Dispositifs électroacoustiques

Production sonore et manipulation [PSM]

 ]

Cette entrée de l’index concerne tout les types de dispositifs utilisés dans la musique électroacoustique.

 

Bibliography:

English - Español - Français - Deutch - Italiano

Alphabetical order - Chronological order

1-60 | 61-120 | 121-180 | 181-191 | >> 60 next

Aharonian, Coriun, Appleton, Jon, Beyls, Peter, Boeswillwald, Pierre, Buxton, Bill, Chiarucci, Henri, Clozier, Christian, Ferreyra, Beatriz, Goethals, Lucien, Hanson, Sten, Kotonski, Wlodzimierz , Küpper, Leo, Pignon, Paul, Menard, Philippe, Nilson, Leo, Rudnik, Eugeniusz, Savouret, Alain (1975). La musique électroacoustique en 5 thèmes
Allick, Kristi A., Mulder, Robert C. F. (1993). Skyharp: An Interactive Electroacoustic Instrument
Alonso, Sydney, Appleton, Jon, Jones, Cameron (1975). Description d’un système digital spécifique pour l’enseignement, la composition et l’exécution de la musique
Andersen, Tue Haste (2003). Mixxx: Towards Novel DJ Interfaces
Anderson, Elizabeth (2006). {Ce qu’a vu le vent d’Est} (d’après Debussy) by Annette Vande Gorne: Compositional Strategies. A Bridge with the Past in the Acousmatic Field
Appleton, Jon H., Perera, Ronald C. (1975). The Development and Practice of Electronic Music
Auzet, Roland (2000). Gesture-following Devices for Percussionists
Baalman, Marije A. J. (2003). The STRIMIDILATOR: a String Controlled MIDI-Instrument
Barrett, Natasha (2005). {Adsonore}
Basque, Nicolas (2000). Évolution de la musique électroacoustique à Montréal
Battier, Marc (1990). Les principaux centres de recherche musicale aux Etats-Unis
Battier, Marc (1995b). Entre l’idée et l’œuvre: parcours de l’informatique musicale
Battier, Marc (1999b). Les polarités de la lutherie électronique
Battier, Marc (2003d). Laboratoires
Becker, Barbara, Eckel, Gerhard (1996). On the Use of Computer Systems in Contemporary Composition
Bernardini, Nicola (1986). Live electronics
Beyls, Peter (1978). History and development of IPEM Studio
Blaine , Tina (2005). The Convergence of Alternate Controllers and Musical Interfaces in Interactive Entertainment
Blaine, Tina, Fels, Sidney (2003b). Contexts of Collaborative Musical Experiences
Bosch, Peter, Simons, Simone (2005). Our music machines
Bowers, John, Archer, Phil (2005). Not Hyper, Not Meta, Not Cyber but Infra-Instruments
Cadoz, Claude (1999). Musique, geste, technologie
Cannon, Cormac, Hughes, Stephen, Ó Modhráin, Síle (2003). EpipE: Exploration of the Uilleann Pipes as a Potential Controller for Computer-based Music
Chabot, Xavier (1993). To Listen and To See: Making and Using Electronic Instruments
Chadabe, Joel (2000a). Devices I have Known and Loved
Chadabe, Joel (2002). The Limitations of Mapping as a Structural Descriptive in Electronic Instruments
Chion, Michel, Le Mézo, Ermeline (2005). Interview
Ciamaga, Gustav (1975). The Tape Studio
Clozier, Christian (1975). Le groupe de musique expérimentale de Bourges
Collins, Nicolas (2006). Handmade Electronic Music: The Art of Hardware Hacking
Cook, Perry (2004). Remutualizing the Musical Instrument: Co-Design of Synthesis Algorithms and Controllers
Coupigny, Francis (2001). Sous la direction de Pierre Schaeffer : repères pour un parcours inventif
Davies, Hugh (1986). Storia ed evoluzione degli strumenti musicali elettronici (Historical evolution of electronic music instruments)
Davis, Deta S. (1988). Computer Applications in Music: A Bibliography
Delalande, François (2003b). D’une technologie à l’autre
Di Scipio, Agostino (1995b). Centrality of Techné for an Aesthetic Approach on Electroacoustic Music
Doati, Roberto, Vidolin, Alvise (1986). Nuova Atlantide. Il continente della musica elettronica 1900-1986 (New Atlantis. The electronic music continent 1900-1986)
Dodge, Charles (1995). Aesthetic Situation and Actual View of Electroacoustic Music
Durante, Sergio, Zattra, Laura (eds.) (2002). Vent’anni di musica elettronica all’università di Padova. Il Centro di Sonologia Computazionale (20 years of electronic music at Padua University. The Centro di Sonologia Computazionale)
Dürr, Bernard (1986). Journal des {Chants parallèles} de Luciano Berio
Eloy, Christian (2001). Du magnétophone à l’ordinateur : quels changements pour la création électroacoustique avec les enfants?
Ernst, David (1972). Musique Concrète
Essl, Georg, O’Modhrain, Sile (2006). An enactive approach to the design of new tangible musical instruments
Favilla, Stuart, Cannon, Joanne (2006). Fetish: Bent Leather’s palpable, visceral instruments and Grainger
Fels, Sidney, Kaastra, Linda, Takahashi, Sachiyo, McCaig, Graeme (2004). Evolving Tooka: from Experiment to Instrument
Fels, Sidney, Vogt, Florian (2002). Tooka: Explorations of Two Person Instruments
Ferrari, Luc, Caux Daniel, Zanési, Christian, (1989). Acousmathèque Luc Ferrari, 60 ans, Le machiniste
Franco, Enrique, Griffith, Niall J. L., Fernström, Mikael (2004). Issues for Designing a flexible expressive audiovisual system for real-time performance & composition
Freeman, Jason, Varnik, Kristjan, Ramakrishnan, C., Neuhaus, Max, Burk, Phil, Birchfield, David (2005). Auracle: a voice-controlled, networked sound instrument
Gaye, Lalya, Holmquist, Lars Erik (2004). In Duet with Everyday Urban Settings: A User Study of Sonic City
Gaye, Lalya, Mazé, Ramia, Holmquist, Lars Erik (2003). Sonic City: The Urban Environment as a Musical Interface
Gaye, Layla, Holmquist, Lars Erik, Behrendt, Frauke, Tanaka, Atau (2006). Mobile Music Technology: Report on Emerging Community
Ghazala, Qubais Reed (2004). The Folk Music of Chance Electronics: Circuit-Bending the Modern Coconut
Giomi, Francesco (2002). Scuole storiche italiane di musica elettronica (Historical electronic music schools in Italy)
Glinsky, Albert (2000). Theremin: Ether Music and Espionage
Goethals, Lucien (1978). Considerations
Gripp, Ragnar (1975). La musique expérimentale en Suède
Gunther, Eric, O’Modhrain, Sile (2003). Cutaneous Grooves: Composing for the Sense of Touch
Gurevich, Michael, Muehlen, Stephan von (2001). The Accordiatron: A MIDI Controller For Interactive Music
Hatanaka, Motohide (2003). Ergonomic Design of A Portable Musical Instrument

 

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