Spettralismo

Genres and Categories [G&C]  ]

Termine che a partire dagli anni Ottanta indica le opere di alcuni compositori, nelle quali i suoni strumentali, la voce e i suoni ambientali servono da modello a partire dal quale viene generata o derivata la composizione del brano (per esempio la sua microstruttura, la macrostruttura, il contenuto armonico). Il termine deriva dalla parola “spettro”.

La composizione di opere spettrali è stata facilitata dall’utizzo del computer, poiché questo permette l’analisi spettrale, la modellizzazione e la rappresentazione di un suono (molti dei compositori hanno lavorato all’IRCAM di Parigi, dove negli anni 80 e 90 venne sviluppata un’intensa ricerca spettrale). Le opere elettroacustiche possono essere miste con la presenza di strumenti, cantanti, live electronics o nastro. Tra i compositori citiamo Kaija Saariaho, Tristan Murail, Gerard Grisey, Magnus Lindberg.

 

Bibliography:

English - Español - Français - Deutch - Italiano

Alphabetical order - Chronological order

Barlow, Clarence (1996). On the Spectral Analysis of Speech for Subsequent Resynthesis by Acoustic Instruments
Battier, Marc (2002b). L’opéra et les technologies du son artificiel
Battier, Marc (2003c). Science et technologie comme sources d’inspiration
Battier, Marc, Nouno, Gilbert (2003). L’électronique dans l’opéra de Kaija Saariaho, {L’amour de loin}
Bossis, Bruno (2004a). {Mortuos Plango, Vivos Voco} de Jonathan Harvey ou le miroir de la spiritualité
CASTANET, Pierre Albert (1996). Elektroakustische Technik als Modell. Zur École spectrale in Frankreich (Electroacoustic Techniques as a Model: On the French école spectrale)
Daubresse, Eric, Assayag, Gerard (2000). Technology and Creation - The Creative Evolution
Fineberg, Joshua (2000). Spectral Music
Fineberg, Joshua (2000a). Guide to the Basic Concepts and Techniques of Spectral Music
Harvey, Jonathan, Corlaix, Omer (1999). Jonathan Harvey, l’âme ailée
Lorieux, Grégoire (2004). Une analyse d’{Amers} de Kaija Saariaho
Murail, Tristan (1984). Spectra and pixies
Murail, Tristan (2005a). Spectra and Sprites
Murail, Tristan (2005b). Target Practice
Saariaho, Kaija, Hoitenga, Camilla, Karttunen, Ansi, Barrière, Jean-Baptiste, Stoianova, Ivanka, Mathieu, Jean-Baptiste (1999). Prisma
Stevance, Sophie M. (2005). De l’univers acoustique aux sphères électroniques : l’itinéraire du timbre dans le {Clair-Obscur} parasité de Roger Tessier

 

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