Microstructure

Structure musicale [Str]

 ]

Ce terme générique, complémentaire du terme macrostructure, désigne la création ou l’identification d’entités au niveau des plus petites structures sonores et utilisées dans la création de l’architecture d’œuvres électroacoustiques.

 

Bibliography:

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Alphabetical order - Chronological order

Barrett, Natasha (2000a). Musical Structure, Shifting Perspectives and Composition
Barrett, Natasha (2000b). A Compositional Methodology Based on Data Extracted from Natural Phenomena
Bello, Angelo (2001). Notes on Composing with the UPIC System: The Equipment of Iannis Xenakis
Bernardini, Nicola, Rudi, Jøran (2002). Compositional Use of Digital Audio Effects
Blackwell, Tim, Young, Michael (2004). Self-organised Music
Boehmer, Konrad (2002). Koenig - Sound Composition - {Essay}
Brandorff, Steffen, Cour, Jørgen la (1975). Aspects of the Serial Procedures in Karlheinz Stockhausen’s Kontakte
Criton, Pascale (2005). Mutation and Processuality in the Musical Thought of Horacio Vaggione
Decroupet, Pascal, Ungeheuer, Elena (2002). Through the Sensory Looking-Glass: The Aesthetic and Serial Foundations of {Gesang der Jünglinge}
DeLio, Thomas (2002). {Diamorphoses} by Iannis Xenakis
Di Scipio, Agostino (1994b). Micro-time Sonic Design and Timbre Formation
Emmerson, Simon (1998a). Acoustic/Electroacoustic: The Relationship with Instruments
Ferrari, Giordano (2005). {Perspectivae sintagma I} : une analyse
FERRARI, Luc (1966). Tautologos I
Fischman, Rajmil (1999). Score of {Point-virgule} (Electro-clip by Jean-François Denis)
Giomi, Francesco, Ligabue, Marco (1998). Evangelisti’s Composition Incontri di Fasce Sonore at WDR: Aesthesic-Cognitive Analysis in Theory and Practice
Hatzis, Christos (1998). {The Law of One}: Recursive structures in composition
Hoffman, Peter (2001). Analysis through Resynthesis. {Gendy3} by Iannis Xenakis
Keller, Damián, Capasso, Ariadna (2000). Social and Perceptual Processes in the Installation {The Trade}
Kohl, Jerome (2002). Serial Composition, Serial Form, and Process in Karlheinz Stockhausen’s {Telemusik}
Kröpfl, Francisco (1998). Organizing Sound in Electroacoustic Music, questions and Hints: a Proposal of Exploration for the Young
Laliberté, Martin (2005). An Analytic Approach to Horacio Vaggione’s {Till}
Licata, Thomas (2002a). Luigi Nono’s {Omaggio a Emilio Vedova}
Lotis, Theodoros (2003). The Creation and Projection of Ambiophonic and Geometrical Sonic Spaces with Reference to Denis Smalley’s {Base Metals}
Marino, Gérard, Serra, Marie-Hélène, Raczinski, Jean-Michel (1993). The UPIC System: Origins and Innovations
Mary, Mario (2006). L’orchestration électroacoustique. Une approche particulière à la composition électroacoustique. Ses liens avec la musique instrumentale et ses applications dans le domaine de l’analyse musicale
Mion, Philippe, Nattiez, Jean-Jacques, Thomas, Jean-Christophe (1982). L’envers d’une œuvre. {De Natura Sonorum} de Bernard Parmegiani
Palombini, Carlos (1993b). Pierre Schaeffer’s Typo-Morphology of Sonic Objects
Risset, Jean-Claude (1991b). Timbre, Analysis by Synthesis: Representations, Imitations, and Variants for Musical Composition
Roads, Curtis (2001b). The Time Domain
Robindoré, Brigitte (1996). Eskhaté Ereuna: Extending the Limits of Musical Thought-Comments On and By Iannis Xenakis
Sedes, Anne (2005). Aspects of Time in the Music of Horacio Vaggione
Soulez, Antonia, Vaggione, Horacio (2005). Composing, Listening
Truax, Barry (1980b). Timbral Construction as a Stochastic Process
Truax, Barry (1982). Timbral Construction in {Arras} as a Stochastic Process
Truax, Barry (1995b). La composition basée sur le timbre avec son granulaire
Truax, Barry (2001c). Time and Electroacoustic Music
Ungeheuer, Elena, Decroupet, Pascal (1998). Through the Sensory Looking-glass: the Aesthetic and Serial Foundations of {Gesang des Jünglinge}
Vaggione, Horacio (1994). Timbre as Syntax: A Spectral Modeling Approach
Vaggione, Horacio (1996a). Morphological Transformations Though Analysis and Resynthesis
Vaggione, Horacio (1998b). Transformations Morphologiques et Echelles Temporelles
Vaggione, Horacio (2003). Composition musicale et moyens informatiques : questions d’approche
Vaggione, Horacio (2005). Notes on {Atem}
Xenakis, Iannis (1985). Music Composition Treks

 

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