Analisi strutturale

Musicology of Electroacoustic Music [MEM]  > 



Analisi che punta ad evidenziare la struttura di un brano attraverso vari livelli di segmentazione (micro e macro livelli) del "testo" sonoro e la messa in relazione (l’articolazione) di questi vari segmenti.



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McCartney, Andra (2000b). Hildegard Westerkamp’s {Moments of Laughter}: Recording Childhood, Performing Motherhood, Refusing to Shup Up, and Laughing
Miereanu, Costin (1974). Une musique électronique et sa “partition” {Artikulation}
Mikic, Vesna (1996). {The Duel} as the Answer
Mion, Philippe (2001). {La grotte}, extrait de {Hétérozygote}
Mion, Philippe (2007). Analytical commentaries of {Les voix de Pierre Schaeffer} by Christian Zanési
Obst, Michael (1997). {Fábrica} - a Structural Analysis
Pottier, Laurent (1997). Exemple d’utilisation des outils de CAO pour la synthèse sonore. {En trance} de Fausto Romitelli pour soproano, ensemble et dispositif électronique
Pottier, Laurent (2005). {Turenas}, analyse
Risset, Jean-Claude (1991b). Timbre, Analysis by Synthesis: Representations, Imitations, and Variants for Musical Composition
Risset, Jean-Claude, Sousa Dias, Antonio de, Lorrain, Denis, Pottier, Laurent (2002). De {Inharmonique} à {Resonant Sound Space} : temps réal et mise en espace
Roy, Stéphane (1993). Analyse des œuvres acousmatiques: quelques fondements et proposition d’une méthode
Roy, Stéphane (1998). Functional and Implicative Analysis of {Ombres Blanches}
Salluce, Antonio (2005). {Phoné}
Sani, Nicola (1997). Analysis of {Wassererinnerungen}, Part II, {The Pool}
Scaldaferri, Nicola (1997). Musica nel laboratorio elettroacustico. Lo Studio di Fonologia di Milano e la ricerca musicale negli anni Cinquanta (Music in the electroacoustic laboratory. The Studio di Fonologia in Milan and musical research in the 1950s)
SCHATT, Peter W. (2005). L’arte della transizione : funzioni dell’elettronica in {Mixtur} di Karlheinz Stockhausen (The art of transition: electronic functions in {Mixtur} by Karlheinz Stockhausen)
Smalley, Denis (1982a). Problems of Materials and Structure in Electro-Acoustic Music (part 1)
Smalley, Denis (1982b). Problems of Materials and Structure in Electro-Acoustic Music (part 2)
Solomos, Makis (1999b). Notes sur François-Bernard Mâche et {L’estuaire du temps}
Squibbs, Ronald (1996). Images of Sound in Xenakis’s {Mycenae-Alpha}
Stockhausen, Karlheinz (1962). The Concept of Unity in Electronic Music
Teruggi, Daniel (2001b). Après une écoute de {Sud}
Tiffon, Vincent (2002). Jean-Claude Risset : {Sud} (1985)
Toop, Richard (1981). Stockhausen’s Electronic Works: Sketches and Work-Sheets from 1952-1967
Twombly, Kristian (2002). Oppositional Dialectics in Joji Yuasa’s {The Sea Darkens}
Ungeheuer, Elena (1994). From the Elements to the Continuum: Timbre Composition in Early Electronic Music
Ungeheuer, Elena, Decroupet, Pascal (1998). Through the Sensory Looking-glass: the Aesthetic and Serial Foundations of {Gesang des Jünglinge}
Whalley, Ian (1999). Beyond Pitch/Duration Scoring: Towards A System Dynamics Model Of Electroacoustic Music
Williams, Tom (1993). {Vox V} by Trevor Wishart: The Analysis of an Electroacoustic Tape Piece
Wishart, Trevor (1978). Red Bird: A Document
Wishart, Trevor (2000). Sonic Composition in {Tongues of Fire}
Zattra, Laura (2004). Searching for Lost Data: Outlines of aesthesic-poietic analysis