Macrostructure

Structure musicale [Str]

 ]

Ce terme générique désigne la création ou l’identification d’entités plus larges que celles se trouvant au niveau des unités sonores et employées dans la création de l’architecture d’une œuvre électroacoustique. Ce terme est complémentaire de microstructure.

 

Bibliography:

English - Español - Français - Deutch - Italiano

Alphabetical order - Chronological order

Alvarez, Javier (1989). Rhythm as Motion Discovered
Barrett, Natasha (2000b). A Compositional Methodology Based on Data Extracted from Natural Phenomena
Boehmer, Konrad (2002). Koenig - Sound Composition - {Essay}
Criton, Pascale (2005). Mutation and Processuality in the Musical Thought of Horacio Vaggione
Decroupet, Pascal, Ungeheuer, Elena (2002). Through the Sensory Looking-Glass: The Aesthetic and Serial Foundations of {Gesang der Jünglinge}
DeLio, Thomas (2002). {Diamorphoses} by Iannis Xenakis
Fischman, Rajmil (1999). Score of {Point-virgule} (Electro-clip by Jean-François Denis)
Giomi, Francesco, Ligabue, Marco (1998). Evangelisti’s Composition Incontri di Fasce Sonore at WDR: Aesthesic-Cognitive Analysis in Theory and Practice
Hatzis, Christos (1998). {The Law of One}: Recursive structures in composition
Keller, Damián, Capasso, Ariadna (2000). Social and Perceptual Processes in the Installation {The Trade}
Kohl, Jerome (2002). Serial Composition, Serial Form, and Process in Karlheinz Stockhausen’s {Telemusik}
Kröpfl, Francisco (1996). An Approach to the Analysis of Electroacoustic Music
Laliberté, Martin (2005). An Analytic Approach to Horacio Vaggione’s {Till}
Licata, Thomas (2002a). Luigi Nono’s {Omaggio a Emilio Vedova}
Mary, Mario (2006). L’orchestration électroacoustique. Une approche particulière à la composition électroacoustique. Ses liens avec la musique instrumentale et ses applications dans le domaine de l’analyse musicale
Risset, Jean-Claude (1991b). Timbre, Analysis by Synthesis: Representations, Imitations, and Variants for Musical Composition
Roads, Curtis (2001b). The Time Domain
Sedes, Anne (2005). Aspects of Time in the Music of Horacio Vaggione
Truax, Barry (1980b). Timbral Construction as a Stochastic Process
Truax, Barry (1982). Timbral Construction in {Arras} as a Stochastic Process
Truax, Barry (2001c). Time and Electroacoustic Music
Twombly, Kristian (2002). Oppositional Dialectics in Joji Yuasa’s {The Sea Darkens}
Ungeheuer, Elena, Decroupet, Pascal (1998). Through the Sensory Looking-glass: the Aesthetic and Serial Foundations of {Gesang des Jünglinge}
Vaggione, Horacio (1994). Timbre as Syntax: A Spectral Modeling Approach
Vaggione, Horacio (1998b). Transformations Morphologiques et Echelles Temporelles
Vaggione, Horacio (2003). Composition musicale et moyens informatiques : questions d’approche
Vaggione, Horacio (2005). Notes on {Atem}
Xenakis, Iannis (1985). Music Composition Treks

 

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