Études interdisciplinaires

Champs d’étude [CdE]


Recherche dans laquelle des méthodologies de disciplines différentes sont appliquées. La musique électroacoustique est par nature un champs interdisciplinaire.



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Alphabetical order - Chronological order

Abbot, Curtis (1985). Introduction (ACM computing surveys: special edition on Computer Music)
Barrachina, Solange (2003). {Camera oscura}, regard sur l’œuvre et sa chorégraphie
Barrett, Natasha, Hammer, Oyvind (1998). Mimetic Dynamics
Born, Georgina (1995). Rationalizing Culture: IRCAM, Boulez, and the Institutionalization of the Musical Avant-Garde
Bosma, Hannah (1996). Authorship and Female Voices in Electrovocal Music
Böhme, Gernot (2000). Acoustic Atmospheres: A Contribution to the Study of Ecological Aesthetics
Cook, Nicholas (1998). Analysing Musical Multimedia
Ferrington, Gary (2001). Acoustic Ecology and Environmental Studies: A New Academic Home for the Teaching of Ecoacoustics
Friedl, Reinhold (2002). Some Sadomasochistic Aspects of Musical Pleasure
Giannakis, Kostas, Smith, Matt (2000). Auditory-Visual Associations for Music Compositional Processes: A Survey
Jones, Stephen (2004). Philippa Cullen: Dancing the Music
Kahn, Douglas (1999). Noise, Water, Meat: A History of Sound in the Arts
LaBelle, Brandon, Breitsameter, Sabine (2002). Questionnaire
Lysloff, René T. A., Gay, Leslie C. jr (2003b). Introduction: Ethnomusicology in the Twenty-first Century
Makan, Keeril (2003). An Interview with Gerard Pape
Marsh, Charity, West, Melissa (2003). The Nature/Technology Binary Opposition Dismantled in the Music of Madonna
McCartney, Andra (2000d). Sounding Places with Hildegard Westerkamp
Milicevic, Mladen (1996). The Impact of Fractals, Chaos, and Complexity Theory on Computer Music Composition
Mountain, Rosemary (2003). Creating and Contributing. The Expensive Spirit of Marcelle Deschênes
Nucibella, Francesca, Zattra, Laura (2005). Audio content tools for the musicological analysis of electroacoustic music
Nuhn, Ralf, Eaglestone, Barry, Ford, Nigel, Moore, Adrian, Brown, Guy (2002). A Qualitative Analysis of Composers at Work
Pecquet, Frank (1999). From the Model to Its Algorithmic Application
Risset, Jean-Claude (2004). The liberation of sound, art-science and the digital domain: contacts with Edgard Varèse
Schaeffer, Pierre (1960). Le contrepoint du son et de l’image
Sturm, Bob L. (2001). Composing for an Ensemble of Atoms: The metamorphosis of scientific experiment into music
Velasco, Daniel (2000). {Island Landscape}: Following in Humboldt’s Footsteps through the Acoustic Spaces of the Tropics
Warde, Ann (1999). Change Over Time: Responsibility and Power in the Midst of Catastrophe
Whitney, John (1994). To Paint on Water: The Audiovisual Duet of Complementarity
Windsor, W. Luke (1994). Using Auditory Information for Events in Electroacoustic Music
Worrall, David (1996). Studies in Metamusical Methods for Sound and Image Composition