Aspects socioculturels de la musique électroacoustique

Musicologie et musique électroacoustique [MME]


Comme la musique est un phénomène culturel, l’étude de ses aspects socioculturels permet une meilleure compréhension de sa place dans une culture donnée à un moment donné. La musique électroacoustique, domaine extrême de l’histoire de la musique, a eu une influence considérable sur la culture qui l’a vue naître. Ce terme désigne donc l’étude de la musique électroacoustique à partir de points de vus sociologiques et anthropologiques.




- History of electronic music in Asia and the Pacific ( English )
- History of electronic music in Latin America and the Caribbean ( English )
- Introduction à l’histoire et à l’esthétique des musiques électroacoustiques: Session 4 - Ruptures technologiques: révolutions esthétiques? ( French )
- Young Digital Creators: The sound of our water ( English , French , Spanish )
- Young Digital Creators: Scenes and sounds of my city ( English , French , Spanish )



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Alphabetical order - Chronological order

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Delalande, François (2003b). D’une technologie à l’autre
Delalande, François (2007). The technological era of ‘sound’: a challenge for musicology and a new range of social practices
Denis, Jean-François (2000). L’électroacoustique au Canada
Di Scipio, Agostino (1995b). Centrality of Techné for an Aesthetic Approach on Electroacoustic Music
DI SCIPIO, Agostino (1995d). Riflessioni sull’analisi della musica elettroacustica e informatica
Dickinson, Kay (2001). ‘Believe?’ Vocoders, Digitalised Female Identity and Camp
Dimas de Melo Pimenta, Emanuel (1999). El futuro de la música del futuro (The future of the music of the future)
Doati, Roberto, Vidolin, Alvise (1986). Nuova Atlantide. Il continente della musica elettronica 1900-1986 (New Atlantis. The electronic music continent 1900-1986)
Dobson, Richard (2005). Beckmesser revisited?
Dominique, M. Richard (1992). Short Circuit: The Computer Music’s Edison Complex
Drever, John Levack (2002). Soundscape Composition: The convergence of ethnography and acousmatic music
Droumeva, Milena (2004). The music must always play: redefining the public and private
Dufour, Denis (1991). Enseignement de la composition de musique électroacoustique
Durant, Alan (1990). A New Day for Music? Digital Technologies in Contemporary Music Making
Durante, Sergio, Zattra, Laura (eds.) (2002). Vent’anni di musica elettronica all’università di Padova. Il Centro di Sonologia Computazionale (20 years of electronic music at Padua University. The Centro di Sonologia Computazionale)
Emmerson, Simon (1995b). Electroacoustic Music: Aesthetic Situation and Perspectives
Emmerson, Simon (2000a). Crossing Cultural Boundaries Through Technology?
Emmerson, Simon (2001a). New Spaces/New Places: a Sound House for the performance of electroacoustic music and sonic art
Emmerson, Simon (2001b). From Dance to Dance: Distance and Digits
Emmerson, Simon (Ed.) (2000d). Music, Electronic Media and Culture
Essl, Georg (2003). On Gender in New Music Interface Technology
FABBRI, Franco (1998). Invenzioni, espropri, saccheggi: la “musica elettronica” è anche popular (Inventing, expropriating, stealing: “electronic music” is also popular)
Favaro, Roberto (ed.) (2002). Musica e tecnologia domani. Convegno internazionale sulla musica elettroacustica. Teatro alla Scala 20-21 novembre 1999 (Music and technology tomorrow. International conference on electroacoustic music. Teatro alla Scala, 1999, November 20-21)
Fikentscher, Kai (2003). “There’s not a problem I can’t fix, ‘cause I can do it in the mix”: On the Performative Technology of 12-inch Vinyl
Fischman, Rajmil (1994b). Music for the Masses
Freire, Sérgio (2003). Early Musical Impressions from Both Sides of the Loudspeaker
Fumarola, Martin A. (1999). Electroacoustic Music Practice in Latin America: An Interview with Juan Amenábar
Fumarola, Martin Alejandro (1996). An Approach to a LatinAmerican Computer Music
Fumarola, Martin Alejandro (1998). Change and Permanence in LatinAmerican Electroacoustic and Computer Music: A Compositional Approach
Föllmer, Golo (2005a). Lines of Net Music
GALANTE, Francesco, PESTALOZZA, Luigi (eds.) (1998). Metafonie. Cinquanta anni di musica elettroacustica (Metaphonies. Fifty years of electroacoustic music)
GENTILUCCI, Armando (1972 (reprinted 1983 4th ed., 1990 9th ed.)). Introduzione alla Musica Elettronica (Introduction to electronic music)
Gerwin, Thomas (1997b). On Acoustic Ecology and “Integral Art”
Gillham, Owen (2000). The Crossover of Electroacoustic and Popular Music Culture
Giomi, Francesco (2002). Scuole storiche italiane di musica elettronica (Historical electronic music schools in Italy)
Giorgio, Battistelli (1995). Tecnologia e drammaturgia (Technology and dramaturgy)
Glandien, Kersten (2000). Art on Air: A Profile of New Radio Art
Glinsky, Albert (2000). Theremin: Ether Music and Espionage
Gluck, Robert J. (2005a). eSaz: A non-Western instrument in the context of a live electronic performance system
Gluck, Robert J. (2005b). {Sounds of a Community}: Cultural Identity and Interactive Art
Gluck, Robert J. (2005c). Fifty years of electronic music in Israel
Goethals, Lucien (1978). Considerations
Gripp, Ragnar (1975). La musique expérimentale en Suède
Guerin, François (1991). Un espace mental à favoriser
Hamman, Michael (2004). On Technology and Art: Xenakis at Work
Harvey, Jonathan (1985). Electronics in Music: A New Aesthetic
Hasnizam, Abdul Wahid (2007). Electroacoustic music studies: some thoughts and possibilities
Hawkins, Scott (2002). Wudu
Hegarty, Paul (2001). Noise Threshold: Merzbow and the end of natural sound
Heinrich, Marie-Noëlle (2003). Création musicale et technologies nouvelles
Helmuth, Mara, White, Frances, Norman, Katharine, Roberts, Mary, Seltzer, Linda, Kimura, Mari (1994). Gender & Computer Music
HERRERA, Silvia (2005). Gabriel Brncic: Un primer acercamiento hacia el compositor y maestro chileno en el exilio (Gabriel Brncic: A first approach to the Chilean composer and maestro in his exile)
Hesmondhalgh, David (2000). International Times: Fusions, Exoticism, and Antiracism in Electronic Dance Music
Hinkle-Turner, Elizabeth (2003). Women and Music Technology: Pioneers, Precedents and Issues in the United States
Hinkle-Turner, Elizabeth (2005). Hear Me Now: the implication and significance of the female composer’s voice as sound source in her electroacoustic music
Hinkle-Turner, Elizabeth (2006). Women Composers and Music Technology in the United States
Hirst, David (2001). An Echo from Closed Doors
Holm-Hudson, Kevin (1997). Quotation and Context: Sampling and John Oswald’s Plunderphonics
Hugill, Andrew (2005a). Internet Music: An Introduction
Hugill, Andrew (2005b). From Online Symphonies to MusiMOO: Some Creative Uses of the Internet in Music and Education