Riconoscimento della fonte

Musicology of Electroacoustic Music [MEM]  > 

Esperienza di Ascolto

 ]

Il termine indica la capacità di un ascoltatore di attribuire una origine fisica reale o immaginaria o la provenienza di un suono. Questa abilità può essere molto importante nelle situazioni di ascolto acusmatico nella misura in cui può far parte del discorso musicale. il termine è correlato al concetto di timbro.

 

See also

Suono astratto

,

Acusmatico, ca

,

Gesto

,

Mimesis

,

Suono referenziale

,

Legame con la fonte (Source Bounding)

,

Spettromorfologia

,

Surrogacy

,

Timbro

 

Bibliography:

English - Español - Français - Deutch - Italiano

Alphabetical order - Chronological order

Copeland, Darren (1998). Vers une conscience d’associations/For An Awareness Of Associations
Couprie, Pierre (2001b). Transcription globale : introduction à la représentation
Field, Ambrose (1996). An Introduction to Discovery Strategy
Hanson, Sten (1996). Autoanalysis?
Hoopen, Christiane ten (1994a). Issues in Timbre and Perception
Hoopen, Christiane ten (1997). Perceptions of Sound: Source, cause and human presence in electroacoustic music
IRCAM-Hyptique, (1999). Dix jeux d’écoute
Landy, Leigh (2001b). Measuring Intention against Reception in Electroacoustic Music: a new opportunity for analysis
McCartney, Andra (2000d). Sounding Places with Hildegard Westerkamp
Palombini, Carlos (1993a). Pierre Schaeffer: from Research into Noises to Experimental Music
Palombini, Carlos (1993b). Pierre Schaeffer’s Typo-Morphology of Sonic Objects
Palombini, Carlos (2002). Musique Concrète Revisited
Rudy, Paul (2007). Timbral praxis: when a tree falls in the forest is it music?
Smalley, Denis (1993). Defining Transformations
Weale, Rob (2005a). The Intention/Reception Project: Investigating Composer Intention and Listener Response in Electroacoustic Compositions
Weale, Rob (2005b). The Intention/Reception Project: Investigating the Relationship Between Composer Intention and Listener Response in Electroacoustic Compositions
Weale, Rob (2006). Discovering How Accessible Electroacoustic Music Can Be: the Intention/Reception project
Weale, Rob (2007). Mapping perception across the communitive continuum as a prelude to analysis
Windsor, W. Luke (1997). Frequency Structure in Electroacoustic Music: Ideology, function and perception
Windsor, W. Luke (2000). Through and Around the Acousmatic: The Interpretation of Electroacoustic Sounds
Wishart, Trevor (1986a). Sound Symbols and Landscapes
Young, John (1994). The Extended Environment
Young, John (1996). Imagining the Source: The Interplay of Realism and Abstraction in Electroacoustic Music

 

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