour l’oreille
Nishimura, Atsushi (2005). A Tiny Field for Soundscape Design: A Case Study of the Soundscape Museum in Osaka, Japan
Normandeau, Robert (2004). Le studio personnel, la véritable innovation du second cinquantenaire
Norris, Michael, Young, John (2001). Half-heard Sounds in the Summer Air: Electroacoustic Music in Wellington and the South Island of New Zealand
Orga, Ates (1969). Electronic Music in Poland
Paine, Garth (1999). Immersive Virtual Environments: A Social Perspective
PALOMBA, Cristina (1998). Pierre Schaeffer : alla ricerca dell’oggetto sonoro (Pierre Schaeffer : searching the sound object)
Palombini, Carlos (2001). Ideas for a Musicology of Electroacoustic Musics: Notes to a Reading of Landy
Palombini, Carlos (2002). Musique Concrète Revisited
Pape, Gerard (2004). Varèse the Visionary
PARASKEVAÍDIS, Graciela (2000). Eduardo Bértola. Un retrato del compositor argentino (1939-1996) (Eduardo Bértola. A portrait of the Argentinean composer (1939-1996))
Pennycook, Bruce (1986). Language and Resources: A New Paradox
Pennycook, Bruce (1992). Composers and Audiences: New Relationships in the Technological Age
Pignon, Paul (1975). Le studio électronique de radio Belgrade
Polansky, Larry (1998). Signing Together, Hacking Together, Plundering Together: Sonic Intellectual Property in Cybertimes
Polonio, Eduardo (1999). Música + Electroacústica: bodas de oro finiseculares (Music + Electroacoustic: end of the century golden anniversary)
Pongracz, Zoltán (1975). La musique électronique en Hongrie
Pope, Steven Travis (1995). Touched by Machine? - Composition and Performance in the Digital Age
Pope, Steven Travis (1997). Web.La.Radia: Comments on the Social, Economic, and Political Aspects of Media Art and Art Technology
Pope, Steven Travis (Ed.) (1994). Music and Computers: NEMO Composers Panel Discussion
Portevin, Catherine (1991). L’espace radiophonique : le son en plus
Poulard, Gabriel (1991). Sortir de la salle de concert
Pouts-Lajus, Serge (2003). Nouvelles pratiques musicales des amateurs
Prendergast, Mark (2000). The Ambient Century: From Mahler to Trance - The Evolution of Sound in the Electronic Age
Puckette, Miller (2002). Max at Seventeen
Rebelo, Pedro (2002). e-music.pt
Reddell, Trace (2003). Laptopia: The Spatial Poetics of Networked Laptop Performance
Redolfi, Michel, Zanési, Christian (1996). Entretien avec Michel Redolfi
Reich, Steve, Esselier, Françoise (1971). Steve Reich
Riddell, Alistair M. (1996). Music in the Chords of Eternity
Riikonen, Taina (2003). Shaken or Stirred - Virtual reverberation spaces and transformation gender identities in Kaija Saariaho’s {NoaNoa} (1992) for flute and electronics
Risset, Jean-Claude (2004). The liberation of sound, art-science and the digital domain: contacts with Edgard Varèse
Roads, Curtis (1988a). Interview with Morton Subotnik
Roads, Curtis (1990). La recherche musicale : mythe et réalité
Roads, Curtis (1995). The Golden Age
Rocha Iturbide, Manuel (1995). Unfolding the Natural Sound Object through Electroacoustic Composition
Roche, Colin (2003). Du sens politique dans l’utilisation des sons électroniques: {Machinations} de Georges Aperghis, {Tombeaux} de Pierre-Albert Castanet et {Le Grand Jeu} de Bruno Mantovani
Sani, Nicola (1995). Perspectives on Electroacoustic Music Today
Sani, Nicola (1998). Fifty Years of Electroacoustic Music: Where do we go from here?
Sanjek, David (2003). Fairly Used: Negativeland’s {U2} and the Precarious Practice of Acoustic Appropriation
Savouret, Alain (1991). ... Des illusions ...
Savouret, Alain (1998). To young “Discovers” of music...
Scaldaferri, Nicola (1997). Musica nel laboratorio elettroacustico. Lo Studio di Fonologia di Milano e la ricerca musicale negli anni Cinquanta (Music in the electroacoustic laboratory. The Studio di Fonologia in Milan and musical research in the 1950s)
SCALDAFERRI, Nicola (1998). Documenti inediti sullo Studio di Fonologia Musicale della Rai di Milano (Unpublished documentation at the Studio di Fonologia Musicale della Rai di Milano)
Schaeffer, Pierre (1991). March of Time
Schafer, Murray R. (1991). Acoustic Space
SCHNEIDER, Hans (2000). Lose Anweisungen für klare Klangkonstellationen. Musiken und musikalische Phänomene des 20. Jahrhunderts: ihre Bedeutung für die Musikpädagogik (Loose Statements for disntinct sound constellations. Music and musical phonemena of the 20th century: their significance for music pedagogy)
Shimazu, Takehito (1994). The History of Electronic and Computer Music in Japan: Significant Composers and Their Works
Shirt Trax, (2001). No More Mind Games
Shono, Susumu (1990). Techno-éclectisme
Simoni, Mary (2003). Project Lovelace: Unprecedented Opportunities for Music Education
Sivuoja-Gunaratnam, Anne (2003). Desire and Distance in Kaija Saariaho’s {Lonh}
Smith, Ronald B. (2000). An Interview with Tristan Murail

 

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